I Don’t Think You Will Sleep Through This One

Doctor Sleep: The IMAX 2D Experience Poster

 

Stephen King is on a role this year with two stories turned to movies, among other products, and potentially raking in even more cash. The age of taking author’s works and putting visual spins on them continues to thrive and sometimes we get an interpretation that brings our nightmares/expectations to life.   On the other hand, the limitations of movies can sometimes lead to bad projects that are disappointing more than anything.  What will happen in this interpretation?  Well I’m here to share my opinions to help you get the most out of your movie going experience.  Let’s get started as I review:

 

Movie: Doctor Sleep

 

Director:

Mike Flanagan

Writers:

Stephen King (based on the novel by), Mike Flanagan

Stars:

Ewan McGregorRebecca FergusonKyliegh Curran

 

 

LIKES:

  • Acting
  • Feels Like A Visual Form Of Book
  • Nice Haunting Atmosphere
  • Pacing For The Most Part is Good
  • Great Antagonists
  • Fantastic References To original/With modern twists
  • Story Telling As a Whole

 

DISLIKES

  • The Run Time
  • Expecting More Integration of Shining’s connections
  • Not Scary
  • Graphic Violence That is Haunting But Disturbing

 

SUMMARY

 

When the revealed the cast of this film I was interested in seeing how they would adapt into King’s Universe.  The result is positive for me with the three main characters really taking a shine to the multi-layered characters each contributing to the terror in some way.  McGregor takes much of the lifting in his evolution of tortured spirit, keeping that quiet intensity famous of his younger counterpart, but somehow pulling out other tricks when the time is right to give a psychiatrically tortured counterpart.  As for the antagonist, Rebecca Ferguson is wonderful counterpart to McGregor, keeping that same creepy tone, but this time bringing a savage/psychotic edge that fits well in the horror genre, think villains from Walking Dead before it went too far.  As for the talents of Curran, well she was the perfect balance that sort of inherited both sides of the Shining coin, executing her vulnerable side well, but also managing to bring girl power to an even medium.

Acting aside, the rest of the movie thrives in the element of bring King’s imagination to life.  To be honest it does feel like a visualization of the book, the intricate details, outlines story, and connecting points a wonderful example of the art of literature translation.  King’s words always paint a picture of sheer horror, immersing one into a nightmare realm that goes into the darkest corners of the minds and dreams.  Doctor Sleep’s haunting chills line just about every minute of this film, bringing with it characters that fit into it, primarily the antagonists that Danny faces.  Such fitting characters and truly nightmarish villains make a wonderful centerpiece to get hooked onto.  Yet, the movie does not just focus on making the characters the star, instead finding way to integrate the Shining into the film while sticking to the originality of the tale.  Seeing various nods back to the original tale, though with modern face lifts, and having them there to support the tale, again getting an applause from me. With such details, you might think the pacing will suffer, but Flanagan accomplished the task of keeping all these details and plot dynamics balanced, but not sacrificing the entertainment value that movies are expected.  In conclusion to this like section, the story telling is told well at an engaging pace that makes for one of the better horror movies and book translations in a long while.

 

Yet for me, it’s rare to see a perfect movie that I love everything about and this was true for Doctor Sleep as well.  For one thing the run time is a little long for a later night showing, I know my fault, but despite how well the balance of this tale is, there was some pacing that made the 2.5 hours a little too long for me.  Perhaps it was from working a 15-hour day, or maybe it’s due to wanting a little more of the Shining’s plot components brought in, given how long the opening was about the time lapse between the two stories I might have wanted a little more integration into the mix to help fully get my horror element on. In addition, the movie did not do the most in the scare factor for me, going more down the  drama/thriller category than the actual horror element.  I’m not saying others will not get scared, but it all depends on what you like to jump at creeps vs jump scares.  For me though, the aspect I know was needed, but I did not like is the torturing and graphic violence components.  I can say I like action movies and over the top stunts, but in this movie the violence is all about inducing the disturbing, skin crawling factors that these books are famous for.  Weak constitutions to graphic displays of fear inducing dismantling need to rethink diving into this, for there are several scenes where this factor comes into full swing with little mercy.

 

  The VERDICT

            I have to agree with my friends who saw the film, Doctor Sleep is one of the better novel interpretations that I have seen in quite a while.  My favorite aspects of this film are how much like a book it plays out, yet never sacrifices the entertainment factors and visualization components that films need.  A haunting atmosphere to play in, with great characters to bring out the solid story, I feel many King and horror films will be impressed with the presentation of this tale.  While the run time is a little longer than expected, and the scares are at a minimum compared to the first film I watched a long time ago, the true component to warn people about is the graphic violence/torture that may haunt your memories for some time.  It’s true I would have liked a little more of the Shining aspect, but overall a solid story telling from King and company again.  Is it worth a trip to the theater?  Absolutely, as it has theater quality effects and good storytelling for most audience members to enjoy.

 

My scores are:

 

Drama/Fantasy/Horror:  8.0-8.5

Movie Overall:  8.0

It’s The Final Countdown… To Halloween Horror Flicks

 

Countdown Poster

 

What would October be without at least one horror movie to come to theaters?  Boring is what many would say, and so we have the final weekend of the holiday trying to gain some revenue before the season is over.  So Robbie K is back once more to give you some ideas on the latest of the horror installments to haunt the silver screen.  Will it be good?  Will it be bad?  Will you die of boredom?  The answer to those questions is below so let’s get ourselves in shall we as we review:

 

Movie: Countdown (2019)

Director:

Justin Dec

Writer:

Justin Dec

Stars:

Elizabeth LailJordan CallowayTalitha Eliana Bateman

 

LIKES:

  • Moves At A Good Pace
  • A slightly new twists
  • Funny At Times
  • Liked The Central Character
  • The Story Is Cute

 

DISLIKES:

  • The CGI work
  • The Thrills and Kills Are Mediocre
  • A Little Silly In Terms Of Story Telling at Times
  • Dead Ends
  • Predictable

 

SUMMARY:

 

Horror movies are something that have come to be a little too mass produced, where ridiculous concepts come out of the wood work to try and capture your attention while darkening your dreams. In this case the movie takes a hit at it, but rather than crafting original beasts instead focused on a quick pace to keep you entertained for the most part. Countdown’s limited time limit requires things to move at a brisk pace that is both entertaining and yet complete.  The film manages to bring a slightly new twist to the mix, taking an old concept and modernizing it, while still tagging some traditions to it.  As such, the film has a little more originality to it and that’s something difficult to capture in these days of over production. In this dark tale, there is fortunately some comedic relief to lighten things up, but not enough to make it a spoof, again portraying some balance that films seem to lose.  My feeling for the strongest component of this movie is the character development, and more so the central character of Countdown.  Quinn (Lail) is a lovely character that has a little bit complexity past the usual damsel in distress/air head that comes with horror territory.  The various levels of personality made for a more engaging heroine, and seeing her evolution as her plight grew more stressful with each passing second.  I think Lail was a fantastic actress to watch, delivering a nice performance that went hand in hand with the cuter story she shared with the other characters. The story may not be that harrowing, creepy, or even unique, but there is an energy to it that seems to be a toned-down version of a horror movie that is once more about the characters and not just the thing they are fighting.

 

While many of these components are nice in terms of storytelling, the movie did cut costs on other areas that may not be impressive to the usual lovers of the genre.  First the CGI work needs a little trimming up, looking a bit hokie, faded, and too computer in my opinion. In addition the beast doing all the killing did so in rather, contained ways that were off screen or hidden in shadow.  It’s not that I want to see gruesome death and mangling, but a little more details might have been preferred for this writer. And while I enjoyed the story telling for the most part, there were times that the film felt a little silly, taking tangents that were stretches to incorporate in some way to liven up the film.  They did not work for me in forms of comedy, but instead became crashes into dead ends where characters, plot points, and other components were left to stand for some wrecking ball to break through.  I guess to meet time constraints they took this approach to again be original, but it just fell short as lazy storytelling with these components.  Finally, the film is predictable, with only a few things hiding in the wings to try and surprise us.  Yet, all the foreshadowing and obvious introduction to the plots were the stars needed to point me towards the things they wanted to keep a surprise and by the revelation I had pieced most things together.  Again, kudos for trying, but not the most surprise filled plot.

 

The VERDICT:

 

            Overall I did not hate Countdown, but instead grant a nods towards a character centric story with a cute vibe and good pace to entertain.  It’s true I would have liked a little more haunting/craziness to come into play to give you that true Halloween thriller you were looking for this late in the season.  It’s predictable tale, sort of hidden killer, and silliness that filed away the edge of the movie and thus takes away from the atmosphere they created.  I felt that they could have just put this one onto a streaming site, but I’ll give them props for trying to put their work out onto the screen.  Yet, this film really boils down to being better suited at the home viewing then coming to theaters so hold out until the release if you can.  As such, my scores are:

 

Horror/Thriller:  6.0

Movie Overall: 5.0

No Joking, It’s An Oscar Version Of A Comic Book Movie

           Joker Poster

The comic book movie craze has gotten a bit out of hand with all the latest stunts and money wars that have led to the universes getting a little out of control.  In regards to the DC universe, again the movies are hit or miss in regards to the true comic book movie prose.  Yet, deep in the nest of Hollywood, there are still writers and directors that are willing to diverge from the common trend in an effort to bring a more artful style to the genre.  Tonight, DC attempts to do just that, with a character profile movie on one of their most legendary villains the Joker.  After multiple cameos, the world of comics looks to a new retelling to bring more quality to the comic book world.

 

Movie:  Joker (2019)

 

Director:

Todd Phillips

Writers:

Todd PhillipsScott Silver

Stars:

Joaquin PhoenixRobert De NiroZazie Beetz

 

 

LIKES:

  • Fantastic Profiling
  • Great Cinematography
  • The use of music
  • Dive into the madness
  • Great Acting

 

 

Dislikes/Warnings

  • Violence
  • Pacing
  • An Open Ending
  • Timeline differences
  • Not feeling Very Joker Esque
  • Some plot points that are vague

 

 

Summary:

First off this movie is not really a superhero, or in this case a supervillain film.  Instead, the movie feels like a film that is more of dive into the psychiatric profile of a man trying to make it into a chaotic world and wearing a supervillain mask at the same time.  One of Joker’s key strengths is that film manages to capture the insanity of psychiatric disease amazingly, blending a number of symptoms and transforming them into a mixed-up world where reality and fiction dance a twisted tango.  Utilizing great cinematography, the visuals by Phillips guidance somehow manage to take an internal perspective and personify it on the screen, sort of trapping you into the dimension of Artie’s mind.  Dark filters, contrasting light, and an element of dismay even in bright lit rooms build up the premonition of safety does not exist even in the light of day, which somehow adds to the horror of this disease.  Throw in all the use of music that not only coordinates with general pan over scenes of Gotham’s descent into madness, but  also in coordination with Phoenix’s dance moves that seem built amidst this classical, haunting music that represents the auditory hallucinations.  It’s all brought to the front though with the acting primarily with Phoenix carrying the pillars of which this movie is built on.  He’s got the laugh down, the smile, the bizarre mannerisms, and much more, in what almost feels like a natural extension of his self on the screen and he runs with it like an Olympic Sprinter.  It’s this acting that sort of takes everything mentioned previously and exemplifies it in human form, opening the world to another disturbing mind of a serial killer whose lethality can only be imagined.

 

Yet, there are things that will mix up the audience’s reception of it depending on what expectation you walk into the theater with.  In regards to the promotion of violence, it’s not quite as terrifying as people think (believe me there have been worst movies).  Still a warning to the audience is some rather realistic twists to the violence that may sort of promote the behavior, so impressionable minds beware, you’re in for a scare.  Past this though, the pacing of the Joker is mixed for me.  On the one hand I appreciate the slow timing to allow for the buildup and development of Joker’s origin.  Yet, the ending did not quite deliver the finessed ending this pacing did, given the world they based it.  True, it’s still terrifying and a great start to a serial killer’s reign, but the question is whether the tale lived up to the name the movie borrowed.  In addition, despite the movie being self-contained, the ending is one of those that leaves it semi-open for interpretation as to what happened/ did not happen in the story.  I myself am not a fan of such openings, so it’s a dislike for me, but for others you might just enjoy its fitting with the psychotic principal of the movie.  Finally, the story components are technically all there, but there are some elements that feel a little bumpy in this smooth transverse to psychotic zones.  Some elements are a little on the back burner, primarily in regards to some other back stories about his previous experiences with facilities.  Other points are almost not needed at all, given the direction they did, but that may just be my over analyzing nature.  Nevertheless, the one element that bothers me is the “age” difference of the world they set.  Again, the Joker name, and my comic book history, sort of scratches at the itch of a timeline established in this movie between him and his future nemesis.  For the general audience it won’t be an issue, but for those lore based comic book fans, well you’ve been warned.

 

The VERDICT:

 

            Joker is indeed a film festival movie, that utilizes all the elements that the Academy Awards love, and tries to bring it into the world of comic book-based movies.  On the plus side it’s different, fantastically shot, and a portrayal of the madness that a literary icon has gotten in his graphic novel forms.  Again, I feel this movie is like a twisted version of A Beautiful Mind, with once more a fantastic actor driving home the point of the character.  Still, the use of the Joker name almost is a misnomer, because the grandiose antics, that classic insanity of cunning plans and foresight for moves, and even the big bang are sort of missing for me.  I think had they integrated a few more of the comic book qualities into the film the name works, or drop the name altogether and just be a psychological profile.  Still, this mad production requires at least a once over in my opinion, and can be enjoyed at both the theater or home viewing depending on your expectations. 

 

My scores are:

Crime/Drama/Thriller:  8-8.5

Movie Overall:  7.5

Is This Rambo’s Last Blood Fest?

Rambo: Last Blood Poster

 

 

He’s the man with a mug and muscles.  A legendary collection of characters whose stories continue to hold their place in history and face the test of time.  Surprisingly, he manages to continue putting those stars of decades past into the modern times so that they can continue to rake in the attention, fame, and potentially tell a story doing it.  I’m talking aboutSylvester Stallone, the one-man action star who despite the passing years still does what he can to bring the boom. Tonight’s feature is an unretired action legend that decades ago sunk his knife into our hearts, and now years later, he’s trying to do it again with modern tools.  What is in store?  Well that’s where I come in to give some insight as Robbie K is back with another look at:

 

Film: Rambo Last Blood (2019)

 

Director:

Adrian Grunberg

Writers:

Matthew Cirulnick (screenplay by), Sylvester Stallone (screenplay by)  |3 more credits »

Stars:

Sylvester StallonePaz VegaYvette Monreal

 

 

LIKES:

 

Stallone’s character still adapting

Great use of cinematography to get the feeling

Touching Side of Rambo

The Rambo Action Package At The End

Montage

 

DISLIKES:

 

Predictable

Lacking Depth

Wasted Characters

Lame Villains

First hour is cliché, simplistic build up

A Little Too Much Focus Of Blood

Inconsistencies in this film’s logic

 

SUMMARY:

 

Rambo has gone through some of the darkest battles and nightmares we only glimpse in films, so seeing his journey of moving past that is always nice to see.  Last Blood’s attempt to push the character to new levels gets a nod of respect, especially seeing the doors to his inner character open to reveal the touching side of Rambo.  Sure, you’ve seen this vulnerability at moments in the past, but for this film you really get an in-depth dive into this new side which will help you appreciate the legend even more.  Much of this is due to the acting, which is okay but works, but I liked the cinematography and use of filming filters and techniques to help bring out that depth. Much of this most aren’t going to care about, so perhaps the use of the film technique is better suited for the carnage that Rambo films bring.  True to the title, there is plenty of blood and gore to bring to the table, as modern technology and focus on violence comes rushing into the last fifteen to twenty minutes of the film.  The loud wet smacks, the red carnage, the screams of agony, and intense focus will give you more than an eye full of Rambo’s tactics to fill you to the brim and really end on an exciting climax.  Note: This is not like the 80s blood so those thinking of taking impressionable minds need to think five times before trekking this.  When all is said and done through and the credits start rolling, the last montage of Rambo’s past adventures will seal up the deal in what may or may not be the last film of the franchise.

 

Now I’ll be the first to admit that a Rambo film is not always the fleshed out, Oscar Worthy pick that will shatter new levels. However, I do recall that at least the first two films had a decent story to drive the adventure and help begin to expand on our… hero.  This film did offer a touching side, but Last Blood’s plot is very predictable, a linear voyage that lacks the depth that other installments do.  To take sixty to seventy minutes of the film and not provide the John Rambo action sooner was well a little disappointing.  This cliché, simplistic build up again had some heart, and is true to the character to some level, but the other characters they introduced were not utilized well.  His family and a potential new friend “contributed”, but they just did not have the same level of involvement his usual supporting characters do.  I would also say the villains did not quite have the same bite. Past rivals to John Rambo had military training, corrupt armies, or inside information for them to abuse. This one though, is just a bunch of greasy looking thugs, who certainly deserve the fight, but lack any bite to them and were quite unimpressive for the most part making the “battle” certainly justice filled, but again one sided and missing that exciting spark.  The bloodlust the director and squad chose this time were a bit more of the plan than actual battling, and Rambo’s continued pushing of the red paint was quite overloaded for me, but may be right up the alley of others.  What also took away from me was the inconsistencies in the film’s logic.  Rambo’s choices in body armor, why they showed almost every grotesque way to kills, but then skip other kills, or even more so why the Mexican Cartel lacked brains in this installment is beyond me.

 

The VERDICT

 

            Overall, Rambo: Last Blood has the same simplistic approach the rest of the movies have done, but they did not quite execute as well for me.  The story elements were sacrificed for superficial components, and the definition of action packed is a little different from my worldview.  Sure, it’s all about building up a justified tale of vengeance, and it does open up the side of Rambo that is outside the rugged stoicism that he loves.  Yet, the modern take of extreme, weak villains, underutilized characters, and focus on the blood took away from the balance the first film did so well.  Still, I’ll agree with my fellow reviewers that if you are a die-hard fan and want the modern technology to blend with it, this fil is for you.  All others, I would hold out for, and for everyone please don’t take those that are too young to this blood fest. 

 

My scores are:

 

Action/Adventure/Thriller: 7.5

Movie Overall: 6.5

Do You Hide From This Film Or Seek It Out

Ready or Not Poster

 

Robbie K back in the trenches for another movie review, this time looking at yet another horror movie to hopefully bring with a number of warped imaginations to life.  Some of them bring us into the disturbing zone and leave us scarred, others manage to be quirky cult thrillers that lead to endless sequels, and others are so bad they somehow stay good.  Tonight, the horror movie looks to be a hybrid of a thriller meeting said horror, with promise of being a romping good time.  Yet, the trailers can certainly be a mask for something else.  Read on to check out my thoughts on:

 

Movie:  Ready or Not (2019)

 

Directors:

Matt Bettinelli-OlpinTyler Gillett

Writers:

Guy BusickRyan Murphy

Stars:

Samara WeavingAdam BrodyMark O’Brien

 

 

LIKES:

  • Good Acting
  • Decent Suspense
  • Pace
  • Quirky
  • Funny
  • Lives Pretty Close To What The Trailer Promises

 

DISLIKES:

  • Predictable
  • Not Scary
  • A Little Too Silly
  • The Ending Sort Of
  • Focus On Blood at times

 

Summary:

We get that these types of movies often do not have the best acting, but in this film the cast actually brings some effort into making believable characters that aren’t too annoying.  My lead is Samara Weaving who has the comical role down, but Adam Brody is a solid second actor to craft the believable brother struggling to handle the situation before them.  As the rest of the cast plays essentially sadistic players in the mad games of chance, these carbon copy roles are all about trying to bring the suspense factor to the movie.  Ready Or Not achieves the suspense decently, keeping a nice pace to keep the action going and the horrors at least coming.  Thus, the thriller aspect is very well achieved in this movie.  Yet, another element that I liked was the quirkiness of this film, primarily in the form of the presentation.  Ready or Not is one of those movies that manages to find a stride with the cheesy gimmicks, putting a comedic spin on things without being too forced in your face.  Perhaps it’s the subtle comedy of the overzealous aunt, the clumsiness of the sister, or maybe just the reactions of the main character Grace, but there is something in the writing and presentation that makes it just fun.  As an added bonus, the film also manages to achieve pretty close what the trailer provides, leaving some surprises to enjoy, and yet still not diverging down the pathways it could have taken.

 

In regards to dislikes, the predictability of the movie is okay, some parts due to the trailers and other parts laid out in writing with heavy foreshadowing.  This predictability not only ruins some of the surprise, but it also diminished the horror element of the movie as well.  Ready Or Not’s thriller is the selling point, for the jump scares are few, the creep factor is low, and there are seldom any moments that had me on the edge of my seat.  This could also be due to the comical side of things and the fact they focused so much on the ridiculousness of the plot to help tone down the creep and scare factor. Maybe taking things the silly route wasn’t the best route for this one, especially giving the ending, which to me is a mixed like and dislike.  On the one hand the ending falls in line with the silliness of the movie and sort of just naturally occurs leaving you satisfied.  On the other hand, the movie’s ending led to not quite getting the hunt fest I had thought I was going to see.  Like the most dangerous game or a final destination I had kind of thought members of this household would have altercations that were do or die.  Yet as you will see, this in not quite the case and there is little more I can say without ruining anything so onward we move. My final component is the gore factor of this movie.  Certainly not the worst thing, Ready Or Not does sometimes get a little too fixated on the blood factor for my tastes.  Those who aren’t fans of seeing suffering, skin crawling spectacles of crimson colored chaos need to turn away, as there are some gut-wrenching moments that aren’t for the faint hearted.

 

Overall, the adventure of Ready Or Not is a fun little project that is campy, quirky, and still thrilling in the world of horror films.  With an engaging cast and concept, it’s a movie that will keep the audience hooked and perhaps make them laugh at the odd sense of comedy and justice that they brought in this film.  And though it matches the tone of the trailers, at times the comedy may have diluted the thriller anticipation you might have though.  For the hunt sort of gets caught up in the blood and comedy rather than delivering the full-on horror chills.  Still, the film is a fun watch and probably good for a small group to hit the theaters with or watch at home. 

 

My scores are:

 

Horror/Mystery/Thriller: 7.5

Movie Overall: 6.0

Scary Stories To See In The Theater

Scary Stories to Tell in the Dark Poster

 

Growing up in the 90s, there were plenty of tales designed for kids to try and scare us without crossing the line.  Are you Afraid of the Dark, Goosebumps, Tales from the Crypt (both cartoon and regular), and even the Sci-Fi Channel held their own in bringing the horror to the modern-day audience.  As such, a good scary story in any form can really leave an impact that stays with someone for much of their lives.  Enter today’s review, where the theme is the impact that stories can have on us and a little extreme case involving bringing your darkest nightmares to life. Robbie K is back with the third review of the week and we bring you a look at:

 

Movie: Scary Stories To Tell In The Dark (2019)

 

Director:

André Øvredal

Writers:

Dan Hageman (screenplay by), Kevin Hageman(screenplay by)

Stars:

Zoe Margaret CollettiMichael GarzaGabriel Rush

 

 

LIKES:

 

The Pace

The Comedy

The Creature Design

The Suspense At Times

The Acting

The Narrative Approach

 

DISLIKES:

Not Scary

Predictable

The Disturbing Moments At Times

Throw Away Characters

 

 

SUMMARY

 

With the flood of horror movies that come into the theaters, sometimes you find pacing and content issues replaced with gimmicks. Scary stories manages to take the anthology book and bind them together into a decent film, with a pace that feels very much like the classic shows that is fun, adventurous, and semi-engaging to craft a decent film.  It comes from a better balance, finding ways to integrate multiple entertainment qualities while always keeping its finger on the pulse of horror.  The comedy is corny, but natural, as it relieves some of the tension that is building up primarily from the character Chuck (Austin Zajur).  In regards to creature design, Scary Tales again adds some variety to their mix, picking new media to torture our main characters, which adds variety and doesn’t over utilize a gimmick (like the original Alien did).  Suspense is well placed in the movie, managing to make peaks and valleys of excitement the way an exercise program works.  By taking this approach it avoids the burnout some of these horror movies experience and manages to miss the mark of hasty finishes these films sometimes take.  As for the acting, well I’m good with it too. The kids do just fine playing scared students stumbling in to a new world and facing the consequences.  Like a weirder version of Stranger Things, the portrayal of weird, concern, and scared/terrified is a well-balanced performance that did not quite annoy me as some of them do.  Overall, these elements point to one thing, a narrative approach that feels like those kids books I loved, creepy and shocking, but never sacrificing the connecting spine to link all the sequences and creeps together.

 

Yet the movies does suffer a few things for this reviewer, but remember the volume of horror movies I see had desensitized me so I’ll do my best to factor that in.  First of all, the Scary Stories do not quite fit the originality bill in terms of story overall.  Originality is tough, but the movies formulaic approach and obvious foreshadowing would have been nice to break given the other walls it broke to focusing on plot then just gimmicks.  A second factor would have been to put more scare factor into it, treading closer to the R line could have brought the PG-13 film to the next level had they managed to craft some scarier moments.  The disturbing, creepy atmosphere and moments help, but they got lost to small gimmicks and cheesy CGI at times that diluted the scare factors. A few of my friends found the scare factor to be a little more than I did, so if you aren’t desensitized like me, you may find this dislike not the same.  Finally, a few characters held much potential, but many of them were throw away characters, merely sacrificial pawns to be sacrificed to the curse of horror movies.  Build up at the beginning held promise, but I would have liked to see these characters developed and battling a little more to actually care and connect instead of being left unfazed.  In addition, the story tie in could again have been developed more, primarily for the ghost they are chasing and the weird approach they took to tell her story, but hey more on that for the potential sequel to come.

 

Let’s finish this up.  Summarizing the review, Scary Stories certainly is a tale to tell in the dark, or the theater in this case.  It’s a good tale that tributes back to the 90s horror decade, with a narrative that binds so many things together to make you laugh and potentially jump.  I liked the balance a lot and the diversity of the creatures and means to which our “heroes” are trying to solve the legendary mystery.  Yet, the film still does not have quite the bite and scare factor for this reviewer (remember desensitized) and I would have liked a little more of it and the narrative put in and finding a way to break the mold on the predictability. Nevertheless, this is one of the better horror tales that I have seen in a long time, and as I said give it a shot in the theater.

 

My scores are:

 

Horror/Mystery/Thriller: 7.5

Movie Overall: 6.5

Coming Home To New Scares and Stories

Annabelle Comes Home Poster

 

Another week, another chance to impress us with a horror movie.  This week, the Conjuring Universe continues its ride to the box office bucks in as much style as it can before the big films come.  Yet, like many extended universe movies, you have no idea whether the next installment will succeed, or just make your wallet bleed.  Welcome to another Robbie’s Movie Review and tonight we see if the latest spooky film will ride the ghost train to the bank.  As always, happy to share some opinions so let’s get out there and get it done!

 

Movie:  Annabelle Comes Home (2019)

Director:

Gary Dauberman

Writers:

James Wan (story by), Gary Dauberman

Stars:

Vera FarmigaPatrick WilsonMckenna Grace

 

LIKES:

 

  • Acting
  • Creepy
  • New Types of Ghosts
  • More Looks Into The Haunted Room
  • Decent Pace
  • Some Surprising Story Elements

 

DISLIKES:

 

  • Predictability
  • Story Is A Little Fractured
  • The Boyfriend Arc
  • Not As Scary As I Had Hoped
  • A Little Anticlimactic

 

SUMMARY:

 

The latest movie in the conjuring universe starts to go back to its roots and polish up things.  Annabelle’s latest story brings the creepy nature of the movies back to the home and that adds the realistic notion of scares that make fans like me love the series. In the sanctity of the home, one hopes to be harbored from ghosts, but Annabelle’s minions prove that not even the familiarity of a home can save you. Nevertheless, the movie manages to bring new types of ghosts and scares that potentially will become movies of their own as the forbidden treasures of the Warrens surface and hint at the secrets in store.  Surprisingly, the movie still manages to find some storytelling elements in it as well, but this time through the eyes of a new cast, whose younger members accomplish the goals of terror filled teenagers and adolescents trying to cover up their mistakes.  The backstory and character development can be touching, but never quite engulfs the main goal of scaring.

 

Sadly, the movie suffers from the usual horror trade of imbalance and predictability.  The use of foreshadowing, the same tactics for trying to build scares, and the trailers have spoiled much of the suspenseful parts for me and given the rushed component this sometimes blew through the scary parts too quickly to allow the audience to stew in the intensity of the moment.  In addition, the movie held too much in terms of story lines, primarily in the number of artifacts they tried to use.  Ambitious as it was to brings many guests to the party, Annabelle’s focus on all the spirits led a fractured story component that did not quite have the majesty of the origin story we got a few years back.  Ghosts aside, the story of the humans with more of a pulse did not come fully together, falling into some simplistic stories that did not quite have the bite I was hoping, especially in regards to the boyfriend arc, which while funny was not entirely necessary to the film.  As you can probably guess the movie as a whole not quite that climactic in its finish.

 

            Yet despite all the imbalances, Annabelle’s latest trek is about the middle runner for this reviewer.  With enough creeps in the realistic setting, one may find themselves afraid of what lies in the dark, becoming quite sensitive to sounds.  With new ghosts, some new tricks, and a few new spins on the formula it works for those looking for a good ghost story.  Yet, the movie sort of strayed from the story/scare balance of the first one and the characters don’t quite have the same drive some of the stronger series installments (Conjuring and Annabelle Creation) has in terms of characters to latch onto or a story to ground it all. Still, it’s got enough special effects to garnish a theater run, but only barely.  Instead, this one may be better reserved for home, where the setting can help add some horror in itself.

 

My scores are:

 

Horror/Mystery/Thriller: 7.0

Movie Overall:  6.0