Tully, Or Not Tully? That Is The Question

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The artistic movie is one that makes one think, makes a bold statement, and often pushes the boundaries on the normal cinematography.  Some of the movies that fall in this category are Juno and Young Adult, two movies that are all about pushing one to address morale and social issues that are becoming ever abundant in this world. This weekend, the studio continues its trend, with another film that looks to address some social quirk in hopes of shedding the light on the topic.  Robbie K is back with a written review on the latest movie called:

 

Movie: Tully

 

Director:

Jason Reitman

Writer:

Diablo Cody

Stars:

Charlize Theron,  Mackenzie Davis,  Mark Duplass

 

 

LIKES:

The Acting:  Charlize Theron continues the fantastic work of bringing characters to life, curbing her usual sullen mood and silky-smooth voice and transforming it to something truly wonderful.  She brings the suffering of postpartum depression out in full fold and crushes it with her amazing talent, and for once the extreme characters she normally plays are gone, replaced with someone you can grip on to.  Then bring in Mackenzie Davis as Tully, who brings vibrant energy, rational thought, and a new outlook to mix things up and brighten the mood.  The chemistry between the two leads is a defining strength of this movie, which keeps the conversation going and the pace moving.

 

Good Pace:  Most of the movies by this directing/writing combo is often slow and too drawn out for me.  This was the opposite case for me in this film, as Tully managed to tell the tale in a very concise manner, at a speed that was engaging to watch.  A nice crafted story to make things work, this movie shouldn’t induce any sleep for most.

 

Beautiful Makeup:  I don’t know if Theron had to put on weight, or a there were good prosthetics, but the work-up is beautiful in this movie. Theron looks pregnant for the whole 20 minutes she is carrying her baby, and the after body goes through a metamorphosis reflecting the post-partum body.  It’s impressive, accurate, and quite well done to immerse you further into the character’s life. 

 

Realism: The thing about these movies, is that they tend to be on the more realistic side than most blockbusters. Tully continues this trend and does a swell job of crafting a tale related around a serious disease, collecting various struggles, hazards, and emotional torrents of this delicate time.  While there are still some movie magic moments, the film I think hits the highlights to exemplify the suffering these women have after birth, and more so in the valuable lessons life has to offer.

 

Morals:  There are plenty of scenes to entertain and show off Theron’s talent.  However, this reviewer loves the three powerful moments where lessons are taught. Tully’s story drops some beautiful dialogue down to address the imbalances that modern society manages to look over.  Keeping your ears open, Tully will attempt to break your glass ceilings on issue such as parenting, happiness, and marriage, providing some sound advice to help balance the numerous responsibilities involved in these parts of life.  I for one loved how casual it felt and hope to see such natural dialogue in the future installments of this universe.

 

Twist:  The movie has a nice “twist” to help get some responses out of the audience.  While this reviewer called it at about forty-five minutes into the film, most will like what Cody’s writing has in store.  Get ready for a nice symbolic mix-up that mostly fits into the film, because you’re going to appreciate the integration it has to offer.

 

DISLIKES:

 

Hasty Conclusions: Tully is filled with analytical moments in an attempt to dissect all aspects of motherhood.  While these components are relative and essential, the film fails to decently tie up some of the problems her family has.  True, it’s about her growth and taking steps to improve on herself and family, there were a few solutions that came too easily or were left as only a glimmer of hope.  I’ll agree the ending is wrapped up, but it’s just not as wrapped up as I had hoped.

 

Limited Audience: These movies may be artistic, but they are also very limited in who will get the most out of this movie.  Tully’s audience is going to be for those who have experienced the hardships of motherhood, battled the grasp of post-partum depression, or have lost their way in marriage/life.  Outside of that, the general audience is going to close themselves off to the artistic approach of this movie

 

Twist Offsets Energy: For once, Cody’s writing managed to actually excite me in its education about life and unique approach to tackling it head on.  As Tully and Theron go on their adventures to clear the clouds of distress, I started to feel better and enjoyed watching the nanny piece life back together.  Then the twist comes in and offsets that journey, an accurate representation of life, the surprise disheveled the great pace and approach for a predictable tangent that hastily wraps it up.  I applaud creativity, but after enjoying such a good pace, it stunk to see it ripped out and offset the vibes it put out.

 

The VERDICT:

 

            Tully turned out to be better than I had expected. The script is strong, pushing for change in a natural way and fostering growth along a number of important life lesson battlegrounds.  A great chemistry makes for engaging characters and the twist is there to mix things up.  However, Tully still suffers from hitting a limited audience group and outside of still being an exhausting movie, the ray of hope in the gradual solving of problems gets offset by the twist and leads to a rather hasty conclusion.  Still, the movie is much better than expected, though you might be better off waiting for this movie to hit home viewing unless you are going as a focus group. 

 

My scores are

 

Comedy/Drama:  7.0

Movie Overall: 7.0

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