I Still Believe In Balanced Religion Movies

I Still Believe Poster

 

Religion is a touchy subject to many out there in the world, especially given politics of today and the verbal sharing of the world.  Yet, there is something inspirational in the stories that are told and the miracles they can bring in their messages .  Tonight is another one of those movies that hopes to bring the word of the Lord to life, in a format that’s slightly more modern than the bible they are based on.  Yet, the movie sometimes loses its focus when it gets too preachy, and only those are major devotion will enjoy those moments to the max.  Will this latest romance/drama follow suit, or will we be treated to a fun surprise.  Well sit down and enjoy the ride as we hit up:

 

Movie: I Still Believe (2020)

 

Directors:

Andrew ErwinJon Erwin

Writers:

Jon ErwinJon Gunn

Stars:

Britt RobertsonK.J. ApaMelissa Roxburgh

 

 

LIKES:

  • Cute
  • Moves At A Decent Pace
  • Passionate Scenes
  • Cool Display of Miracles
  • Some Of The dialogue
  • The Musical Performances… when they happened

 

DISLIKES:

  • Not Much Story With The Family Or Other Supporting Characters
  • Not many Songs or Length Of Songs
  • Almost Feels Incomplete
  • The Acting at Times Is Very Forced
  • Diluted The Impact Of The Story With limited writing
  • Preachy

 

SUMMARY:

A movie with young romance is often very cute in a movie like this, to which this film succeeds at achieving. The relationship may start at awkward, but eventually evolves into something that is adorable to see unfold, especially at the energy it brings to what can potentially be a depressing movie.  Unlike some other movies, the film manages to keep a good pace, always keeping the romance moving towards what will surely be an intense lesson and minimizing how many tangents these films can sometimes take.  Eventually, the movie crosses a barrier though, and drops into a passionate story that shows you just how much these two people love each other.  From all the acts the guy and girl do for each other, this true story is inspiring to see that there just may be hope for the world at times.  The miracles that come out of the woodwork in this film are also pretty cool as well, displays that no one can expect (unless you read about them) again helping drive you to the faith and salvation that comes with it.  Messages like these are only further emphasized by some amazing writing, which could have been adapted from the live letters the couple donated, that are poetic, heartfelt, and even brings tears to much of the audience.  Finally, the musical moments that show off not only praising, but the talented voices of our actors, helped add a little variety to the mix, my favorite being the beach scene that seemed to culminate the power of music. 

 

However, the movie happens to fail on some other things for me that took away from me from this film.  First, despite this being a movie about coming together in the name of the Lord, the family’s involvement was actually a little limiting. Their impact has its moments, but I felt very disconnected with most of the other members, as the two protagonists danced around their relationship, which I guess is what most go into looking forward.  Now maybe the songs make up for it, after all there are plenty of these films where the music comes in to save the day with a stunning performance.  This movie has one moment to have you lift your arms, but outside of a few numbers, the songs are mostly sound bites and quickened performances that get lost to dialogue.  My friend and I both really could have enjoyed the musical spectacles, but alas they did not put stock in it.  As such, the film feels very incomplete in terms of involvement and integration, a shame given the potential of the film from the trailers.  In terms of acting, they are okay, nothing that blew my mind, but was believable in the moments that counted.  However, the movie feels very forced at times, the dialogue in particular coming off a bit cheesy as the actors try to make the words come to life as the chemistry is developing.  Humorous at times, whether meaning to or not, I was hoping that some better writing or adaptations to the lines could have really stood out (which got better as the movie neared its finish).  It’s not that it’s bad, please don’t take it that way, but compared to other movies… the writing did not really amplify this tale like I expected.  Finally, you know it’s coming, but the movie dives into the realm of being preachy again.  If you are a devoted worshipper, this will not impact you one bit, and though faithful to the word I have to put my bias aside.  There are times where the dialogue is very forced to the written word, going to the preachy side that will make people roll their eyes and potentially turn away from the message at hand.  I’m warning you again to go in expecting this, and if you can filter the… cheesy moments out, the message can still get to you.

 

The VERDICT:

            I Still Believe has the intended audience built into the title as a passionate, religious focused movie that will either make you raise your hands up or roll your eyes at the antics.  A cute relationship with inspiring moments, the movie manages to move at a fast-enough pace to be entertaining, yet focus on those key moments to nail you with the religious prowess that they wanted.  However, the movie sort of leaves out the other characters, primarily their families that I would have thought would have been front and center in the relationship at hand.  In addition, the acting feels forced, the impact of the scenes dwindled down by incomplete storytelling, forced dialogue, and preachy moments that needed a little more magic.  Throw in that for a song singer there are not many songs to get into… and well you may be disappointed by the full-on presentation.  The key demographic is those of heavy faith, for the majesty of God’s words will fill these audience members with renewed energy.  However, this is not my favorite of the worshipping films and I think others are better at delivering the message at hand.  I think this film is best suited for home viewing, unless you can get a church group to go.  My scores for this film are:

 

Drama/Music/Romance:   6.5

Movie Overall: 6.0

A Bloody Good Shot At Trying To Make An Action Spectacle

Bloodshot Poster

            The big hero action flicks have evolved over time with the changing technology, dropping the story driven plot components for the spectacle of booms, punches, and CGI work.  Still, you have to give them props at the creativity they can muster given this day and age.  As such, today, another action flick hopes to rear its adrenaline-fueled head and unleash the bullet storm of box office bucks for the audience.  Will the built, rogue soldier of Vin Diesel be able to bring his legacy to new heights, or is it another cop out of a comic book turned movie.  Robbie K  here to give you the insight in the latest films, before the virus suspends all the films for a time being.  Today we review:

 

Director:

Dave Wilson

Writers:

Jeff Wadlow (screenplay by), Eric Heisserer (screenplay by)

Stars:

Vin DieselEiza GonzálezSam Heughan

 

LIKES:

 

  • Fast Pace
  • Explosive opening
  • Cool Concepts with Semi Realism
  • Decent Fight Scenes
  • Comedic At Times
  • The Editing For the Scenes
  • The Hacker

 

DISLIKES:

  • Predictable
  • Bloated Dialogue At Times
  • Some Of the Overkill use of Slow Motion
  • Shaky Camera Syndrome
  • Limited Use Of Other Characters for Much Of the Movie
  • The CGI At Times

 

Summary:

 

Let’s get to the point at hand, you go to an action film you want the pace and effects to make your adrenaline pump right?  Bloodshot does not pull any stops, dropping right into a battle scene with an explosive opening that brings plenty of what is to come.  Once the story sets up after this, the movie dives into showing off some cool technological components, areas that could very well be seen in the near future given the focus.  It’s these technological prowess that the movie is anchored on, with much of the designs for story, development, and the action scenes all dependent on the augmentations seen.  Fortunately, the movie exploits this to full effect and brings some decent action sequences to the mix, primarily during the explosive climax when all styles of fighting are brought together in a decent finale.  However, the factor that really elevates this movies is all the sound and film editing that supports the CGI scenes in front of me. Explosive sound effects riddle the theater with wall shaking goodness, sound tracks of orchestra elevate the moods and adds that adrenaline rush, all while visuals are blended together beautifully.  It’s definitely these components that were my favorite part of the movie and I think the biggest selling point of this film.  However, there are some comedic moments to help spruce things up, usually well-timed jokes or a cliched line from Vin Diesel’s repertoire as the primary ammunition.  This reviewer though really liked the hacker character though, whose British mannerism and comedy attitude were the biggest relief and fit very well despite being the one pinpoint of light. 

 

However, the spectacle of the film can only distract so long from the rest of the things I did not like as much in this movie.  Predictability is the name of the game, thanks again due to trailers and just the linear telling this film takes.  Obvious foreshadowing from dialogue and a big early scene should give more than enough away for you to realize where the movie is heading, which should allow you to enjoy the spectacle. Bloated dialogue tries to paint a more engaging story, but it does little other than provide weaker backstory and attempts at character development.  Sadly, Bloodshot does not do the best job with backstories and character utilization outside of select scenes where they make a start at using them.  Perhaps a little more mission use of them, meeting some better development would have helped, but where comic books have time the movies did not so they cut their losses.  In terms of the action spectacle itself, the movie hit a few things that I’m not the biggest fan of.  Action scenes can really use their work to emphasize violence, bashing, and that epic finishing move.  However, in this movie, it gets a little overused, showing off cool portrayals of skin damage and anatomical healing, but at the same time making for boring bouts of Vin Diesel walking.  Tough atmosphere it may establish, the overuse was boring at times and I would have loved a little more dynamic work.  Dynamic work though does not mean having to have a camera that looks like it’s in an earthquake movie, and Bloodshot has its moments where sporadic camera shifts don’t bring me into the action, but rather take away from it.  Finally, you will hear the CGI looks bad, and I’ll agree at times it really does look fake and forced, similar to the Smith vs. Neo fight in the Matrix Reloaded.  I’m guessing budget to make the action fights the most realistic got cut, but at least it moves well and has the special effects to lessen the blow.  Still, given all the other impacts it was trying to make, I think Bloodborn could have used a little more polishing on this front.

 

The VERDICT:

            Overall, Bloodshot is an action movie that works to pull the thrill of the 90s action back into the modern day.  It’s got great editing to sell the action scenes and give you those thrills, alongside a pacing that works for this genre.  Amidst this technological stunt show, there are a few decent performances, and the comedic work of the Hacker character helps stir some things up amidst the constant fighting on hands.  Still, the movie has an okay science fiction plot that won’t leave as much on an impression, especially given bloated dialogue, limited secondary character use predictably.  Sadly, the stunning editing still needed some polishing with the CGI work itself, primarily during said action moments.  Still given the effects, you could probably find enough reason to check it out in theaters, but otherwise hang out for this one for a home viewing. 

 

My scores are;

 

Action/Drama/Sci-Fi:  6.5

Movie Overall:  6.0

 

Hunting For More Original Satire?

 

 

The Hunt Poster

 

 

The left-wing movies often are wild cards that have a hard time getting the recognition and credit they deserve.  Unlike so many other big chains, these movies dare to defy the normal with their approaches, taking radical chances to deliver an original film that manages to stick in your mind.  Unfortunately, these artistic visions can often be too out there, ahead of their time or too boring that they get shuffled into the forgotten realm.  However, reviewers like me are taking a dive into the ,movie to see if this film successfully defies the big chain tales that many love to hopefully do it justice.  Let’s get started I take a look at:

 

Movie: The Hunt (2020)

 

Director:

Craig Zobel

Writers:

Nick CuseDamon Lindelof

Stars:

Betty GilpinHilary SwankIke Barinholtz

 

Likes:

  • Run Time
  • Original
  • Campy
  • Funny In Weird Ways
  • Changing Tale
  • Few Slow Parts
  • The Ending Sequences

The Awesome Artistic Satire Of The Film

 

DISLIKES:

  • Broke a Cardinal Rule
  • Language At Times
  • The Opening Sequence
  • Crappy Character Development
  • Too Silly At Times
  • The Sometimes Too Political Nature Of It

 

Summary:

 

This tale already started off right with the promise of a shorter movie, not only for time saving components, but also for the potential of a good exciting tale.  Well, The Hunt did this for me in the weirdest ways.  First off, its ironically original, despite what the trailers suggest, deeper into the film though you get a much more original presentation that turns out to really fit in this crazy world they unleashed.  Campy tropes and movie mannerisms come out in full effect, and much like the movies of the 80s, 90s, and early 2000s,, the cheesy approach really works.  That corny nature not only works for the action and pacing, but the comedy that again works in weird ways.  The Hunt is one of those movies that is overly aggressive for much of the film, but given the theme of the movie that quirky sense of humor starts to come out and wind up being funny when all is revealed.  In addition, the brilliant change in the movie’s presentation of the story opens up a sort of mystery as to what is the true bizarre source of the film.  By putting out so many questions and keeping that air of mystery keeps you intrigued as to how deep the rabbit hole of hunting goes, leading to again a more engaging tale.  An added bonus, the movie ends up having few slow parts to go with it too, with the pace, time span, and weird mystery leading to few drawn, out conversation heavy moments.  When all of these moments start finally converging at the end, the climactic finish really feels climactic as the ending sequences unleash the torrent of action goodness you were looking for in this thriller.  It pulls the pieces together, reveals much of the secrets, and just finishes in the manner you’ve come to both expect and not expect, just like this movie says it would and keeps that weird energy going all the way.  When pulling all this together, the movie’s artistic satire on political division, typical human responses to just about everything, and sort of the daydreaming fantasies of how some of this drama could be resolved.

 

As I have said before though, these left field flicks are not afraid to cross the lines and sometimes it’s a little too much for this reviewer.  While not the worst breaking of one of my rules, the film did hit one of my no-nos that affected me a bit more than I care to admit.  Fortunately, it was short lived, but still a slight rewrite could have fit with the scheme of the film and been a little better for me.  However, past that, the movies focus on crude language and threats occasionally got into the lazy writing arena that again is more annoying than creative for me to see.  Past these two though, the movie’s flaws that really stood out started with the opening sequence.  Upon the start, the movie throws some odd curveballs that made me start to hate it and walk out.  A very rapid introduction, and some rather crappy character development left me feeling like I had been cheated by the trailers again, and was left with a shock culture film that did little more.  Fortunately, the movie worked the story better, but the character development did not improve much past two characters… which stunk with the potential it had.  I would have liked a little more sustenance behind the characters, but doing that would have shattered the illusion of comedy they were going for.  This brings me to my next point, the silliness of the film.  While clever, witty, original, and artistic, the over aggressive comedy of the film may have also been a slight downfall in terms of the story/character development.  By taking this ridiculously campy focus, so much else was crammed to fit this scheme that I felt it got a little too forced at times.  Yet I will have to admit I’ll take the forced comedy over the forced politics that this movie does.  While artistic and wholly satisfying to see at the end, the very dramatic, politically charged dialogue hit a nerve, primarily in how much I dislike social media ranting.  The movie crossed the territory at times, and though pointed out how ridiculous things could be… the movie sometimes got a little too preaching of political agendas that were not fun.

 

The VERDICT:

         The movie certainly surprised me in how fun it was as the first act opened up too much better components that were hidden by the trailers.  It was campy and original, adding some nice surprise and  to create an engaging and fast paced film with an ever-changing premise.  Most things flowed naturally, and the underlying mystery of what pulled everything together and why kept me engaged in the film to get to that fitting end.  An exciting climax and the brilliant poking at the ridiculousness of our extreme society tendencies further wraps this odd piece with a casing of fun ridiculousness that will be remembered.  Yet, this is not going to be a hit for those too hooked on the limited violence and straight and narrow tale presentation.  The Hunt has a lot of times stepping over the line and if you are sensitive to that stuff, you may be blinded from the smarter things this movie has.  I implore you not to walk out of the opening sequence despite the chaotic, simplistic, nightmare it starts out as. Yet, be ready for some over silly moments, lackluster character development, and very in your face political components to raid your ears. If you can’ handle these annoying trends that seem to continue to grow and infest entertainment, you need to stay away. However, if you can enjoy that wit and see the bigger pictures and components, you’ll be in good shape to enjoy this film and can recommend hitting this one up in theaters. 

 

My scores are:

 

Action/Horror/Thriller:  7.5

Movie Overall:  7.0

The Way Back To Realistic Drama

           The Way Back Poster

 

Sports movies, they take on all sorts of shapes, sizes, and budgets, as studios try to tell inspiring stories through the world of athletics.  Tonight, the man of many faces and struggles, is recruited to help bring that face up to hopefully inspire millions to overcome the obstacles life throws at them.  Yet, in the modern age, balancing that budget and handling the politics gets in the way of execution of the movies and with trailers being master edit pieces one can only wonder what is in store.  So I’m going to do my best to give you my thoughts as I review:

 

Movie:  The Way Back (2020)

 

Director:

Gavin O’Connor

Writers:

Brad Ingelsby (screenplay), Gavin O’Connor

Stars:

Ben AffleckJanina GavankarMichaela Watkins

 

 

LIKES:

  • Inspirational Tale
  • Realism
  • Piano Work
  • Seeing Influence At Times
  • Affleck’s Acting

 

DISLIKES:

  • Disjointed Plot Elements
  • The Realism at Times
  • The Pacing Of the Movie
  • The Other Characters
  • The Lack of Movie Heart At Times
  • The Masking Of A Sports Movie

 

 

Summary:

Inspirational tales can be seen even in the simplest actions/speeches (just look at social media tales) and in a big screen adaptation, The Way Back accomplishes the goal.  Jack’s (Affleck) story is one that many people suffer from in the form of PTSD being handled by booze, and those men and women who have to work to find the light.  It’s a convincing performance that takes the realism of life and layers it thick into the film at hand with simple, direct dialogue and scenes that show that struggle.  An engaging piano score in the back leads to helping add on to the struggles of someone dealing with personal struggles, not really as a major orchestra or pop hit playing, but instead simplistic pieces that dwindle in the background.  The combination of these elements, alongside some grey camera filters, helps put you in the mindset of coping with trauma, and potentially finding the healthier means to get better and move from the incident.  I enjoyed the results, by seeing some of the players’ lives change, subtle changes in character that gradually got better, and the potential foreshadowing it brought (again goes with the realism).  Yet, the biggest like is the acting from Affleck himself.  As the central, and pretty much sole focus of the movie, Affleck takes his personal struggles and gives you a very good performance.  It’s not an original role, it’s not a massive role, it’s not even an Oscar role, but it’s a realistic figure that you can relate to in some form or manner.  Seeing the downfall, the remorse, the suffering in his face slowly change depending on the moment is a strong display of his acting skills to make this sort of adaptation of his life.  If you like realistic characters like this, who aren’t flashy or dramatically designed, you should be okay with this film.

 

   Yet, the trailers have not done this movie justice in how they are selling it, which is going to be the core of my dislikes for this movie.  It starts with the plot elements, The Way Back sort of crams a lot of life events and stories into 1.5 hours and watching this I felt it’s very rushed components.  The side stories that try to integrate Affleck’s characters are not very detailed or integrated, as they help add key moments to drive Jack’s life.  Unlike other movies like Hoosiers and Remember the Titans, the Way Back really drops the ball in the big picture aspect, choosing to hover around the gravity of Affleck’s character.  Realistic and potentially artistic mindset of a PTSD patient aside, the realism actually took away from this movie for me at times in how it limited not only the story, but the other pieces of the film.  First, the pacing.  The Way Back is not the most even paced film with slow moments taking reign in between big peaks of excitement.  While it is not the slowest movie for me, the consistent blandness does not make for the most entertaining film, relying on you the audience member to appreciate the realism at hand.  Second is the other characters of the film.  Having to do more with focusing one character than the others, the film fails to really make the other characters a worthwhile investment.  It feels like the Mighty Ducks film when we are just looking at Bombay alone, rather than having the team interact with him and drive him to be better.  As such, outside of some funny moments and a few grains to show what Jack’s actions sewed, the rest of the cast gets sidelined to focus on the issues at hands.  Now again, this realism is important for the artistic style, but the trailers sort of promised the magical sports treatment that I do rather enjoy seeing.  That’s where point three comes in is the lack of movie heart/magic that these films have come to enjoy.  Think back to your favorite moments of Remember The Titans, Hoosiers, or Miracle, those goose bump raising sequences where magic, planning, and over dramatization get you into the full energy of the movie and goes the extra mile.  That’s absent in this film, which was disappointing given how they could have designed some of the recovery moments with Affleck and the other characters.  Yet, the lack of magic is missed the most in the sports scenes.  I’m a victim of loving those overdone sequences of the good guys fighting the goliaths, with creative plays, dialogue to spur on the competitors, and the energy of being part of that fight.  Instead, this movie just shows brief clips of the players doing typical drills/shooting only to stop and show the score of the game in a rather boring and disappointing montage.  Even the big game sort of drops the ball, finally showing a little more of the game, but still not in the manner that other sports film icons have done.  It leads to again an offset pace and rather boring climax, bogged down again by the focus on one character.  That was the biggest disappointment is not integrating the sports part of his life with the personal and thus the disconnecting continued to shine through.

 

The VERDICT:

 

            The Way Back proves you can make a movie portraying pertinent issues with sports practice and not have the Hollywood effects drown it out.  You just have to make sure you are expecting it.  This film succeeds in the realism of portraying one man struggling to find his way back from a terrible time in life, but through work, patience, and support can get better.  It accomplishes the inspirational story in a calmer manner and using the central focus of Affleck, whose acting brings this role to life, you will be pleased with the story presented.  Yet, if you go in here looking for another sports film integrated with life lessons… you may disappointed.  So many disjointed side plots get the realistic treatment of being haphazardly integrated and not fully fleshed out.  It leads to uneven pacing for me, alongside underutilized secondary characters and the relationships that could have formed with the central character.  The realism also seems to take the entertainment magic away, especially when it comes to the sports moments that you might be coming to see.  Don’t expect drawn out games and those heroic moments that you’ve become accustomed to my friends, because they are not here.  As such, the final thing is that the inspirational tale is here for this film, but the problem is other movies have done this better like Remember the Titans, Miracle, and Hoosiers.  Given all this though, if you want realistic acting and a tale of succeeding, then this guy suggests a visit to the theater, but otherwise hold out for home viewing on this one.

 

My Scores are:

 

Drama/Sport:  7.0

Movie Overall: 5.5

 

Onward To Fun, Family/Geek Adventure

Onward Poster

 

Pixar broke the mold a long time ago when it came to animation, pushing the boundaries of the 3-D animation world and the storytelling that comes with it.  World building, unique characters and fun filled stories etched themselves into our memories and continue to amuse us to this day.  So after sequels have stormed the frontier of Pixar, a new original tale is hoping to come Onward and entertain us, most likely with a good story and character drive.  As such, yours truly is back to help guide your journey to the movies.  Let’s get started as we review:

 

Movie:  Onward (2020)

 

Director:

Dan Scanlon

Writers:

Dan Scanlon (screenplay by), Jason Headley (screenplay by)

Stars:

Tom HollandChris PrattJulia Louis-Dreyfus

 

 

LIKES:

  • Great Animation
  • The World Building
  • Fun
  • Funny
  • Witty References
  • Clever Writing
  • Great Character Development
  • Morals
  • Not In Your Face Lessons
  • Heart Felt

 

DISLIKES:

  • Predictable
  • More Adventure Impasses Needed
  • More On the Mom And Manticore Front
  • A Bit More Of The Centaur character component

 

 

SUMMARY:

 

Let’s get the obvious out of the way, Pixar is fantastic at the animation and only keeps bringing their cards to play.  The movement itself is fluid, dynamic, and colorful to meet the expectations that such pieces hold in Disney’s arsenal.  Onward’s world truly does bring magic to the modern world, and the world building of modern overtaking the mysterious is brilliantly crafted to be fun and meaningful.  Much of this world is fun, a huge spoof on fantasy elements that have ditched the mysterious, scary, and demented, for colorful forms that are mere shadows of their inspirations.  This adventure may not be the most exciting, but Pixar still injects its energy into the film to make the movie entertaining in the kids way but also holding great potential for adults too.  Comedy wise, Onward has some slapstick, components, but the comedy is geared towards the adults and older members that was highly entertaining to a geek like me.  Witty references are loaded into the film, with many movie references present for older fans to enjoy at their new use into the world.  Not a movie buff?  Not a problem, because the writing continues to be clever as it brings dungeon and dragons board games into a new medium, all while poking fun at the modern flaws that are hot topics.  Its this fantastic variety of venues to use that make this movie fun, as dialogue and comedic devices use these avenues to make the whole thing entertaining.

In regards to the storytelling, the movie shines in this department as well, you know what Disney can be really good at doing.  The characters are fantastic additions to the Disney family, not only in merchandising, but fantastic players to latch onto the adventure with.  The two brothers get some great moments to shine, each leveling up in their own way that again is clever, but very smart in how it fits with the themes of the film.  Voice acting alongside great chemistry of the characters, leads to another fantastic relationship that will be used to drive a lot of the plot elements as well as the morals that go with it. Onward’s morals are multilayered, built to address so many problems that plague humans today that the film is sure to hit a relevant note.  Even better, most of the lessons are not in your face preachy that seems to be the modern trend, allowing the story to gradually present it, keeping it in pace with the story and characters while also being deep at the same time.  All in all, the heart felt emotions in this film of this developing brotherhood managed to pull many heart strings for me and was a fantastic adventure for geeky sensitive guy like me.

 

In terms of dislikes, the story does not escape the predictable formula that Pixar and Disney thrive in.  A combination of trailer revelation alongside some scenes to be highly foreshadowing resulted in a pretty obvious twist that was to come.  It’s a minor flaw mind you, but anytime you are able to reasonably trick me… you get bonus points for a review.  No, the main thing I found the story needing improvement in… is ironically in the story components itself.  The adventure side is certainly fun and geared towards the character development story, but the film could have used more of the danger that I know Pixar can do.  Onward needed more integration of the fantasy obstacles to help with bringing more fun and opportunities to develop our adventurers, which may be reserved for a sequel if they decide to.  Even more, I wanted better integration of the mom and manticore, two characters that had their moments to shine, but held so much potential to be involve in the story.  Learning some more back story, getting the mom’s views on the whole mess, even the Manticore’s history outside of the small tale we got, would have been great to be integrated into the film.  This can also be said for another character, the Centaur who after being used as the butt of jokes and potential build up, did not have the integration I thought they would.  These underutilized characters and plot devices make the film a little weaker for me, but fortunately the fun and comedy amplify this spirit of adventure.  Outside of this, there are a few other things that could be improved, but let’s wrap this up.

 

The Verdict:

            Disney has another winner on their hands with this film, as Onward sets out to be the same magic of fun, laughs, and family energy this studio is famous for.  Adventures likes this, combined with the great animation, will open up a new avenue to getting to your heart, and this time geared for both cool people and geeks.  Onward has much to offer for many people, and I love the fact the lessons are baked naturally into the theme of the movie, without being too preachy or political.  Certainly the film needed to work on the predictability, but more so the film struggles to still not pull the full spirit of adventure that comes with Fantasy films.  In addition, several other characters could have stand for more integration to round out the tales, add more levels of story, and of course just have more opportunity for grabbing more people into the movie.  This reviewer though really found joyful to watch, and I’d recommend checking this out in the theaters if you have the time. 

 

My scores are:

Animation/Adventure/Comedy:  8.5

Movie Overall: 8.0