The Story Is Big On This One

Star Wars 8

 

Well it’s finally here!  The epic movie that television has bombarded us with for the last three months has finally appeared from light speed to grace us with another epic installment, or so we hope.  Episode 8 has held the promise of the return of story telling, matching the epic lore of the originals told to hopefully breathe life in a series that has struggled.  Rumors even say it surpasses Empire Strikes Back, the movie that holds the throne of Star Wars quality.  Can this be true?  Has the Force grown strong once more?  Robbie K here to shed light on the rumors and hopefully provide some wisdom.  Get Started, Let’s!

 

LIKES:

 

The Cinematography:  My wise friends stated right off that this movie may be the best filmed of the bunch.  The Last Jedi is a beautiful example of camera work meeting state of the art technology, helping bring the world to life with spectacular visuals.  The various angles keep you engrossed in all the details, and paints a very dynamic battleground to which our cast fights in.  And unlike episode 7, the sound score is back to Williams’ creative work, a blend of old and new that fits into the scene and adds the life to an already vibrant setting.

 

The Acting:  A large cast of characters, requires acting to bring them to life, and the Last Jedi has recruited a phenomenal crew to accomplish this goal.  I can’t go into great details, but here we go.  Mark Hamill brings the fire back into Luke Skywalker with both classic and old Luke style clashing into a complex character. Daisy Ridley takes the simplistic Rey from last time and unleashes her character in full “force” expanding her into a fantastic character that is full of spunk.  Carrie Fisher another victory when on screen, that has the vim and vigor of the wizened princess we loved.  Newcomers Laura Dern and Kelly Marie Tran were welcomed additions to the cast.  Dern’s chameleon like abilities continue to craft respectable and honorable characters that fit well in Leia’s legacy, with a nice edge to keep things tense.  Tran on the other hand is the hopeful character, that has nice delivery of inspirational dialogue, with a dab of rebellion on the side.  Everyone worked quite well and I wish I had more time to compliment everyone, but trust me it’s good.

 

The Comedy:  A nice quality to have, the comedy in this movie is a nice relief to the darker atmosphere on this side of the galaxy.  The Last Jedi’s writing is a combination of good timing and wit, that beats in time with all the characters.  The ever changing ploys also keeps things fun to watch and had my mentor and I guffawing through much of the movie.

 

The Storytelling:  Perhaps the strongest aspect of the Last Jedi is the presentation in terms of plot in this movie.  Director Rian Johnson dug deep into the lore and ignited it in full form in installment eight, bringing with it rich details that answered much of our questions.  Much of the tale is character development, pushing them hard to expand upon their hastened roles of seven into more complete soldiers to partake this journey with.  The three tales were balanced quite well, spaced out to keep things relevant and each connecting to the big plot as a whole, much like the classic tales were in. These tales are not only adventurous, but filled with strong lessons that this series is famous for preaching.  And yet the biggest part of this I like are the twists integrated in this film.  Many surprises lie in store for this movie, and many of them fit nicely to take the story deeper down the dark hole.  These surprises are perhaps the most engaging parts of the movie, the likes of which weren’t expected much like Empire.

 

DISLIKES:

 

Salvaged Plots:  Despite the strengths I have mentioned in the plot, this modern trilogy still has issues with being too close to the classic series.  A blend of episodes five and six, much of this film is a retelling of those classic arcs that is a little disappointing on their dependence to the old and not trying out new elements. At least it is executed, well right?

Unnecessary Tangent:  One of the story points almost didn’t feel needed, or at least one section of the tangent wasn’t that big of a hit for me.  The world of Canto Bight makes statements, has a connecting point, and a memorable scene, but this small adventure felt out of place in the grand design.  It will bring merchandise opportunities, one of which is a book, but this world didn’t hold much value to me outside of a few laughs and some cool beasts.  Perhaps a little more struggle, or intensity could have redeemed it for me, though it still isn’t too bad for me.

 

Suspension of reality:  I get it, it’s Star Wars and that is Sci-Fi/Fantasy.  Still, there has to be some consistency in regards to how you are going to ignore the physics of real life and the lore that came before.  There are moments you will roll your eyes at in terms of the inabilities of the technology, or how uneven the skills seem to develop.  While we could ignore these if they were minor, the movie’s key situation relied on this suspension and it was a little too big of a stretch for me.

 

The Action:  Star Wars is a series that relies on action to pick things up and make add the fire that makes the story shine like the stars.  With a rather intense start, Last Jedi had potential, but soon that potential was lost to the void.  Much of this movie is dialogue, development, and connections, and with it one of the slower paces of the series.  Yes, there were a few moments to help pick up the pace, but much of this was short lives or lacking that laser packing punch I loved in the first installments.  Say what you want about the prequels, but they had some incredible fight scenes that livened things up and the Last Jedi really needed this element for me.

 

The VERDICT:

 

The Last Jedi is indeed proof that the universe still has life left in the void of the galaxy Lucas created.  It’s got emotion! It’s got character development!  It’s got twists!  All of this is important in developing characters and making them fly off the screen.  Throw in great acting and beautiful cinematography and you have a really, well done film.  Yet, this generation still is not escaping the salvaging of the classic plot points, while their unique aspects need a little tweaking in terms of relevance.  However, the biggest improvement has got to be the action, working to bring the ship to ship combat back to full strength, and really getting those lightsaber battles back up to snuff.  Still, it’s a fantastic film to catch in theaters and definitely a worthy installment to Lucas’s world.

 

My scores:

Action/Adventure/Fantasy: 8.0

Movie Overall:  8.0

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Super Cast Brings Justice To This Franchise:

Justice League

 

What!?  Another super hero movie back in the theaters when we just had Thor?  Competition in the industries leads to many hasty decisions and this one was all about competing with Disney to bring in revenue and stop the juggernaut from ruling the theaters.  DC’s answer to the Marvel success, whipping out Justice League to smash the box office in what is hope to be a redeeming film.  Will this culmination bring us the film we’ve been dreaming of from the DC universe, or will it be another pale attempt to copy Marvel!  Robbie K back to bring you yet another review on the silver screen saga.  Let’s get started.

 

LIKES:

 

Casting:  A movie relies heavily on a cast, especially finding those worthy of holding the mantle of our iconic heroes.  Justice League’s director gets an A+ from me for the cavalcade of talent crammed into the new super team.  While Ben Affleck and Henry Cavill are still not the best fillers for their roles compared to others, they did well in their involvement in the film to warrant applause.  Gal Gadot reprises her role fantastically, bringing everything we loved in her stand-alone film and delivering it in spades to this installment in looks, demeanor, and kick butt fighting.  However the highlights are Ray Fisher, Jason Momoa, and Ezra Miller.  Fisher has the chip on his shoulder, passively destructive role down pat, showing the struggles of new power.  Momoa has that brashness/arrogance of a rogue who feels he is above the rules, who soon begins to understand the limits of the lone wolf.  However, Miller was spot on for the role of The Flash, capturing all the charisma, comedy, and nerdism I’ve enjoyed with the modern telling of the fast hero.  The cast works so well together, bringing the roles to life in a very entertaining manner that feels like the League of the past on Cartoon Network.

 

The Comedy:  The hero movies are starting to shift from adventure to comedy genre for me, and Justice League took a major turn down this avenue.  Much of the writing is well-timed, comedic goal, utilizing well-timed cursing, witty sarcasm, and a sharp edge banter that many love, especially when the characters fence with their insults. Of course, the Flash, has a major hand in the laughs, his geeky, naïve admiration of the heroes laying the groundwork for other comedic devices that involve both physical and mental qualities, seriously his face is hilarious.  With this comedy laid out throughout the movie, one will find it hard not to chuckle quite a few times in the movie.

 

The Action:  If you’ve read my reviews on previous DC movies, you know that the action is often weak for me when comparing to Marvel’s masterpieces.  Happily, the comic book battles that hooked us from the comics have finally started arriving.  Justice League, much like Thor, have a number of exciting moments that act as stepping stones to the excitement at hand.  Much of these brief stints are more entertaining than some of Marvel’s skirmishes, able to grab the serious tone of DC and deliver a darker fight to ensnare us.  The semi-diverse fights bring out the technology bangs, and really deliver an action-packed punch that much of this universe has lacked. Finally, this studio is getting things right.

 

DISLIKES:

 

Shallow Story/Characters:  There is a reason Marvel divided their universe into multiple, single character focused stories, in that it builds up the characters for one to latch onto.  With their failing enterprise, DC skipped a lot of steps to go directly to the group movie and as a result the character development is lacking.  Enough ground work has been laid to get the gist, but Justice League has too many story elements in it to give that satisfying feeling of accomplished storytelling.  With little mystery, buildup, and sometimes even challenge, this film’s adventure is a little rushed for this reviewer, culminating into a rather bleak, predictable mess.

 

Snyder-Vision:  The slow moving special effects were great so long ago, and still have an emotional bite to them that really maximizes the kill.  Yet Snyder can’t seem to listen to the audience members/critics, or is rebelling because he won’t stop overusing it.  Justice League continues the trend of utilizing the tactic for nearly every exciting scene, sometimes in good taste, and often in more egotistical, eye-rolling displays of drawn out cinema.  Hope you like seeing every detail at half speed, because you are going to have your fill.

 

The final battle:  After all the preparation, all the little battles to tease you, one hopes for that defining climax that really puts the battle over the top.  Justice League dropped the ball on this for me, not in terms of being lame (like Suicide Squad), but instead not being much different from the trailers.  This final battle has had much spoiled in the advertising, and rather than building upon it, like the Avengers, the movie held little flare outside of the battle with the Steppenwolf. That gigantic army you saw in the trailers… doesn’t really do much, which was so disappointing with all the hype they placed.  It was a good start DC, now finish with that bang we all want to see.

 

 

The VERDICT:

 

If you read other reviews, you’ll see this movie was panned, but this critic found much to enjoy in this movie.  It’s fun, funny, and a rather good introduction to future team movies with an incredible cast to boot.  Sure, it still has some rough story patches, and they haven’t quite understood the execution of a good finale (or the balanced use of slow-motion).  Still, it’s the best movie of the DC universe for me overall, and a good comic book movie to boot.  Naturally, I’ll recommend this for the theater, and implore you to enjoy the comedic ride and chaotic action at hand in what will hope be a starting point to the next wave of DC movies. 

 

My Scores:

 

Action/Adventure/Fantasy:  8.0-8.5

Movie Overall: 6.5-7.0

GeoPower! This Storm Is Stronger Than Expected

Geostorm

 

There are very few things scarier than a natural disaster.  The sheer power contained within these storms, droughts, and floods is something we as humans have difficulty containing.  Now what would happen if that power could be harnessed by humans, manipulated to our whim in order to keep our world acclimated and functioning perfectly?  Could such a thing be used for good, or would it merely be repurposed as a weapon?  This question is the key concept in my next movie review, titled Geostorm, the latest disaster flick to “storm” into the theaters.  Pun aside, Robbie K is back for another overview, so let’s get started, shall we?

 

LIKES:

 

The Sound:  My first like is the incredible sound editing Geostorm contains within it.  These editors “blew” me away with the fantastic renditions of Mother Nature’s torment, capturing all those destructive sounds and unleashing them into the theater.  Lightning filled maelstroms, horrendous fires, and bone chilling ice storms all drop with mighty blow, causing the theater to rumble in delight.  This effect may not seem like much, but it really rounds the experience out and immerses you into the havoc.

 

The Visuals:  No surprise here, Geostorm’s visuals are also beautiful displays of technology.  We know this genre is all about making disasters look real, and this film brings that power out with little hesitancy.  Watching destruction unfold is breathtaking, as the terrifying mayhem of the manmade storms unfold, helping you experience the horror without actually being there.  Geostorm’s displays, although limited in number, are the selling point of this film, especially during the exciting moments when our characters are trying to navigate their way through the destruction.

 

Acting:  Sometimes these disaster movies tank on the cast, resulting in whiny, nimrod characters who are asking to be sucked up into a twister.  Not the case for this film. Geostorm’s cast is actually fantastic in bringing their characters to life, and also brings an awesome team to the mix to diversify the genre.  Gerard Butler was a solid choice for the lead, combining action gruff with scientific strategy to craft a tough as nails character to lead the project.  This dynamic nature made a fun hero to root for while seeing him evolve past his flaws.  Jim Sturgess does a bang-up job in his role as well, playing the role of the neurotic congressmen forced to choose between family and job.  His character required a much broader class of emotions, and he manages to hit all of these with little trouble. As for the female leads of Abbie Cornish and Alexandra Maria Lara, these women were incredible displays of girl power in the modern world.  No super powers needed here, for these women have intelligence, ferocity, and heart as they tackle all the demands this movie placed on them, and all with a realistic touch.  I wished they had utilized them a little more, but they maximized their screen time.

 

The Story:  Despite how cheesy it looked, Geostorm’s story was better than I expected.  The characters have some backstory not lost to the storm, requiring them to grow much like the threat of total cataclysm. During the actual presentation itself, Geostorm is nicely divided into four sections each occurring simultaneously and playing important roles to the dilemma at hand.  Throw in a little mystery to figure out the culprits, and you have a more engaging story line than we typically see in these films.  All in all, they managed to execute this ridiculous concept quite well for me.

 

DISLIKES:

 

Storm moments:  Despite the promise of major cataclysm, Geostorm is surprisingly bare of storm sequences for much of the movie.  Many of these scenes are in the background, with only a few having that thrilling, on the seat edge. In addition, despite being thrilling, these moments get a little too ridiculous, the sheer unrealistic maneuvers violating the science without the technology to do so.  While I appreciate, the disasters fitting into the movie, they still needed a little refining.

 

The Predictability: Geostorm tries its best to throw you off the trail to the culprits, but the trailers and obvious foreshadowing will give you the answer within the first 30 minutes. In addition, the fate of other characters is not surprising at all, mostly because they figure things out minutes within the film.  Had it not been for the visuals and exciting pace, the story would have been drab and put me to sleep.  I’ll admit there was a nice little uncertain moment, reminiscent of a few other flicks you are certain to remember.  Past that though, it’s a predictable mess indeed.

 

Underutilized team:  Like many films, our protagonist becomes part of a special team in charge of fixing the problem.  Unfortunately, after the introductions, most of the team is essentially useless save two members who actually get more screen time.  While not as bad as the gang from Wonder Woman, this group just didn’t feel needed in the grand scheme of the picture and could have been utilized in a more conducive environment to add a little more suspense in the mix. Either that or cut the characters to help the budget.

 

The VERDICT:

 

            Despite the cheesy idea, Geostorm was a welcome change to the natural disaster movie collection.  Stunning special effects, a Sci-Fi Esque story, and dynamic characters are certain to entertain fans of this genre and bring with it a nice twist.  However, if you are looking for a storm movie, you need to pick another tale as the disasters are a minimum or overly cheesy to be believable.  Throw in some weaker story elements and predictable plot, and you further weaken the storm they were trying to bring.  Overall not a bad film at all, and the special effects are more than worthy of a theater visit. Otherwise check this one out when it hits home release.

 

My Scores:

 

Action/Sci-Fi/Thriller:  7.5

Movie Overall: 6.0

Not Foreign To Edge or Plot

Foreigner

 

Jackie Chan a legend in the cinematic world for many famous roles many will remember for years to come.  With epic Marshal Arts sequences, a sense of comedic delivery and great chemistry with a variety of actors, it is no wonder the man has been involved in so many projects.  And after a hiatus, the legend seems to be making a comeback lending his voice to Lego Ninjago and now returning in a live action film the Foreigner.  Does the man still have the magic, or was he better left sitting on the sidelines?  Robbie K here to review another movie and as always let’s get started.

 

LIKES:

 

Edgy:  The trailers promised Chan would be returning with some sharper, and darker, edges and sure enough they delivered.  Mr. Quan is certainly one of the darker roles I’ve seen him play, as he seeks out his own brand of justice in a manner only a vigilante could.  No punches are thrown in this role, and this more intense role is a nice touch to Chan’s normal lighter roles.  Saying few words, Chan has the look down with sullen wise eyes filled with a hateful, hopeless stare, and scowl that seems permanently fixated in a faithless fury.  This darker role was fascinating to watch, primarily to see how far he would go to crush the opposition.

 

Fairly fast pacing: No surprise here, but the Foreigner moves at a fairly brisk pace, starting out with a literal bang and diving into the search to come.  Information is provided in a fairly linear manner so that you get all the answers you need, all the while maximizing the “action” at the same time.

 

Complete story:  Despite the quickened pace, this movie does manage to close all the convoluted loops established in this film.  The Foreigner has a lot of dramatic elements integrated into the action that include affairs, conspiracies, and betrayals that feels much like soap opera plot lines.  Rather than taking episodes to finish these tales, the writers provided all the answers one needs to be satisfied with the closure.  Not saying it’s the best closure mind you, but at least it finishes the tale quite well.

 

Chan’s moves:  While certainly not the freshest or more convoluted stunts he’s ever done, it is satisfying to see Chan still have some of his magic.  The Foreigner does a nice job of giving our star chances to show off his acrobatic skills.  After leaping around like an old squirrel, Chan next dazzles with his close combat choreographer, still executing his close style fist fights in a smooth dance.  And with the new edge, Chan’s darker combat is unleashed, losing the feeling of being planned to the adrenaline rush we love to see.

 

DISLIKES:

 

Pierce Brosnan’s accent:  A minor dislike at best, I couldn’t get on board with Brosnan’s attempt at sounding Irish.  While certainly better than me, the former Bond star has a little more refining to do in order to sell the angry Irish man to me.  It was comical at times and took away from the threat he was trying to bring to the table, well that and the fact that he didn’t seem to have many skills himself. Sorry Pierce, you’ve got debonair down, but not the fury of the fiery reds.

 

Editing:  While dramas are sometimes a bit overbearing to me, I could handle most of the character antics in this film.  However, the storyboard team dropped the ball a few times for me in how much they crammed into this film.  Some of the relationships were not needed, merely extra branches to take up space in attempt to fill up time.  While the tangents expand a little on our two lead characters, they could have been left out, or kept in small bits of dialogues instead of full out sequences, especially when it came to the wife scenes.  Drama lovers will certainly enjoy this element, but the rest get ready to yawn.  Speaking of which…

 

Not as action packed:  I thought the Foreigner was going to have more bite with Chan finally emerging from his retirement.  Instead of the energy that Rush Hour and Shanghai Noon brought, the Foreigner slowed the pace down a bit.  Those extensive bouts of fist punching are brought to a minimum in terms of time, reduced to some covert moves that would make Rambo proud in their pyrotechnic awe.  The few bouts we do have maximize the new tone and provide some satisfying stunt work, but for me… it paled to the classics I grew up with.  Still not a bad display for the aged master, I just would have liked more of that and less drama.

 

The VERDICT:

 

The Foreigner is a great restart to Chan’s career giving him a new edge I haven’t seen before.  It’s a film that does its part as an action drama, trying to craft more of a story with the action to support it in the long run.  And while the tale is decent, and complete, it’s still a bit too slow and drawn out when there could have been more fighting.  The result is still entertaining, but with enough drab parts to outweigh the extent of action we got.  Chan may still have some moves up his sleeve, but I’ll take revisiting the classics any day.  Nevertheless, there is enough kick to warrant a theater visit for this one, primarily in regards to those satisfying, climactic fights that occur.

 

My scores are:

 

Action/Thriller: 8.0

Movie Overall: 7.0

For Fans of Series: Pony Power. For General Fans: A long Hour

pony

 

Cartoons have drastically changed over the years, and in many cases not for the better.  However, amidst this new wave of modern art stand a few series that have soared in popularity enough to acquire mass marketing.  One of these “treasures” is My Little Pony, a collection of toys that have kept their hooves into the pulse of relevance and captured the hearts of many ages.  This weekend, the series proved popular enough to warrant a movie, in hopes of keeping the magic strong.  Robbie K here, accompanied with my friends, with another review, hoping to help guide your viewing pleasures.  Let’s go!

 

LIKES:

 

Cute:  It’s a movie about talking ponies, of course it is going to be cute.  This film capitalizes on the big sparkling eyes, high pitched voices, and snappy one-liners that are all the rage in kid’s animation. But amidst these ear-splitting tactics, the theme of friendship may also warm your heart and make you say Awwwwwww, much like many of the young viewers did today. Side note, the cute also coincides with a family friendly theme as well, so one doesn’t have to worry about mature surprises.

 

Pony Adventure:  When TV shows are given a block buster movie, one fears that it may deviate far from the show, unless you’re a kid in which case you don’t care.  Good news, this movie feels like an extended My Little Pony episode, filled with all the adventure like elements that have made the show fun. The simplistic goals, the musical numbers, the feel-good atmosphere, and the grandiose villain whose bark is worse than its bite.  It’s all packed in the 1.5 hours and amplified with an atmosphere that feels like a kid’s version of lord of the rings.  All this positivity will certainly bring you into the kid mindset and add a little more joy to your experience, or annoy you depending on your tolerance to this series.

 

The Animation:  One thing I love about Hollywood budgets is the ability to capitalize on technology. My Little Pony took the technology and ran with it, crafting an incredible display of cartoon animation to keep me hooked into the movie. The movements of the heroes are fluid, the flying in particular was impressive to watch as it added excitement to the mix. The attention to detail to accurately capture lip movements is also impressive, as it adds that anthropomorphic touch they were going for.  Outside of movements though, this film is a colorful display, brimming with various hues and shades that brings out the unique character design even more. 

 

DISLIKES:

 

Annoying at times:  If you aren’t younger than 8, or a die-hard fan of the series, you will most likely get a little annoyed at times.  The movie goes a little overboard with its gimmicks, primarily with Pinkie Pie’s overzealous energy, that hits that tolerance wall and shatters it. These elements are to be expected, but when you combine it with younger audience member’s inability to remain quiet… it pushes those buttons even faster.

 

Shallow Elements:  I didn’t expect much character development as this was done in the show.  However, the elements you are going to base the story on, I expect there to be more commitment to this.  My Little Pony the movie was able to execute a few characters quite well including Tempest and her little crony alongside Princess Twilight.  The other characters though…well they dropped the ball on their development pretty hard.  Many of the new additions to the universe come in with a flashy opening, often in the form of an inspiring song that holds promise for a colorful character.  But then that flash fades and the characters are hastily tossed to the background until the end.  The multiple incidents of glazing over the characters didn’t impress me, and proves again that too many characters in a movie, do not make quality films.

 

Not Theatrical Special:  Despite the shortcomings of the characters, the story team managed to craft a salvageable story.  Unfortunately, it didn’t’ feel theater worthy to me. Sure, the animation and voice acting were incredible and worthy of the bigger budget.  Then the predictable plot hit me and I realized this story didn’t stand out enough to be considered unique.  In addition, the movie seemed geared towards the music instead of the other crucial elements, which only further made me feel this wasn’t the theater worthy masterpiece they wanted.  Such a shame given the groundwork already laid by the shows team.

 

The VERDICT:

 

            My Little Pony the Movie should have been, My Little Pony the Extended 5 part special.  It is a cute, fun, well-animated adventure perfect for the younger audience members, but outside of that there isn’t much.  While it does capture the feeling of the series, there wasn’t enough in this movie to warrant a theater viewing.  Die-hard fans won’t mind much of my dislikes, but for the general audience your money is better spent on a more balanced movie that won’t make you pull your hair out or try to take a nap. 

 

My scores are:

 

Animation/Adventure/Comedy:  7.5

Movie Overall: 6.0  

The Mixture Between Us

Moutain.jpg

 

The mighty majestic mountains that line the world.  These monolithic displays of nature are icons for so many forms of expression such as poetry, video game stages, and yes even movies.  Such symbolism is perfect to craft such an obstruction for heroes to face, all while teaching valuable lessons.  And thus leads me to my next review, on a movie that centers on the immobile giants that watch over the world.  The Mountain Between Us is the name of the film and its trailers have certainly stirred up a storm in the world of reviews.  Robbie K here hoping to guide you through the mess to help guide your viewing pleasures.

 

LIKES:

 

The acting:  Like the mountains they are stuck in, the lead actors in this movie are giants themselves, displaying their talents to high levels.  Idris Elba once more blows my mind out how well he executes his roles.  He sells the suffering surgeon well, playing the internalization well and the survivalist even more.  Kate Winslet as ever brings her character to life, taking the fiery spirit she has within, and unleashing it in a manner that is wild, yet honed as the movie progresses.  The two certainly have the portrayal of suffering down pat (they can really shiver) but on many levels they play well off each other, especially in the beginning.

 

The Dog:  While not the main human actor, the dog is by far the character I cared about the most.  This animal, while of course like many of his canine brethren, was cute to me and impressive in the work it had to do. Trekking through the show, climbing mountains, and a variety of other things the dog certainly caught my eye for much of the screen.  In addition, because I’m a big animal fan, the dog was the character that kept me engaged in the film. Every scene transition, or new challenge I couldn’t help, but think “What happened to the dog.” That component is perhaps the biggest hooking element in the movie to keep you into the film.  What is its fate?  Can’t tell you, you’ll have to watch.

 

The Scenery: While it is no substitute for the real thing, The Mountain Between Us is a great example of stunning camera work. My breath was taken away by all the panoramic shots of the wilderness from the ever expanding sky in the peaks, to the silent wonder of the forest littering the valleys below.  It brings out the deadly force that mother nature holds and stunned me by the majesty of the visual prowess cameras can pick up.  So while it is again not the same thing as hiking these majestic peaks, it is the next best thing.

 

DISLIKES:

 

Diluted Suspense:  If you are like me, the trailers might have you believe this was going to be the most suspenseful movie of the year.  Unfortunately, I was fooled again. This film has some moments that got my anxiety building, but a majority of it is an almost peaceful trek through the snow.  While they are certainly cold, our character’s journey through the frozen wastelands lacked many elements to build up the intensity.  Perhaps the lack of a cinematic score, or the fact that obstacles seemed cleared too easily thanks to convenience, this movies frozen fury was almost a little too fragile for me. Or maybe it was the other focus of the movie that downgraded the suspense for me…

 

The Love Theme: Yes, just like the symbolic title suggests, the main wedge is the character’s backstories preventing them from moving to the obvious sign of starting a romance.  Much of the film tries to get the two to address their rather quick development of passion for one another in some rather lackluster ways.  I wasn’t sold on the romance for the most part, and the actors themselves didn’t seem quite charmed by each other outside of one rather pointless scene. The friendship factor at the beginning was much stronger, and would have been the route I had taken in developing the story.  Again, I don’t necessarily hate love, but I would like it better portrayed for my investment.

 

Disproportion:  Timing the movie, as good geeks do, it took only 8 minutes to get up on the mountain.  While I appreciate the fast pace, it gave little time to get to know the characters or at least give them a decent introduction to the madness about to be had.  This opening was rather shallow and quite disappointing in the grand scheme of the movie.  Yet it’s not quite as bad as the dragged out ending of this film.  While not as long as Return of The King, and all its false exits, The Mountain Between Us sort fizzles out in the end.  This tangent was not necessary, a quick closure to try and tidy up some loose ends of a weaker component of the film. Worst off, the chemistry started to falter, making this an awkward mess with a rather cheesy, albeit poetic, ending.  Not sure why these last 25 minutes needed to exist, but it could have been better spent in the beginning and end of the movie.

 

The VERDICT:

 

The Mountain Between Us is a beautiful spectacle of what the world can provide in terms of a stage, certainly blowing my mind on the visuals.  Alongside this majestic scenery comes some quality acting and a hooking factor in the form of the dog.  Yet these tools alone couldn’t save this movie from being semi-dull. With the tension dropped to a PG level for symbolism and awkward love, alongside disproportioned parts, I can’t say this movie delivered all I wanted.  The visuals might be the main theater worthy component, but this reviewer suggests holding out for RedBox to catch it.

 

My Scores:

 

Action/Adventure/Drama:  6.5

Movie Overall:  5.5

A Cruise Of Crime is Made Okay

American

 

 

American politics is a theater that continues to garner more attention than even the biggest award shows.  The players in their games can be just as interesting, especially in how far they go to accomplish their tasks.  My second review of the weekend focuses on one such person named Barry Seal, a famous American pilot who was a cog in so many aspects. What does this movie have in store for us?  Robbie K here to fill in on the latest biography and give you insight into another silver screen story.  Let’s go

 

LIKES:

 

The Setting: Technology’s progression allows us to do many things, and one is recreating the past. American Made is a shining example of Hollywood’s ability to recreate the trends of the decades, from what towns/cities looked like to the fashion and cars that filled them.  You’ll be pulled back in time with this film, and become integrated in the world and fully diving into the world crafted by Seal’s actions. In addition, it’s also fun to see old news’ broadcasts integrated into the mix, further amping up the story.   And for all you nostalgia lovers out there, feel free to have fun remembering the adventures you back then.

 

Cruise’s Acting:  Say what you want about Tom Cruise’s personal life, but the man can certainly play his roles well.  Cruise comes in spades with this film, capturing arrogance, coyness, and that adventurous spirit all in one sitting.  His skills will bring out the emotions of the time period, the fear of being that pivotal chess piece that so many depend on.  Cruise’s chemistry with all his co-actors is favorable, resulting in a performance that feels natural. In addition, his dynamic abilities to transition between sub roles, further brings the character to life, an essential for a key role.

 

Thorough Tale:  Biographies are only as fascinating as the story presented, which often requires details.  Our directors/screenwriters have got you covered in this movie, sparing no time cost to hit all the deals that Seal was involved in.  Their presentation keeps guides you well in this movie, using captioned slide transitions and Cruise’s comedic dialogue to set the time and place of the next adventure.  It’s an easy tale to keep up with and hits so many qualities of Seal’s life in tandem to his antics (including family, friends, and even sanity).  I felt that of all the books brought to life, this was one that hit the closest to home.

 

DISLIKES:

 

Magic vs Reality:  The challenge with these films is determining what is real and what is overdramatized.  There are plenty of moments where that question comes up, as the cast of characters appears with grandiose gestures and presentations to corrupt the system. As the story progresses, the whole conspiracy gets even larger and the drama amps up to levels that are hard to believe.  The over dramatization gets a little cheesy at times, and made me roll my eyes at the extremes the legal system went to and how untrustworthy they were. Fans of this style though, will easily be hooked into the escapades of the movie.

 

Skimped on other factors:  While American Made touches on many aspects of the film, there was an imbalance in how much they would focus on those other aspects.  The family aspect was so heavily influenced at the beginning, but then gets diluted down to background noise and occasional shots.  Same thing goes for a few business partners he contracts as well, a rather focused opening, but then runs out of gas. While I give them props for keeping things concise, the disjunction between these aspects is a little disappointing to me, especially how one would affect the other.  In addition, these rushed elements took the suspense away from me.

 

The wasted sequences:  The most annoying thing for me though, were the tangential flashes that occur in this movie.  Seal’s memories are fascinating to see, but there are a few of them that were pointless to have sequences for.  An example is him randomly saying he had kids, only to flash to a scene of her in labor for a brief comedic relief.  While a noble attempt, it was nothing a well-placed line could have done as well. There are other examples as well that all could have been left out, thereby further reducing the run length.

 

 

The VERDICT:

 

            American Made is a great biography that has some flare other biographies have lacked for me.  Cruise leads the way in terms of strengths for this movie, but the world and tale itself are an entertaining venue to watch.  Yet, there are plenty of overdramatic moments and wasted shots that have made this a glorified Netflix/History Channel worthy production.  If you are looking for a good biography though, scope this one out, otherwise wait for next week’s releases before going to the theater. 

 

My scores;

 

Action/Biography/Comedy:  8.0

Movie Overall:  7.0