Sherlock Holmes has many forms, some of which are immortalized in our minds and others we wish could get a face lift and some reinvigoration. Nevertheless, the eccentric detective of Scotland yard gets another revisit this holiday season, this time with a much more comedic direction than most versions tend to focus on. Can the legendary comedian team that gave us Step Brothers, step up to a new relationship? Robbie K is here to share his thoughts on the another review as I take a look at the film:
Movie: Holmes and Watson (2018)
- Quick Run Time
- Funny At Times
- References To Other Versions
- Secondary Character Was Funny
- The Song
Summary: As the reviews come in, you are seeing a lot of negative components, but I can say that despite this not being everyone’s cup of tea, the movie at least is short, running around the 1 hour and 20-minute mark, meaning you’ll get out of there fairly quickly. In this short film, the movie manages to find some nuggets of well-timed lines that somehow held some wit behind the bantering. Often for me it had to do with the references to other versions of the detective, with nods to the Robert Downey Jr and Benedict Cumberbatch creations that are super popular. When it comes to these moments that is the component that I found the most entertaining. Well that and the secondary character of Millie, whose simplistic bouts of nonverbal comedy had some of the better time laughs than either Ferrell or Reilly could drum up. Of note though, the little song number that Ferrell and Reilly get to perform had some zest to it, so I give them props for including that.
- Paper Thin Story
- Mystery Was Boring
- Lazy Writing
- Too Forced Of Humor
- Missed Comedy Opportunities
- Fixation on Banter
- Diving Down Politically Heated Topics
Summary: Holmes and Watson’s first weakness comes from the paper-thin story they tried to sell with the comedy antics. A very simplistic tale that tries to throw in shallow character development and a mystery, this version certainly did not focus its efforts on trying to have something to ground the comedy too. The mystery itself is lackluster and overshadowed by the ridiculousness of the film and given the obvious answer as to whom is the culprit, makes for a plot that will have difficulties standing up to the law of good movies.
Of course, most fans of Ferrell may not really care or expect the story, because he is after all known for being the king of slapstick, banter, and inappropriate comedy. While this movie follows that formula, it’s writing did not quite match the quality of other Ferrell flicks and not just because of the missing story. Holmes and Watson had trouble finding its stride, forgoing classic one-liners for mindless banter and arguing between the titular characters, or extended bouts of over the top slapstick that didn’t pack the punch the scenes sound effects had. It was comedy that was too forced for me, the lines blunt displays of stating the political injustice we still complain about, which doesn’t have the intended prowess it wanted. When those styles failed, they switched to the obsessive self-pleasing jokes that although had good chemistry between actors, again treaded down the gross pathway instead of the funny for me. And the worst part is, all of it is in forced accents, the characters pushing into overdramatic displays of emphasizing the words in very forced accents. All of this boils down to work that either has grown too stale to work in the modern age, or was too forced and lacking the finesse earlier films held.
Holmes and Watson’s trailers have not sold you any lies, it’s a mess of predictable plot antics with overzealous comedic attempts that the two are famous for. Yet the film does not have the same quality that the duos first film had all those years ago. Is it because the comedy is stale, or is the focus on being too forced of comedy? I don’t know the answers, but there is some serious need for plot development and better-balanced comedy to assist for any future installments. As such, the movie missed its mark on a lot of things, needing to step back to the clever tipoffs, and timing than overstuffing the film with comedic banter. Thus, I can’t recommend this one for the theater, encouraging to hold out until Netflix picks it up. Sorry guys!
My scores are:
Movie Overall: 4.0-5.0