Do You Come To Play In This Film?

Playmobil: The Movie Poster

 

The Lego Movie shattered the expectations of toy-based movies with a dynamic story, great comedy, decent sequences of actions, and a balance of kids to adult audiences.  While the sequels that followed took stride in their own remark, the first one really opened our eyes to quality kids animation.  Enter tonight’s movie, in the form of Playmobile, a similar design to the classic pegs, but with a little more movement and cost-effective price to appease the younger crowd.  Tonight’s movie offers the same sort of approach, hoping to get the animated holiday feature in before Oscar season swoops in.  What is the verdict?  Robbie K coming in, to give you insight into the next movie and determine if it’s worth a trip to the theater.

 

Movie:  Playmobil: The Movie (2019)

 

Director:

Lino DiSalvo

Writers:

Blaise Hemingway (screenplay by), Greg Erb (screenplay by)

Stars:

Anya Taylor-JoyGabriel BatemanJim Gaffigan

 

 

LIKES:

 

Animation Is Decent

Cute

Heartwarming Story

Short Run Time

Fun Music

 

DISLIKES:

 

Acting Is Mixed

Predictable and Linear

Jokes Sort Of Forced Into The Movie

Action Is Rather Dull

Music Numbers Are Sometime forced

Lame Villain For Me

Not As Well Balanced

 

SUMMARY:

 

Like many animated movies, Playmobil is very nicely designed to bring the family fun atmosphere to the forefront of the show.  Smooth movement, cute design, and nod back to the days of creating worlds with the simple figure, this movie manages to bring imagination back on the big screen.  Like many of my fellow reviewers have stated, this film is certainly cute, with the short run time of about 80 minutes (not counting credits) being focused on heartwarming, moral filled lessons in a nice dynamic package. It’s a great lesson for the ideal audience of kids, which should bring smiles to the young faces and the parents that accompany them.  Finally, like most kids films, Playmobil is ready to pump the speakers up with original music, that is toe tapping selection of catchy tunes about the morals we need in our lives.

 

Yet the other side of the coins have valid points for me in regards to this film, especially when one sees what was accomplished in other animation films.  For one thing the voice acting is okay, which can either be due to performance or direction of the character.  Anya Taylor-Joy does a decent job, and young actor Gabriel Bateman accomplishes the vulnerable child in over his head role well as he starts discovering himself.  My champions are Gaffigan and Daniel Radcliffe whose characters are probably the most engaging of the supporting characters and bringing the dynamic cast to a rather one-note movie.  Unlike other films, the movie falls short of the dynamic storytelling that other company productions have excelled in.  It’s plot is thin and very predictable, a linear tale with few bumps or surprises to amazing and wow as the writing continues to favor the younger generations filled with jokes and preachy speeches crammed on in.  Sure the humor is cute, but the movie needed better balance for this reviewer and working on making a more exciting tale that utilized the humor and lessons as a supporting role instead of the central pillar.  The action scenes are rather limited, mostly due to the G rating, but also because the villain is another example of a grandiose, pompous, speech expert who does little else.  Because of these two factors, alongside the linear telling, just results in a bland adventure that might not be as entertaining to the older crowd, which is a shame given what they can do in these movies.

 

 

The VERDICT:

 

Playmobil is not an awful movies, it just doesn’t have the same balance or execution that the Lego movie, or other films for kids have been able to pull off.  Certainly, the animation, story, and cute atmosphere will certainly impress the target audience of youngsters.  Sadly, the fact that the film struggles to find balance in the presentation to the audience with its predictable, G rate film is going to be the biggest obstacle to see this movie.  With a feel much more fitting of a Nick Jr. or Playhouse Disney feel, Playmobil is much better suited to a home viewing where the little ones can corral into the living room and watch it for the short run time.  Overall, the movie will deliver to the young generation, but given Frozen is out, Spy in Disguise is on its way, and Star Wars, this film is going to be out of the theater quickly unfortunately.  Therefore, my scores are:

 

Animation/Adventure/Comedy:   6.5

Movie Overall:  5.0

 

Is This a Bridge To The Next Big Crime Movie? 21 Bridges Review

 

21 Bridges Poster

 

Cop dramas have continued to storm the television cable channels for decades in an attempt to rope us into the exciting life of the public service department. Despite the numerous switches in uniform (e.g. numerous shows), these things continue to be very popular in both reruns and new episodes watched.  In the world of movies though, well they seem to have left the big screen, with most not taking the chance to tell a story when episodes can do it so better.  Today though, we have a movie that after several delays is finally coming out in hopes of making its name in the cinema world.  Robbie K here to offer some quick thoughts as I review:

 

Director:

Brian Kirk

Writers:

Adam Mervis (screenplay), Matthew Michael Carnahan (screenplay)

Stars:

Chadwick BosemanSienna MillerJ.K. Simmons

 

 

LIKES:

  • Moves Quickly
  • Detective Story
  • Not Politically Infused
  • Good Acting, on most accounts
  • Realistic
  • Action Scenes Are Pretty Decent

 

DISLIKES:

  • Predictable
  • Same Plot as A Recent Movie
  • The Writing At Times
  • Some Characters Are Wasted
  • More Action Scenes

 

SUMMARY:

 

Cop dramas appeal, according to my friends, is that they are contained in episodes that are short run times and cookie cut episodes so you have not invested too much time.  Fortunately, 21 Bridges is doing the same thing, leading to a quick pace and short run time to tell the story, avoid the fluff, and capture the crime component in a nice package.  A detective story at the core, 21 Bridges focuses on the intelligence gathering and coordination to paint the visual picture of catching two cop killers in an impressive display of technology and intuition.  This King T’Challa without the Marvel syndrome manhunt really works for those like me who enjoy the crime busting element more than the political components that come with these series, and I enjoyed not having politics shoved in my face.   As my buddy also said, the movie is also realistic, adding that mortal edge to the movie to help once more drive the suspense, for one lucky shot or ambush is going to lead to a world of trouble for all parties.  This even bleeds over to the action scenes, which are exciting when they show up and yet never venture too far into the Fiction realm where superpowers and super solider syndrome come into play.  Finally, the acting ties it all together, every actor taking their role and bringing it to life in a realistic means.  While everyone deserves a nod, it’s Boseman who is the star and heavy lifting as a believable cop, with a super smart skill of hunting down crime.  It’s multi-layered at times, yet never out of control, as the action and intelligence combine to make things look even more impressive as he mixes well with his crew.

 

Yet the movie suffers from some major components for me in regards to the quality or originality of the movie, especially given the number of delays this movie had in release.  In regards to the acting, I’d have liked to have seen more character involvement with some of the other culprits in this movie.  This manhunt brings a lot of players in only to sort of drop them in the background within minutes of introduction.  I’m of the mindset of using characters in a film to the fullest, but if this is a series set for sequels, this blow is not quite as bad for me.  The writing at times is a little too simplistic and lazy for me, once more taking the realism factor a tad too far in making them swear at every chance they get.  At times it fits, but this reviewer is all about finding ways to balance the cursing with, you know not too much cursing as it gets annoying, bloated, and for me comes off lazy.  In addition, I had expected a lot more action given the trailers, but the realism factor sort of gets rid of the gunplay, and puts instead a more style of chasing, running, and hiding.  Perhaps the opening sequence was a false lead, but I had hoped for more of those moments between elite agent and his prey.  Yet, the biggest thing for me that is the biggest limitation is the predictability and staleness of the plot.  Most originality is dead, I get it given the market, but this movie coming so close to Black and Blue, alongside sticking too close to other plots it makes the tale a little boring without some more theatrics.  The predictability of the plot had me hoping for twists, but it just did not work despite the attempts at deception.

 

The VERDICT:

            When it comes to crime drama, 21 Bridges is an old tale with a fresh coat of paint.  It works well for those who are fans of the television crime show syndicate, with a fast-paced detective story where a central character will be your anchor to the familiar movements of the series.  It’s very well contained in terms of realism, has a great cast to follow, and enough elements of the shows to please fans without getting lost in politics.  Yet, the film fails in terms of originality, sharing too much with recent crime films, not utilizing other characters well, and the action scenes not being the most memorable to justify the predictable plot. Still, if you are looking for something to break up the rerun monotony of the crime TV shows, then check this one out and enjoy the fresh coat applied.  Otherwise, hold out on this one for a watch at home movie on your favorite streaming or rental app. 

 

My scores are:

 

Action/Crime/Drama:  7.5

Movie Overall:  7.0

Black and Blue Political View

Black and Blue Poster

 

Politics drives the film a lot more than I care to admit, but as a fellow reviewer said recently, it’s a new age and they are giving what the audience wants.  So tonight’s film looks to be one of these issue driven films wrapped in a potential action casing.  Yet, trailer artists are impressive in their ability to hook us into the film and so reviewers like me are here to give some thoughts as to the quality of the latest film.  Get ready, because here we go as I take a look into:

 

Movie: Black & Blue (2019)

Director:

Deon Taylor

Writer:

Peter A. Dowling

Stars:

Naomie HarrisMike ColterFrank Grillo

 

LIKES:

  • Good Acting
  • Nice Portrayal of a Cultural War Zone
  • Dynamic passing of the hot item
  • Music that Portrays The Attitude
  • More Suspense Than Some Other Films

 

DISLIKES:

 

  • Predictable
  • Drawn Out
  • Some Suspense Of Disbelief
  • Politics Take Priority Over Story
  • Stereotypes
  • Language
  • Some undeveloped aspects
  • The Action

 

Summary:

When you have a pollical feature you need to have people to play the new age champions of the generation.  Well they picked fantastic cast members to bring it to life with Naomie Harris the beacon of hope in this emotionally charged film.  She’s a hero that brings the motivation and good intentions to life in a character that is meant to be the focal point.  Tyrese Gibson brings his usual charm to the film, an edge that shows being tough, but curbed to not be quite the hot head his Fast And Furious counterpart shines in.  The rest of the cast begins to come together to paint their various characters, but it’s really these two that shined for this reviewer.  Outside of portraying the character swell, I nod to the portrayal of a cultural war zone, where modern society feels different pressures that results in the divisions seen in the media.  Black and Blue’s emotion is actually much derived from the setting, a nice touch to the political piece of the film.  With that hot item that is the body cam, this film got creative in the means of passing the hot item around like the world’s most intense game of hot potato.  I give them props for the means of passing the information it contains, and the solutions they come up with to work around things.  It adds the suspense element to the film, and I’ll admit there was a little more intensity to the film in determining how far both parties were willing to go to achieve their goals.  And to be truthful, it is that suspense that makes the true entertaining value of the movie.  Finally, the music brought into this film goes the extra mile to add that last bit of finesse to document the energy and emotion of the film.

 

For all the good this drama did though, there are some thing I think overshadow the entertainment piece of the movie.  It starts with the predictability, another linear tale where thanks to trailers, obvious dialogue, and stale writing, you have enough foreshadows to lead you to the end of the film.  What’s worse is that knowing the ending that is coming, it takes a little longer to get where you are going.  Black and Blue is a bit too drawn out for me, a little too bloated with these monologues and boring exchanges that starts to blunt the suspense mentioned earlier for the more political nature.  Throw in some suspense of disbelief and well you get the toned-down moments that other reviewers have talked about.  Yet where the movie really starts to lose it for me is the focus on politics over the other elements.  For those who want the relatability of an issue, who like the realism drawn into the film, and rooting for your champions as they make the first steps towards change, this movie is for you.  However, for me the stereotypes and directed writing got a bit overwhelming for me and sort of retracted from the things I thought the trailer was going to show.  Again, the movie manages to capture a realer tone with the language and mannerisms, but the aggressive use of these devices usually leaves a bland taste in my mouth so I can’t say it was a win for me.  Still, another big weakness is the sort of lackadaisical development of the movie’s aspect such as full rounded character development, histories of some key people, even the better integration of those threat elements could have gone a long way to round out the story and make the time investment worthwhile.  Finally, the action, the one thing I thought this movie was wrapped in is sadly missing for much of the movie.  The drama is the main entertaining factor, but it really need a few more gun battles, chases, and warlike feature I had hoped would spice things up.  Sadly, there are only a few short-lived moments that quickly cease and fall into the past.

 

 

The VERDICT:

 

            Overall, Black And Blue is going to be the movie that will appeal to those that love a politically fervor movie with attitude and aggressive visualization of key events.  It’s got the  emotional aspect to it, brought to life by the cast, setting, and suspenseful game of hot potato that is a key factor.  For Drama lovers and crime lovers this is your bread and butter movie of the week so far, but for action lovers well hold your horses.  The political component is the one you have to prepare for, because it is going to be the key factor that is stretched out, slow, and a little bloated.  I’m not sure how people will respond to the painstakingly obvious issues and dialogue, the stereotypical roles and the portrayals of the cast.  For me I would have liked better story, more developed aspects of the film, and certainly more excitement to help amp up the suspense.  All in all though, the movie needs to find a little more balance and excitement before I can say it’s worth the trip to the theater, so hold out for Netflix on this one if you can.  With that said, my scores are:

 

Action/Crime/Drama:  6.5

Movie Overall:  5.0

 

Is This Double Tap Lethal To The Series, Or An Evolution In Sequels?

Zombieland: Double Tap Poster

 

Ten years ago, a cult phenomenon was born that beat out the wave of zombie films/shows that currently walk amongst us.  It was a fun comedy that was aggressive, bold, and downright different which made it a legend in the film world.  So ten years later… it seems like the perfect time for a sequel in Hollywood’s eyes.  Thus, yours truly reviews the rules, stocks up on plenty of ammunition, and is ready to take another tap at the zombie world as he reviews:

 

Movie: Zombieland: Double Tap

 

Director:

Ruben Fleischer

Writers:

Dave Callaham (screenplay), Rhett Reese (screenplay)

Stars:

Woody HarrelsonJesse EisenbergEmma Stone

 

 

LIKES:

  • The Plot’s Pace
  • The Comedy
  • The Action Scenes, when actually happening
  • The References
  • The Mid Credit Scene
  • Woody Harrelson

DISLIKES:

  • The Plot is weaker
  • The Overkill of Carnage
  • The Under Utilization Of Most New Actors
  • The Blonde Ditzy side gets old
  • The New Location is a let down
  • More Action Was Needed For Me
  • The End Credit Scene

 

SUMMARY:

Much like the first film, Zombie Land is not afraid to dive in and establish all the new rules and get right into the continuation of the “noble” journey. Once it gets started, the pace does not let up as the movie dives into a rapid tale of once again migrating from area to area in search of new wonders and new creatures.  As simple as it sounds, the movie does accomplish the goal of making you laugh, recruiting some new jokes into a natural flow that works so well to entertain with the aggressive insults, the slapstick antics, and ridiculous idiocy this series capitalizes on!  The comedy is certainly new, with super creative, over the top antics that only push the envelope to extreme even further, but never quite lifting the finger on the pulse of ZombieLand comedy.    It’s ridiculousness that fans love sticks around in every aspect including the action scenes which hold all the charm that zombie slaying games have made famous.  It’s vicious, it’s fun, and more importantly still brings out the stupid humor in the form of klutzy coordination, all while increasing the excitement.  In addition, the references are always fun to dive into, as the history of movies, music, and cultural trends are poked fun at while being utilized as survival tools/classifications.  Younger audience members may not quite get them all, but seasoned viewers will enjoy the iconic recreations and integrations to add to the comedy. Much of this is accomplished by the writing, but the writing gets brought to life by the actors and while most of the cast comes back in super form… it’s Harrelson who wins the award for me.  His ire from Haymitch, the sarcasm of the teacher from Seventeen, and the gun slinging of the western desperado drive the movie and had me laughing the most while still enjoying the character, something the others did not quite accomplish.  Finally, to answer the questions, yes there is a mid and end credits scene and truth be told the mid credits scene may have been the best part of the movie.  I won’t spoil anything, but definitely stick around to have what many dreamed of become a reality and totally worth sticking around to enjoy, or at least find on YouTube later.

 

Despite all the familiarity and additions though, Zombieland did fail on some levels for this reviewer.  First, I found the plot weaker. Although very similar to the first one, the quest they set out for, to which the trailers made famous, was rather lame and short sighted.  An almost watered-down copy of the original, and while it meets the rules of the universe it set up, it also was not the fresh revisit I had hoped.  In addition, the carnage overkill was a little much for me, primarily in watching constant puking and pointless overshooting that only goes so far for me before it gets old.  And speaking of overkill, the dumb blonde moments of Madison (Zoey Deutch) were a little too much for me as her air headedness was unrelenting.  At first cute, and actually quite well timed, Madison’s character was a nice mix to the usual impassive tone of the other crew, but about halfway through the movie, that fun started going too stupid for me and only kept getting worse.  You may notice a number of characters that are being introduced to help out with introducing new blood, and in a new way it does, but for me many of the characters were not that exciting, unique, or even utilized the way the trailers suggested.  As such, can’t say I was impressed for the new twist they tried to introduced and the rather sloppy execution outside of a few good laughs.  Like last time there is a new destination set to offer salvation, but unlike the amusement park this place is a little… boring.  Design wise and plot device wise it works with the jokes and bizarre sense of humor, but it’s simplicity and magnitude are far less than the first installments dive into zombie madness.  At least we get a semi-decent action scene and a new award to go with it, but I’d hoped for a little more excitement like the first one’s climax.  This brings me to the action, or the fact that there was more needed in order to help out with giving a little more excitement to the film.  Zombieland 2 really focused on the ridiculousness and the comedy than the guts to glory action and for a junkie like me… it would have been nice to see the full package.  This is especially true in again the end, which although unique and fun, just did not have the climax I was looking for.  In addition, the end credit scene was also a big letdown, more like an outtake of the mid-credit scene than anything worthwhile and thus not worth sticking around.

 

The VERDICT:

 

            Zombieland 2 is a decent sequel that offers the same laughs and dose of comedy extremes that the fanbase seems to love.  It has enough nod to the old to make fans smile, but also added enough new to help actually make a second tap worth the effort, primarily in the writing, references, and Woody Harrelson taking charge once more.  Yet, as many sequels show, the film’s evolution brought more superficial thrills to the gene pool than actual plot, resulting in a rather shallow pool to kill in.  Over usage of gimmicks and personality flaws, while underutilizing new characters, locations, and even the action to a degree made me a little sad at the lack of inspiration.  Still it’s got the fun medium and special effects to warrant a trip to the theater, especially in a group like the sports teams did the other night at my theater.  Factoring in everything my scores are:

 

Action/Comedy/Horror:  7.5

Movie Overall: 6.0

Is This Rambo’s Last Blood Fest?

Rambo: Last Blood Poster

 

 

He’s the man with a mug and muscles.  A legendary collection of characters whose stories continue to hold their place in history and face the test of time.  Surprisingly, he manages to continue putting those stars of decades past into the modern times so that they can continue to rake in the attention, fame, and potentially tell a story doing it.  I’m talking aboutSylvester Stallone, the one-man action star who despite the passing years still does what he can to bring the boom. Tonight’s feature is an unretired action legend that decades ago sunk his knife into our hearts, and now years later, he’s trying to do it again with modern tools.  What is in store?  Well that’s where I come in to give some insight as Robbie K is back with another look at:

 

Film: Rambo Last Blood (2019)

 

Director:

Adrian Grunberg

Writers:

Matthew Cirulnick (screenplay by), Sylvester Stallone (screenplay by)  |3 more credits »

Stars:

Sylvester StallonePaz VegaYvette Monreal

 

 

LIKES:

 

Stallone’s character still adapting

Great use of cinematography to get the feeling

Touching Side of Rambo

The Rambo Action Package At The End

Montage

 

DISLIKES:

 

Predictable

Lacking Depth

Wasted Characters

Lame Villains

First hour is cliché, simplistic build up

A Little Too Much Focus Of Blood

Inconsistencies in this film’s logic

 

SUMMARY:

 

Rambo has gone through some of the darkest battles and nightmares we only glimpse in films, so seeing his journey of moving past that is always nice to see.  Last Blood’s attempt to push the character to new levels gets a nod of respect, especially seeing the doors to his inner character open to reveal the touching side of Rambo.  Sure, you’ve seen this vulnerability at moments in the past, but for this film you really get an in-depth dive into this new side which will help you appreciate the legend even more.  Much of this is due to the acting, which is okay but works, but I liked the cinematography and use of filming filters and techniques to help bring out that depth. Much of this most aren’t going to care about, so perhaps the use of the film technique is better suited for the carnage that Rambo films bring.  True to the title, there is plenty of blood and gore to bring to the table, as modern technology and focus on violence comes rushing into the last fifteen to twenty minutes of the film.  The loud wet smacks, the red carnage, the screams of agony, and intense focus will give you more than an eye full of Rambo’s tactics to fill you to the brim and really end on an exciting climax.  Note: This is not like the 80s blood so those thinking of taking impressionable minds need to think five times before trekking this.  When all is said and done through and the credits start rolling, the last montage of Rambo’s past adventures will seal up the deal in what may or may not be the last film of the franchise.

 

Now I’ll be the first to admit that a Rambo film is not always the fleshed out, Oscar Worthy pick that will shatter new levels. However, I do recall that at least the first two films had a decent story to drive the adventure and help begin to expand on our… hero.  This film did offer a touching side, but Last Blood’s plot is very predictable, a linear voyage that lacks the depth that other installments do.  To take sixty to seventy minutes of the film and not provide the John Rambo action sooner was well a little disappointing.  This cliché, simplistic build up again had some heart, and is true to the character to some level, but the other characters they introduced were not utilized well.  His family and a potential new friend “contributed”, but they just did not have the same level of involvement his usual supporting characters do.  I would also say the villains did not quite have the same bite. Past rivals to John Rambo had military training, corrupt armies, or inside information for them to abuse. This one though, is just a bunch of greasy looking thugs, who certainly deserve the fight, but lack any bite to them and were quite unimpressive for the most part making the “battle” certainly justice filled, but again one sided and missing that exciting spark.  The bloodlust the director and squad chose this time were a bit more of the plan than actual battling, and Rambo’s continued pushing of the red paint was quite overloaded for me, but may be right up the alley of others.  What also took away from me was the inconsistencies in the film’s logic.  Rambo’s choices in body armor, why they showed almost every grotesque way to kills, but then skip other kills, or even more so why the Mexican Cartel lacked brains in this installment is beyond me.

 

The VERDICT

 

            Overall, Rambo: Last Blood has the same simplistic approach the rest of the movies have done, but they did not quite execute as well for me.  The story elements were sacrificed for superficial components, and the definition of action packed is a little different from my worldview.  Sure, it’s all about building up a justified tale of vengeance, and it does open up the side of Rambo that is outside the rugged stoicism that he loves.  Yet, the modern take of extreme, weak villains, underutilized characters, and focus on the blood took away from the balance the first film did so well.  Still, I’ll agree with my fellow reviewers that if you are a die-hard fan and want the modern technology to blend with it, this fil is for you.  All others, I would hold out for, and for everyone please don’t take those that are too young to this blood fest. 

 

My scores are:

 

Action/Adventure/Thriller: 7.5

Movie Overall: 6.5

Fallen Into A New Regime

Angel Has Fallen Poster

            Epic action flicks are always a riot to see because they promise excitement, fun, and potentially some legendary sequences. The army of stars who have portrayed heroic figures continues to grow and in some cases those heroes drop into multiple installments that vary in quality.  Tonight is an example of one such franchise that continues to push that hero to new heights in an attempt to squeeze every dollar out of the franchise.  Could a third installment of the legendary Secret Service agent Mike Banning be one of those movies that is all about the cash and less about the quality?  Well Robbie K is back again to give some thoughts as we finish up the weekend with what will hopefully live up to hopes and expectations I have for it.  Tonight we look at:

 

Movie: Angel Has Fallen (2019)

Director:

Ric Roman Waugh

Writers:

Robert Mark Kamen (screenplay by), Matt Cook (screenplay by)

Stars:

Gerard ButlerPiper PeraboMorgan Freeman

 

LIKES:

  • Constantly Moving
  • Gets the Intensity Starting
  • Nice Use Of Characters
  • The Ending Battle
  • Nick Nolte

 

DISLIKES:

  • Predictable
  • Loud
  • Mystery Lacking
  • Not As Much Exciting Acting
  • Morgan Freeman’s Character Semi Lacking

 

Summary:

 

Like its predecessors, Angel Has Fallen is back in the habit of making a story that is all about moving from danger site to danger site. Banning’s latest journey does not take long to get things moving, bringing the incident to full, explosive power to get the antics going.  The new tale then takes that intensity and tries to run with it the full time, finding few times to quiet down before the next set of problems sets in.  Angle Has Fallen surprisingly does a nice job of integrating the characters, most of them, throughout the film, keeping them involved in the developing plot and having them contribute to find the solution.  Jada Pinkett Smith’s character is there to act as the cat chasing the proverbial mouse, all while helping dig into the mess that Mike has fallen into.  His wife played by Piper is working on her own components and rather than being left to make casual appearances, she actually gets decent inclusion in this film. Yet, it’s the living legend of Nick Nolte who takes the cake for the character of the film for me.  The rugged, rough voiced actor really brings the bitter humor to life, somehow saying so little , but doing so much.  I thoroughly enjoyed this character in what he brought and how he was an attempt to break up the Fallen series monotony.  Yet despite who you grip onto in this sort of action, mystery, crime feature, the ending is my epic conclusion I was hoping to see in this film.  Angel Has Fallen is all about those special effect frenzies that are littered with gun play, explosives, and one man defying all odds.  You won’t be disappointed with the final sequence, as it captures the spirit of the first two after the long wait.

 

In terms of areas of improvement though this reviewer notes that the predictability and lack of surprise makes the hidden/mystery element of this movie a little lame.  You know who is pretty much behind this operation, how they are going to try to execute the plan, and what will most likely happen to counter it.  In fact the only thing to question is who is going to make it to the end.  Had a few more surprises been thrown in, this movie could have had the nice twist to make it stand out.  Sadly, the story and plot were geared more towards the character inclusion and loud antics of the movie.  The Fallen series always struggles with volume control for me and if you have sensitive ears like mine, the intensity of all the high-octane scenes might take its toll on you hearing so look for ear plugs or folding your ears.  The minor things aside, the movie surprisingly does not do much with Morgan Freeman, and if you remember the previous films the president kind of has a big role in each of the films  Maybe due to scheduling or maybe trying to be different, it’s not until the end where the man in charge is finally brought back into the story in an attempt to wrap things up.  And speaking of action, I seem to remember the first two films having much more action than this instalment.  It seems that this film toned back on the action in an attempt to give us a little more story and mystery, which is a shame as I wanted the adrenaline fest these films are.  Certainly there are “exciting” moments, but they swapped many of their guns for some new spins that did not have the same suspense or quality of the memorable moments from the first two.  If that’s up your alley then you’ll love this, but remember the ending has the battles we love, you just got to make it there.

 

The VERDICT:

 

            Overall Angel Has Fallen is starting to settle down and try out new venues for telling their story.  Certainly the speed of the film series continues, and the intensity gets things moving quickly to keep you into the film as almost all characters are brought into this chapter of Secret Service agent against the world.  Sadly, the same formula of fighting with lots of guns and ambushing via covert attacks seems to be resting for much of this movie, again trying new gimmicks to make it stand out and reserve the usual techniques for the ending.  It would have worked more for me had they kept the mystery/surprises going to add on to the intensity and leave your jaw dropping.  Still, it’s a fine addition to the franchise and one most will be wanting to see in theaters due to the special effects and speaker shaking loudness. My scores are:

 

Action:  7.5

Movie Overall: 6.5