An Abominable Display Of Cuteness. Family’s Should Tackle This Everest

 

Abominable Poster

 

The world of animated movies continues to find new legends, avenues, and ideas to bring imagination to life.  To what those audiences are being targeted or want though is always the challenge, much of which limits the enjoyment to all audience members.  Robbie K is back to the trenches of movies to give you yet another movie review this time is all about the latest DreamWorks hit about another loveable creature that will melt many hearts and wallets.  So let’s get started as we determine if tonight’s film is lame or game!

 

Movie: Abominable (2019)

 

Directors:

Jill CultonTodd Wilderman (co-director)

Writer:

Jill Culton

Stars:

Chloe BennetAlbert TsaiTenzing Norgay Trainor

 

 

LIKES:

Decent Soundtrack

Colorful Visuals

Fun

Emotional

Cute

Characters, especially Everest

 

DISLIKES:

 

Predictable

No Suspense

Many Scenes Already Shown

Everest’s Powers

 

 

SUMMARY:

 

As Frozen proved, a soundtrack can make a big difference between success and mega-success.  Everest may not have the most catch soundtrack, but the violin and alternative work is a beautiful serenade to the less appreciated instruments.  It mixes with the scenery, adds elements of fun, and in the case of the violin an emotional punch that sells the scene.  As the movie’s theme nods to, Everest is an appreciation and nod to the colorful world nature has to offer.  The animation is top notch in design and brings out the enchanting splendor that the world has to create, all while complementing the magnificence of Asian culture  and bringing energy/contrast to the other characters beginning emotional profiles.  Fortunately, the movie is also a colorful display of feelings to match the visuals and entertain the masses.  Fun and Cute are the primary colors of the emotional spectrum, with the small band of heroes finding ways to maximize on all the merchandising and the childish wonder we all forge as we grow older.  Kids will love it and so will their chaperones as they become connected to the world before them.  Yet all the cute antics still cannot stop the powerful punch of feelings that Everest has in the form of friends, family, and the bond of discovery that again lies in all of us if we find it.  I can’t say I really cried, but you can be certain there are plenty of moments waiting for one to get goosebumps or a smile over.  However, this reviewer has to agree that it’s the characters that make this movie.  Certainly the villains and henchmen have their place in the sun and are okay, but the main cast of four will play to the audience the most.  Yi is the model of modern female characters in her strong independence hiding deeper wounds.  Jin is the ladies’ man socialite representing superficial fun and karma at work, but also teaching lessons that ring home.  Peng is the superficial laughs that kids will like in the form of slapstick and quotable one-liners that was probably my favorite of the bunch. Finally Everest, a perfect combination of animalistic anthropomorphism meeting human emotions that all in all is an adorable display of fantastic character development. 

 

Despite how great and fun this movie can be though it does suffer a few things for this reviewer in regards to the potential it could have had.  Predictability thy name is this movie, for it is a straightforward tale that offers little in surprises.  The movie sort of sets the stage, dropping too many hints to really shock and amaze.  Certainly younger members may still react, but older fans are not going to be quite as engaged as other animated works.  Throw in that the movie has many scenes that have been revealed in the trailers, including jokes, and you may find knowing eighty percent of the story before it starts to run.  These are okay to be honest because of how much fun you are having, but in truth the thing that took a little away from me was the “action” and “suspense” moments of the movie.  Think of films like what Disney churns out, or even the How To Train Your Dragon series, where the producers land giant punches in your gut and manage to move all sorts of audience members.  Everest does not really do that, and all exciting chases, potential obstacles and dare I say edge of the movie is pretty much lacking.  No suspense, no real challenge, just cute wholesome fun that again is enjoyable, but not the elements of a finessed movie that other studios have managed to execute.  Finally, Everest’s powers are cool, the harmonizing with nature to transform simple things into true wonders of the world.  They are awesome and fun, and they are actually kept in check.  The real answer is why though as when you get to the end of the movie only a heroic character development being the answer to the limitations.  It makes for better storytelling, but in all honesty, Everest’s bottomless supply of magic did not make sense in the grand scheme of things, and perhaps a little more adjustment of this factor could have helped up the ante.

 

The VERDICT:

 

            Truth be told, Abominable shows off the fantastic imagination that studios still hold in this crazy world.  Everest and his friends will go on the spectacular journey that is stunning to look at, cute fun to have many laughing that manage to wrap up emotional moments in a warm friendly package.  The characters are the selling point of the feature, with the loveable yeti  being the all-star of the bunch.  Sadly, it’s a bit too G rated for me and in the cuteness, the potential for that higher level of storytelling is lost to predictable hug fest points.  With a pointless limitation and the lack of a true obstacle, these components may limit some older fans from coming.  Yet, if you want the family friendly movie of the month, get your little tykes and get them to the theater you won’t be sorry by how much fun they will have.

 

My scores are:

 

Animation/Adventure/Comedy:  8.0

Movie Overall:  7.0

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Is This Rambo’s Last Blood Fest?

Rambo: Last Blood Poster

 

 

He’s the man with a mug and muscles.  A legendary collection of characters whose stories continue to hold their place in history and face the test of time.  Surprisingly, he manages to continue putting those stars of decades past into the modern times so that they can continue to rake in the attention, fame, and potentially tell a story doing it.  I’m talking aboutSylvester Stallone, the one-man action star who despite the passing years still does what he can to bring the boom. Tonight’s feature is an unretired action legend that decades ago sunk his knife into our hearts, and now years later, he’s trying to do it again with modern tools.  What is in store?  Well that’s where I come in to give some insight as Robbie K is back with another look at:

 

Film: Rambo Last Blood (2019)

 

Director:

Adrian Grunberg

Writers:

Matthew Cirulnick (screenplay by), Sylvester Stallone (screenplay by)  |3 more credits »

Stars:

Sylvester StallonePaz VegaYvette Monreal

 

 

LIKES:

 

Stallone’s character still adapting

Great use of cinematography to get the feeling

Touching Side of Rambo

The Rambo Action Package At The End

Montage

 

DISLIKES:

 

Predictable

Lacking Depth

Wasted Characters

Lame Villains

First hour is cliché, simplistic build up

A Little Too Much Focus Of Blood

Inconsistencies in this film’s logic

 

SUMMARY:

 

Rambo has gone through some of the darkest battles and nightmares we only glimpse in films, so seeing his journey of moving past that is always nice to see.  Last Blood’s attempt to push the character to new levels gets a nod of respect, especially seeing the doors to his inner character open to reveal the touching side of Rambo.  Sure, you’ve seen this vulnerability at moments in the past, but for this film you really get an in-depth dive into this new side which will help you appreciate the legend even more.  Much of this is due to the acting, which is okay but works, but I liked the cinematography and use of filming filters and techniques to help bring out that depth. Much of this most aren’t going to care about, so perhaps the use of the film technique is better suited for the carnage that Rambo films bring.  True to the title, there is plenty of blood and gore to bring to the table, as modern technology and focus on violence comes rushing into the last fifteen to twenty minutes of the film.  The loud wet smacks, the red carnage, the screams of agony, and intense focus will give you more than an eye full of Rambo’s tactics to fill you to the brim and really end on an exciting climax.  Note: This is not like the 80s blood so those thinking of taking impressionable minds need to think five times before trekking this.  When all is said and done through and the credits start rolling, the last montage of Rambo’s past adventures will seal up the deal in what may or may not be the last film of the franchise.

 

Now I’ll be the first to admit that a Rambo film is not always the fleshed out, Oscar Worthy pick that will shatter new levels. However, I do recall that at least the first two films had a decent story to drive the adventure and help begin to expand on our… hero.  This film did offer a touching side, but Last Blood’s plot is very predictable, a linear voyage that lacks the depth that other installments do.  To take sixty to seventy minutes of the film and not provide the John Rambo action sooner was well a little disappointing.  This cliché, simplistic build up again had some heart, and is true to the character to some level, but the other characters they introduced were not utilized well.  His family and a potential new friend “contributed”, but they just did not have the same level of involvement his usual supporting characters do.  I would also say the villains did not quite have the same bite. Past rivals to John Rambo had military training, corrupt armies, or inside information for them to abuse. This one though, is just a bunch of greasy looking thugs, who certainly deserve the fight, but lack any bite to them and were quite unimpressive for the most part making the “battle” certainly justice filled, but again one sided and missing that exciting spark.  The bloodlust the director and squad chose this time were a bit more of the plan than actual battling, and Rambo’s continued pushing of the red paint was quite overloaded for me, but may be right up the alley of others.  What also took away from me was the inconsistencies in the film’s logic.  Rambo’s choices in body armor, why they showed almost every grotesque way to kills, but then skip other kills, or even more so why the Mexican Cartel lacked brains in this installment is beyond me.

 

The VERDICT

 

            Overall, Rambo: Last Blood has the same simplistic approach the rest of the movies have done, but they did not quite execute as well for me.  The story elements were sacrificed for superficial components, and the definition of action packed is a little different from my worldview.  Sure, it’s all about building up a justified tale of vengeance, and it does open up the side of Rambo that is outside the rugged stoicism that he loves.  Yet, the modern take of extreme, weak villains, underutilized characters, and focus on the blood took away from the balance the first film did so well.  Still, I’ll agree with my fellow reviewers that if you are a die-hard fan and want the modern technology to blend with it, this fil is for you.  All others, I would hold out for, and for everyone please don’t take those that are too young to this blood fest. 

 

My scores are:

 

Action/Adventure/Thriller: 7.5

Movie Overall: 6.5

The Cage Is Lowered And The Sharks Are Out To Play

47 Meters Down: Uncaged Poster

            Shark movies!  What were once the pinnacle of horror movies and science fiction story telling that left impacts and a sense of fear of going into the water.  Like many things though, the demand for a new shark movie often leads to carbon copy projections that are all about cheese and little to please. Shark movies have now become more of the cheap knock offs that still remain cult classics and amass a ton of fans to watch them repetitively and spur more.  Tonight, an unexpected sequel to one of these is my first review, hoping to bring the same suspense and thrills that the first one did.  Can these sharks come back with the same bite, or are we seeing messy CGI disasters that SyFy channel has made famous?  Robbie K reviewing:

 

Movie:  47 Meters Down Uncaged

 

Director:

Johannes Roberts

Writers:

Ernest RieraJohannes Roberts

Stars:

Sistine Rose StalloneNia LongCorinne Foxx

 

 

LIKES:

 

Cute Cast

Decent Pace

Much More Shark Involvement

Scary Setting

Much More Suspense Than Expecting

 

DISLIKES

Story Based On stupidity

Predictable

Shaky Camera Work

Very Quick Wraps Ups

Suspension of Disbelief Must Be Curbed

 

 

Summary:

 

I can’t deny that these movies know how to recruit good looking people to play their puppets of shark massacre and this movie continues that trend.  Our bathing suit clad beauties are gorgeous to the eyes of those that like those forms and will be a major part of the first third of the movie.  Superficial components aside, the movie itself succeeds in keeping up a decent pace, managing to craft some suspenseful movie magic that thriller seekers are searching for.  This pace keeps things moving, holding little down time between shark strikes and navigating the maze-like caverns of the ruined city and therefore making time pass in the blink of an eye.  How is this accomplished?  Well it comes down to two things.  First is the setting.  47 meters regime manages to really use the setting as a canvas of terror, painting your worst nightmares of the dark to new levels.  Where the first one made the idea of being stranded on the ocean floor terrifying, this one pulls you into the confines of a cave, whose cramped corridors and dark rooms may deter you from ever going spelunking.  The second factor is integrating the sharks much more into this film.  Yes, in the first one they were there, but they were more of a setting feature that seemed to be looming rather than really tearing things up like Jaw and Deep Blue Sea.  In this case, the sharks are certainly the terrifying behemoths you search for in the films, with a new design to go with their traditional voracious appetite. These creatures are more than willing to get their toothy maws into new scenes and really add to the terror at hand.

 

Yet with all the improvements in suspense and the terror painted by the CGI squad in terms of shadow crafting and claustrophobia there were some things that still did not deliver the full bite.  The story for one thing swam backwards towards a weaker pace, built not on an accident, but on stupidity of teenagers doing things they weren’t supposed to and trying to correct it.  It does certainly pick up in the caves, but one thing is for certain that you can figure out who is most likely not going to make it and just what is going to be around the bend… mostly.  Certainly, the scares are much closer in this installment, but sadly its lost to the shaky camera work that inadvertently censored a number of the shark on human action. Does it capture the frenzy of the moment?  Absolutely. Does it add to the terror and give you that sense of being this close to the maw?  Again yes, but in doing so it robs you of the clear-cut picture that the first one did better.  What the first also did better was the close calls vs. the hasty kills as I like to describe.  In the first one, several close misses kept you guessing as to when someone would be shark bait, but in this there comes a point where the near misses are practically eliminated and the punishments are dealt rather quickly.  In addition, searching for a way out seems to drag a little at first, but again things seem to progress rapidly to the point of chuckling at the coincidence.  This brings me to probably the worst thing for me on this movie, the suspense of disbelief.  47 meters continues to toy with the idea of everlasting air, swimming faster than the aquatic beasts and how many times someone can withstand contact with the monsters of the deep.  It’s the magic of movies and storytelling of course, but especially at the end the already ridiculous concept takes further dives into the deeper realm of nonrealistic stuff and eye rolling moments.

 

The VERDICT:

 

Okay, it’s a shark movie and it accomplishes the task of sharks meeting humans.  The sequel manages to achieve the goal of scarier areas that allow the sharks to hunt in a new style, bringing about two monsters for our players to dodge.  It’s got a good pace and some suspense to it that should help get the shark week blahs chased away.  Yet, it does not quite have the story telling aspect that the great ones achieve and the predictability/suspense of disbelief are still needing some tweaking to help add the finesse and clean up the movie.  Still, I enjoyed it much more than I thought I would and give this one a nod in terms of catching it on the tube.  Yet, it’s probably better to see this one at home, for it could be an upscale SyFy movie rather than a big screen blockbuster.

 

My scores are:

 

Adventure/Drama/Horror: 7.5

Movie Overall:  6.0

 

These Good Boys Make Adventure Cute And Fun, Though Crude, Comedy

 

Good Boys Poster

 

Middle school is a time that can be trying.  As hormones kick in and bodies change, a lot of social status updates, and of course the concept of major bullying kicking into high gear that leaves one feeling different.  Today’s movie decides to analyze that, but in a different light that hopes to be entertaining while touching at the same time.  From the minds of half the stoner comedies and off the wall humors, comes tonight’s review of a movie that did not quite rope my interest.  But like the times they portray, you never know what surprises you might find in the halls of school.  Robbie K coming at you with a look at:

 

Film:  Good Boys (2019)

 

Director:

Gene Stupnitsky

Writers:

Lee EisenbergGene Stupnitsky

Stars:

Jacob TremblayKeith L. WilliamsBrady Noon

 

 

LIKES:

 

Good Pace

Cute

Surprisingly Deep

Good Acting

Some Great writing at times

Funny

Decent Use of Cast

Story

 

DISLIKES:

 

Lazy writing

A Little Too Aggressive For Me

Predictable

Some Forced Dialogue

Over Board On The Trailers Again

 

Summary:

Looking back at the movie, this was a tall order to try to succeed in putting adult scenarios in the hands of kids.  Yet, Good Boys accomplished this at times for me in the art of representing life in such a young cast.  The film has the comedy pace, keeping things moving quickly, and managing to take time to flesh out the characters.  It’s surprisingly tasteful at times and wrapped in a cute atmosphere as the naivety of the three boys manages to dull the blow that comes with the adult themes in this movie, which worked for me in terms of adding a new spin to freshen things up. In addition, the film manages to accomplish a story telling element that does not involve just getting drunk or stoned, but instead adding that kid perspective to the mix to help keep things ground and allow the laughs to keep coming.  If you have read my reviews, you also know I’m big on character utilization and surprisingly the Good Boys writers again succeeded in using the three young musketeers evenly.  There is good development of each member, enough differences for them to stand out, but have that similarity that friends seem to have.  The kids manage to sell that relationship and their acting is great as they capture the spirit of the awkward middle school friends trying to find their way in a new setting, or settings in this case.  As such, I give them props for being able to make a relatable tale, managing to capture the nuances of life in this youthful setting, and in a way that helped grip me and some of the audience into the ridiculousness at hand.  But you are really asking is it funny, after all it’s a comedy and it needs to be funny. Well at times the writing is dead on with timing, design, and delivery to make me laugh hard.  A few of my fellow audience members were unable to stop laughing, enjoying the Seth Rogen like comedy spewing from a smaller frame at a higher decibel.  If you like the comedies of Superbad, Knocked Up, and This is the End, then I have a feeling you are going to love the formula they used in this movie once more.

 

That being said, there are a few things of this movie that did not quite impress me as some others in the audience.  For one thing, despite the story actually being in this film and grounding, there is a little predictability thrown in that did not impress me.  Relevant as it was, the typical plot falls left me a little bored, waiting for either unique comedy or a deep scene to save me from the chaotic adventure.  And while I got some magic moments that were golden in terms of timing, character development and delivery, there are other times where the comedy genre writing took over.  Good Boys still suffers from excessive cursing, which although funny out of the lips of a child, is still not my favorite thing to watch and not the most unique writing component.  At times I felt the comedy forced, or the lines pushed a little too much on me, in an attempt to squeeze that last bit of crude and crass out for shock factor or a simple laugh.  Other times, I felt some of the comedy was a little too aggressive or over the line for me, mainly in the form of drug or sex humor that skirted under the trailer radar. This brings me to probably the sour note in the film, the over abundant advertising that really gave many of the big scenes away. I agree with others there is a treasure lying in wait for the adventurer to go to the theater, but some major elements have already been effectively beaten to death if you watch the trailers enough.  The convenient store scene, the swing scene, and the teenage girl scenes I knew were coming and left me feeling bored after how much I had already seen them.

 

The VERDICT:

 

Good boys turned out to be better than I anticipated, managing to ground a relatable story as the foundation and building the comedy around.  It’s pace, charm, and cuteness from the sensational actors is that factor the R rated comedy needed and those aspects will bring much of the laughs.  Throw in the deeper elements to help tone the aggressive edge down and my fellow audience members are correct in saying it’s a nice, versatile picture.  However, it still suffers from over aggressive cursing, lazier writing to fill in moments between the more aggressive styles, and worst of all, big scenes already presented frame by frame in the commercials.  Still all in all, this film is fun, though I’m not quite certain this one is the most theater worthy film, and may remain a better home viewing picture.

 

My scores are:

 

Adventure/Comedy:  8.0

Movie Overall: 6.5

Was Not Angry With This Sequel

The Angry Birds Movie 2 Poster

 

Sequels to animated films are seldom as good as the first movie.  Many times the story was not needed, or the masterpiece is diluted for a gimmick that just doesn’t work.  Fortunately, there are some that have paved the way for the potential to add to the story, continuing the world we love, but at the same time making a movie stand on its own.  Tonight, Sony Pictures continues to try the luck with their surprise success of Angry Birds and see if they can get another round of bills to line the pockets.  And for reviewers like me, we are back in the trenches to see how it fairs and do our best to highlight the observations. So let’s get in there and review once more as I take o:

 

Movie: Angry Birds Movie 2 (2019)

Director:

Thurop Van Orman

Writers:

Peter Ackerman (screenplay by), Eyal Podell

Stars:

Jason SudeikisJosh GadLeslie Jones

 

 

LIKES:

Voice Acting

Fun

Funny

Stories Intertwining

Good Morals

Cute

Good Use of Characters

Quick

 

DISLIKES:

Predictable

A Little too political at times

Not Quite As Unique

A Little Too simplified

Trailers Ruined Much

 

SUMMARY:

  Like the first film, the movie’s cast really shines taking the pun filled writing, simplistic dialogue, and joke filled lines and making it work.  Sudeikis as Red is still the sarcastic champion we loved, Josh Gad comes back in all his adorable energy and opera like singing, and Danny McBride is still the same loud, gruff voice that often fools people into thinking he is Seth Rogen. But the new gang to join adds their own spice to the feathery/leathery cast.  Jones has got her usual energetic motions, Sterling K brown is posh and yet funny, and Awkwafina is the same carefree slacker that somehow works in a variety of settings.  It’s an awesome blend of talent that manages to add some dynamic flow to bring the characters to life.  Past the acting, the story is along the same lines as the last one, a very fun, straightforward adventures with a few good moral lessons baked in to give it another layer.  Taking two stories to try the break up the linearity, the movie should move enough to keep everyone’s attentions, all while jamming in enough fun and laughter to have you rolling in the seats.  Yes, like the first installment the film is all about captivating on the cuteness and jokes to get its gimmicks out and enjoyment.  Yet, the smartest component for me, is that the movie manages to utilize most of its characters very well.  Red and the squad still get adequate screen time despite how many characters they introduced.  And the new characters still get used well, allowing for maximum merchandising.

  In regards to some areas of improvements for me, well it starts with the predictability of the film.  The movie suffers from the simplicity they strived for, not doing well with pushing the boundaries of unique or creativity.  Sure, the app to movie transition gets props, but unlike the Disney and DreamWorks group, they have not quite adapted well in the earth-shattering stories or worlds that the bigger studios dream up.  Instead, the movie tries to push a few political boundaries, which is a noble challenge, but got a little too extreme for this reviewer as the various movements we hear about get their own skin in this movie. It still fits well, but it just wasn’t necessary and I would have liked to see the energy transferred into the creativity mode instead.  Yet, the biggest area that I did not enjoy was how much the trailers ruined the film for me.  Many parts have been not only revealed, but smeared in your face with the multiple airings. While still funny, I think there could have been a lot of surprise and kick to it had it not been so advertised. As such, if you and your kids have seen most of the trailers, you have seen much of the movie as there is not quite as much runtime as I had expected.

 

 

The VERDICT:

            The movie is a decent follow up to a movie that was surprisingly deep and fun.  It still has the same colorful energy, fun atmosphere and voice acting that just capitalizes on the silliness to be had.  The story, while layered, still is simple for most to follow and the characters are utilized beautifully for all fans to enjoy and get the most out of the characters in this world.  Yet, Angry Birds Universe is still a shell of some of the worlds built in the animation land, and struggles to break the creative barrier and expand upon its world. It’s a little too simple in terms of movie overall, and thanks to the trailer ruining much, the film holds little in coming to the theater outside of seeing the predictable ending.  Still, it’s a fun adventure to behold this weekend with your little tykes and smile wide at their delight in the film.  Otherwise, hold out for the home release my friends. 

 

 

My scores are:

Animation/Adventure/Comedy: 8.0

Movie Overall: 6.5

 

 

Can You Say: Fun, Family Friendly, Movie?

Dora and the Lost City of Gold Poster

 

Childhood television shows hold a special place in our hearts, bringing us back to the days where adventure lied in every episode. Eager minds waited for the next episode to come, fooling ourselves that something different was going to happen to our hero and push them to the edge, only until we realized it was predictably the same ending.  So movies that come out to potentially extend a hand back into the past and relive those moments are very intriguing and we may just find ourselves flocking to the movies to figure out what they writers could have in store for our heroes.  Well, today that movie trend tries once more, this time in a pop culture icon who had mixed reception depending on the age you started with her.  Robbie K here with another review on the former cartoon now brought to life in the trend of live action movies.  Yes, I review:

 

Movie:

 

Dora the Explorer And The Lost City Of Gold (2019)

 

Director:

James Bobin

Writers:

Chris Gifford (based on the series created by), Matthew Robinson (screenplay by)  | 5 more credits »

Stars:

Isabela MonerEugenio DerbezMichael Peña

 

LIKES:

Short

Fast Paced

Good for Kids

Funny

Feels Like A Dora Episode

Nostalgic

Boots

 

DISLIKES:

Predictable

Simplistic

Lackluster Ending

Under Utilized Cast

Still Too Kiddy

Preachy

 

Summary:

For a movie that is based on a kid’s program, the Nickelodeon studies managed to keep the kid-friendly atmosphere alive and appropriate for the younger audience members. Utilizing the young adult morale issues for the generation to latch onto and have a rapport with. Those who aren’t looking for the preteen dilemmas and high school shenanigans though will enjoy the humor in this film.  The director and writers knew that the older population would be looking for something more enjoyable and the movie hits that mark by making fun of itself and trying to rationalize how Dora had the adventures she did.  It’s this self-punching humor that had me laughing up a storm and if you get the references remain into the movie at what next piece of humor you would get.  And for fans like me who had younger relatives obsessed with the explorer, you pick up a few references that bring back the nostalgia of the animated adventures and the ridiculousness at hand.  As for Boots, the little monkey is adorable and funny, bringing a dynamic set of jokes to the mix and relieving some of the other plot devices.

 

Yet the movie fails on the story aspect, working too hard to hit itself with the absurdity of the whole story.  The adventure is predictable with lots of obvious foreshadowing laid out in the first third of the act.  Trekking through the jungle lacks the bite Indiana jones and others had, again diluting to simplistic sequences that were perfect for the little kids it targets.  The end of the path holds a rather disappointing, lackluster finale that leaves much to be desired in terms of wow factor, though it manages to nail that morale heavy lessons we all want in a Nickelodeon themed movie.  Much of the disappointment for me was the underutilized cast, many of Dora’s friends, rivals, and even other characters like Swiper were overshadowed by the fabulous explorer and her can do attitude.  In doing so, the supposedly threatening group to antagonize the trip were one-dimensional throw away that served mainly to give slight suspense to the film.  Yet, there was still plenty of time for them film to put those preachy lessons right at the end, with music, forced dialogue, and everything else to the delight of families. 

 

  Dora’s real-life adventure is a cute dive to help bridge a lot of audience members.  I concur with the rest of the reviewers that it is better than you expect, primarily in the humor, pacing, and fun references that are all contained in the short 100 minutes run-time.  Sadly, the humor and kid friendly atmosphere left much to be desired in the form of story, acting, suspense, and overall finale for the adventure.  I applaud them for making this thing short and fun though, and would say that this is a decent family film if you are looking for one to close the summer on.  Yet, if you need a more quality film overall, look elsewhere, as there are several other films that will assist your viewing pleasures. 

 

My scores are:

 

Adventure/Family:  7.0

Movie Overall:  5.0

I Came, I Shaw, Hobbes Conquered

Fast & Furious Presents: Hobbs & Shaw Poster

 

Seems like eons ago when we were blown away by the cars and ferocity that was Fast and Furious.  Many installments later, the serious sort of left its dark heist roots and hit the highway to the ridiculous imagination of pushing cars and crew to the max.  Despite losing a valuable cast members and several other characters, the series emerges once more from the garage with a new paint job though it’s core is very much the same.  Tonight yours truly looks at the new comedy duo to take the next leg of the furious race. What lies in store?  Read on to get my thoughts on:

 

Movie:  Fast And Furious Presents: Hobbes and Shaw (2019)

 

Director:

David Leitch

Writers:

Chris Morgan (story by), Chris Morgan (screenplay by)  | 2 more credits »

Stars:

Dwayne JohnsonJason StathamIdris Elba

 

 

LIKES:

Funny

Great Pace

Fitting Story

Great Acting for franchise

Action

 

DISLIKES:

Jokes Too Far

Ridiculousness Gets Out Of Hand

Predictability

Some Story Gaps

The ruining by the trailers

 

SUMMARY:

 

If you have been a follower to the series, you’ve learned the formula by now and it is one that despite how tired it may be, still seems to work.  Hobbes and Shaw is an entertaining ride that runs on adrenaline and comedy as the main fuel. The comedy is in many forms, though primarily in the banter between the star characters, but also has some surprises in the form of cameos and unexpected side roads that are well timed. It delivers an atmosphere of fun, which in turn leads to a great pace to keep you engaged in the film and to the adventure at hand. The actors who bring this to life all work super well, the chemistry between Statham and Johnson is awesome as the rivalry and alpha male syndrome of two extreme males is super believable and exploited well.  Meanwhile, Elba as the supervillain is fantastically balanced, despite being in this series, as he is both lethal and wild at the same time.  Vanessa Kirby as well is a welcome addition, as she brings one-part female inspiring character and one-part romantic interest.  She’s a great anchor point for the story and an engaging character overall that seems to balance the macho meatheads of the other two.  In terms of story, Hobbes and Shaw shows promise for picking up the pieces of the last installments while opening up some new rivals for the speedsters to follow, with little to no layers beyond what is presented and plenty of preachy morals that the series has thrived on over the last five movies.  Finally the action.  Hobbes and Shaw has pumped high-octane fuel into the engines and ramped it up to a new level as technology meets good old-fashioned fists.  From nearly start to finish, the movie does not let up on the exciting moments and despite how cheesy it can be, it fits the action junkie want so beautifully.

 

Yet, the movie (like most of the latter installments) finds issues with balance and uniqueness that once was present in the film. The jokes, as entertaining as they are, go a little too far, the banter in particular bloating the run time at points where we could have moved on to something better.  In addition, the movies continue to push the boundaries of reality with the ridiculous aspects, relying on suspension of belief and focus on adrenaline doing everything superhuman to accept these feats.  Surprisingly toned down from other movies, Hobbes and Shaw is still not for those who can’t stomach the cheesiness of this franchise. Sadly, the effort and interest in these action sequences is not being used in their storytelling originality. Hobbes and Shaw is still a predictable tale with things laid out for you at the start of the movie with dramatic dialogue that is obvious foreshadowing.  In addition, some details given suggest some story gaps and perhaps a little more attention to detail to help.  Yet, much of the movie is ruined by the trailers, which have given away much of the action sequences you are probably going to see.  Sure, the full spectacle is still awesome, but be warned you’ve seen much of the stuff already laid out.

 

Outside of a few other minor dislikes, like a few characters built up in trailers, but then laid to the side for future movies, Hobbes and Shaw turned out to be better than I anticipated.  It’s still a cheesy special effects ride that continues to rope money in, but it works quite well to bring the entertaining action spectacle to open August up.  I really enjoyed the familiar aspects of comedy, pacing, and acting, though I still think they have not obtained the balance or adventure that Fast Five was. So in terms of a theater visit, for those who are fans of the series you should hit this up ASAP to get your fill of action and machoness.  Yet, those who do not enjoy the spectacles of CGI and stunts, should skip this one and hit one of the five movies coming next week. 

 

My scores are: 

 

Action/Adventure:  8.0

Movie Overall: 7.0