Not Foreign To Edge or Plot

Foreigner

 

Jackie Chan a legend in the cinematic world for many famous roles many will remember for years to come.  With epic Marshal Arts sequences, a sense of comedic delivery and great chemistry with a variety of actors, it is no wonder the man has been involved in so many projects.  And after a hiatus, the legend seems to be making a comeback lending his voice to Lego Ninjago and now returning in a live action film the Foreigner.  Does the man still have the magic, or was he better left sitting on the sidelines?  Robbie K here to review another movie and as always let’s get started.

 

LIKES:

 

Edgy:  The trailers promised Chan would be returning with some sharper, and darker, edges and sure enough they delivered.  Mr. Quan is certainly one of the darker roles I’ve seen him play, as he seeks out his own brand of justice in a manner only a vigilante could.  No punches are thrown in this role, and this more intense role is a nice touch to Chan’s normal lighter roles.  Saying few words, Chan has the look down with sullen wise eyes filled with a hateful, hopeless stare, and scowl that seems permanently fixated in a faithless fury.  This darker role was fascinating to watch, primarily to see how far he would go to crush the opposition.

 

Fairly fast pacing: No surprise here, but the Foreigner moves at a fairly brisk pace, starting out with a literal bang and diving into the search to come.  Information is provided in a fairly linear manner so that you get all the answers you need, all the while maximizing the “action” at the same time.

 

Complete story:  Despite the quickened pace, this movie does manage to close all the convoluted loops established in this film.  The Foreigner has a lot of dramatic elements integrated into the action that include affairs, conspiracies, and betrayals that feels much like soap opera plot lines.  Rather than taking episodes to finish these tales, the writers provided all the answers one needs to be satisfied with the closure.  Not saying it’s the best closure mind you, but at least it finishes the tale quite well.

 

Chan’s moves:  While certainly not the freshest or more convoluted stunts he’s ever done, it is satisfying to see Chan still have some of his magic.  The Foreigner does a nice job of giving our star chances to show off his acrobatic skills.  After leaping around like an old squirrel, Chan next dazzles with his close combat choreographer, still executing his close style fist fights in a smooth dance.  And with the new edge, Chan’s darker combat is unleashed, losing the feeling of being planned to the adrenaline rush we love to see.

 

DISLIKES:

 

Pierce Brosnan’s accent:  A minor dislike at best, I couldn’t get on board with Brosnan’s attempt at sounding Irish.  While certainly better than me, the former Bond star has a little more refining to do in order to sell the angry Irish man to me.  It was comical at times and took away from the threat he was trying to bring to the table, well that and the fact that he didn’t seem to have many skills himself. Sorry Pierce, you’ve got debonair down, but not the fury of the fiery reds.

 

Editing:  While dramas are sometimes a bit overbearing to me, I could handle most of the character antics in this film.  However, the storyboard team dropped the ball a few times for me in how much they crammed into this film.  Some of the relationships were not needed, merely extra branches to take up space in attempt to fill up time.  While the tangents expand a little on our two lead characters, they could have been left out, or kept in small bits of dialogues instead of full out sequences, especially when it came to the wife scenes.  Drama lovers will certainly enjoy this element, but the rest get ready to yawn.  Speaking of which…

 

Not as action packed:  I thought the Foreigner was going to have more bite with Chan finally emerging from his retirement.  Instead of the energy that Rush Hour and Shanghai Noon brought, the Foreigner slowed the pace down a bit.  Those extensive bouts of fist punching are brought to a minimum in terms of time, reduced to some covert moves that would make Rambo proud in their pyrotechnic awe.  The few bouts we do have maximize the new tone and provide some satisfying stunt work, but for me… it paled to the classics I grew up with.  Still not a bad display for the aged master, I just would have liked more of that and less drama.

 

The VERDICT:

 

The Foreigner is a great restart to Chan’s career giving him a new edge I haven’t seen before.  It’s a film that does its part as an action drama, trying to craft more of a story with the action to support it in the long run.  And while the tale is decent, and complete, it’s still a bit too slow and drawn out when there could have been more fighting.  The result is still entertaining, but with enough drab parts to outweigh the extent of action we got.  Chan may still have some moves up his sleeve, but I’ll take revisiting the classics any day.  Nevertheless, there is enough kick to warrant a theater visit for this one, primarily in regards to those satisfying, climactic fights that occur.

 

My scores are:

 

Action/Thriller: 8.0

Movie Overall: 7.0

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Runs to Artistic, Emotional Crime, but Lack On Thrills Of Predecessor

Blade Runner 2049

 

There are plenty of movies in Hollywood, only some of which ever reach legendary status that seals their place in history.  These sacred films were usually ended in a manner that didn’t require a sequel, but leave it to the big studios to not leave things along.  Tonight, Blade Runner 2049 premiers to the public, alongside some high review scores and plenty of praise.  Despite the decades long gap, this movie holds promise to be just as good as the sequel.  Robbie K is here to share some thoughts on the latest flick and help guide your viewing pleasures.

 

LIKES:

 

True Sci-Fi Crime: The trailers don’t lie when they say Blade Runner 2049 is a crime noire film.  It opens with the reference back to the first film and soon uncovers a mystery that will run the course of the movie. As this occurs, the other parties are seeking ways to hinder our “hero” (Ryan Gosling) from uncovering the truth.  Like a glorified episode of half the crime-dramas on television, Blade Runner 2049 is all about capitalizing on a prolonged crime and mixing as much drama into it to help add character development.  All of this is nicely wrapped up in a science-fiction spin, integrating the floating ships, robots, and large computers as the theater it unfolds in.

 

Emotionally Artistic:  The thing that many reviewers seem to appreciate is that the movie brings a lot of emotional punch to the audience.  Our directors managed to interject a lot of feeling into Gosling’s supposedly emotional character.  As his story continues to unfold, you’ll be submerged into the psychological nightmare he is forced to face.  While the traumatic stress is certainly enough to pull some heart strings, it’s the artistic portrayal of determining one’s self that adds fuel to the fire. Self-Identity, a thing many struggle with, is well-addressed in this film, trying to uncover the truth about his self, all while solving the crime.  Throw in a rather deep, albeit weird, romance story and you will round out the emotional plotlines many seek.

 

Acting:  A character is only as good as the actor who portrays it to life and Blade Runner 2049 is a shining example of quality acting.  Gosling as the lead was a good choice, his ability to play a man with an identity crisis is quite believable, primarily in the way he seems to stand on the border of sane and psychopathic.  While not his best role, I enjoyed seeing the anti-hero part played by him again.  Harrison Ford reprises his edge well enough, but I felt they didn’t utilize him as well as they could.

 

Ana De Armas:  I was happy to see more of Ana in this film, seeing her branch down some more emotional pathways, all while driving the character development of Gosling’s character.  Yet, I can’t lie, that she was beautiful in the various outfits she shifted into during the film.  I got the best of both world in this film, and appreciated the costumes that she sported in her awkward scenes.

 

 

 

 

DISLIKES:

 

Not so thrilling:  The first Blade Runner had some suspense to it, the constant thrill of the chase as Ford tried to hunt down the rogue androids.  It kept the pace going, all while integrating the elements I mentioned in the likes section.  Blade Runner 2049 though wasn’t that thrilling to me.  The action was rather bland, the emotion with it almost as flat, and had little suspense outside of how much torture some of the characters could take. I expected a little more spice to the mix, but don’t let the trailers fool you, the thrills were more like spills.

 

Long: If a movie is going to be nearly three hours, it needs to either move, or have an exciting climax.  I found neither of these elements in this movie, but instead a very drawn out movie that seemed to drag.  While the message and artistic license are appreciated, the editors could have really dropped half the footage to get me out of the theater faster.  Perhaps if the ending hadn’t been predictable I would have been more intrigued, but I found myself fighting sleep at times because from these elaborate, and often unnecessary details.

 

Predictable Story and Under Utilized Characters: Blade Runner 2049 might have been a well-built Sci-Fi Crime story, but that doesn’t mean it wasn’t predictable.  Most of the “twists” I got in the first hour, leaving me nearly two to go until they revealed it.  In addition, my expectations of where the story was going were also shattered as other characters were underutilized for more sappy looks and near depression.  This especially goes for Ford and Leto, who I felt got the short-end of the stick in this film. Throw in some of the loose ends, more like bait for the next film, and it left me unsatisfied with where the story was going.

 

Loud:  Many films are loud in a theater with blaring music and special effects to make the seats shake.  This movie though, just had obnoxious sound effects that were high-pitched groans, mixed with a soundtrack that while unique was not the most pleasing to me. Brace yourselves for this interesting sound soiree, because you are going to hear it a lot.

 

The VERDICT:

 

Blade Runner 2049 is artistic, a visual display that is packed with emotion, Sci-Fi charm, and a crime noire element.  It has much of the same feel as its predecessor, but I felt it lacked the suspense and thrills that the trailers promised back in the teaser. Sadly the predictable story, underutilized characters and audio assault didn’t justify the nearly three hour run time for me.  Don’t see this one when your energy is low folks, or you just might be fighting sleep.

 

My Scores:

 

Sci-Fi/Thriller:  8.0

Movie Overall: 6.5-7.0

Assassin Assessment

American Assassin

 

In a time of political warfare and strife, the world needs heroes to arise to help curb the actions tension may lead to.  Movies being a great source advertisement for hero portrayal would certainly look to developing a political warrior, peacemaker, or some warrior of the word. Nope, that doesn’t sell, so let’s make another super-agent instead.  Robbie K again, and today we review American Assassin, the action thriller of September starring Dylan O’Brien and Michael Keaton. Let’s get started!

 

LIKES:

 

Immersive Presentation:  One of the things I liked most with this movie how I felt integrated into the whole program that Mitch (O’Brien) is going through.  From the horrific tragedy that send him down the vigilante pathway to the indoctrinating mission that sets his path, you’ll get all the emotional rides that come with it.  As Mitch evolves as a character, you too get entangled in the complex web of emotions, all while feeling like a spy thanks to the intertwining scenes of spy technology digging up dirt on the target.  Pretty cool indeed.

 

Fast Pace:  I guess a quick pace is good when it comes to action films huh?  American Assassin throws few roadblocks into the simple and linear plot it is based on.  One will go from point A to Point F faster than a kid connecting the dots, with little to try and take your attention away.  Editors get props for keeping the tangent story lines at a minimum and keeping them relevant to bring you more thrills, spills, and kills.

 

Acting:  With Keaton’s resurgence back into Hollywood these last few years, you hope he brings some magic to the screen, right?  I felt he did a decent job playing the disgruntled, elite military man with a chip on his shoulder and a moral weight greater than the U.S. Debt.  You’ll feel the angst and vigor within him, especially when it comes during the action scenes where he takes leader commands. It is O’Brien who kind of steals the show though.  As a vigilante youth looking to make his own justice, O’Brien’s acting is on point for representing the “enthusiasm” the modern world breeds today.  As an action hero, you’ll get that candor of bravado, raw emotion, and determination we all like to take point on.  And as the female audience members whispered in the air, “he looks so hot” doing it to.  Their chemistry together is a big driving factor as well, heated to keep tension going and establish a dynamic that keeps you wondering what happens next.

 

DISLIKE: 

 

Rushed:  While the pace is fast, it is also a little too fast to really meld you into the story.  I did feel integrated into the program, but at the same time I had difficulty with connecting to the character development role.  The rushed pace gives you little in terms of backstory and internal though process, that most of the characters feel like robotic shells instead of the people that the book crafted.  This is especially true with the supporting characters, who despite being heavily integrated, are just background characters who say a few things before being lost to the stunts.  Fast can be good, but fast can be so bad.

 

Predictability:  Despite all the hype the trailers promised, there wasn’t much in terms of surprise in this movie.  I agree with my friends, that there isn’t much surprise to this film, merely a long-winded battle between spiteful parties. Where my hopes were dashed, is that an agent of the antagonist’s caliber would pull a few more surprises from his hat to mix up the pursuit and try to fool elite agent Keaton.  Sadly, the adaptation was all about cramming stunts than strategy into the movie, leaving us stranded with a predictable assortment of sequences and scenes. I guess everyone can’t be the Dark Knight’s Joker huh?

 

Mediocre action:  Perhaps I set this bar high, but the trailers promised me high adrenaline stunts and espionage warfare that would leave me on the edge of my seat. Unfortunately, the hype didn’t live up for me.  American Assassin’s fights have some edge in their violence and viciousness, but past that there isn’t any impressive choreography, unique stunts, or even proper length to the fire fights outside of maybe one battle. These short quips fit in well with the design of the movie, but at least make them suspenseful, or high adrenaline to keep me invested in the urgency of the situation.  Most will enjoy the action to this film, happy with the satisfying thrill of killing terrorists, but I like a little more budget in the stunts for me.

 

The VERDICT:

 

American Assassin is a decent movie, low key enough to pull more people in, but also spicy enough to bring that satisfaction to the mercenary loving group.  The prideful presentation of country pride, political espionage, and killing terrorists will get many feeling great, only further vitalized by the acting.  However, the predictable plot, rushed development and mediocre action weren’t up to the challenge of making this movie epic for me. Chances are the book has a lot more meat and content to it, but movie wise you can save this one for a home streaming service and be just as entertained. 

 

My score:

 

Action/Thriller:  6.5

Movie Overall: 5.5

A Doll of A prequel: Creation of a Better Movie


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So many years ago, the Conjuring dropped into theaters and opened up a movie universe that would bestow nightmares to the audience members who saw it.  This weekend, the latest installment in this haunted world with Annabelle Creation.  A prequel to the last film, this possessed doll continues to be a popular figure head in the occult series to warrant another film.  Is this film a fitting addition to the franchise, or is it another money grabber fit to be lost in the horror archives?  Robbie K here to help answer those questions and share some thoughts.  Let’s get to work.

 

LIKES:

 

Answers Questions:  The first Annabelle gave the doll some basis and established her deadly legacy, but it lacked any true backstory of her creation.  The prequel, as so titled, helped fill in the creation story and establish the origin to its possession.  As the film progresses, more of the Annabelle’s journey is revealed, alongside a closer look at the creature that uses it as a puppet.  While not fully complete, we now have the connections needed to make sense of the first movie, and further engross us in the universe. Unfortunately, the name, the involvement, and other details of the demons still remain unanswered, but can be extrapolated with a dialogue hints.

 

The Pace:  Horror movies can have pacing issues at time depending on the story.  Fortunately, Annabelle Creation’s moves at a decent pace to maximize the movie.  Slow enough to provide build up for the scares, but fast enough to keep everything moving and on edge, the production team did a nice job keeping you invested in the movie.  There is little time between all the craziness, with just enough comedic relief to relieve the tension and keep things interesting.

 

Scares:  I guess we need to talk about the main element you go for these movies huh?  The scare factor is at an all-time high in this movie, continuing the Conjuring’s legacy of keeping things dynamic, fun, and suspenseful.  Annabelle’s creepy on so many levels, starting with the realistic setting to place the movie in.  That realism and the use of shadows has your imagination on fire trying to fill in the gaps of what lurks in the dark.  Once the subtle components are set, you can bet there a number of creepy tricks played in this film, alongside the fleeting glimpses of the demon that terrorizes the family in his cruel game. And of course, there is that doll. It’s soulless stare and deceiving smile continue to give me the willies, and had a number of audience members using colorful language before involuntary rising from their seats.

 

DISLIKES:

 

Character stories:  The movie had a lot of characters to play in our haunted setting.  The protagonists of the film held a lot of potential to develop as characters, and unfortunately, they failed on that level.  Sure, you can piece together the simple origins placed before you, but I would have liked more insight into the girls’ origins or perhaps a little more integration of Bee into the writing to help maximize scares.  With the conjuring able to unearth their demons and dreams in a quality manner, Annabelle should be able to mimic that magic.  Scares do not equal perfect horror movie.

 

Pointless characters:  Remember the big family in the Conjuring and how each sibling, parent, and exorcist were part of the tale in some way.  That’s gone too.  Annabelle Conjuring brought a large group into the home, but only about four-five of them have any real involvement in the plot.  The underutilization of these characters tripped up the plot, made for ridiculous scenes that didn’t have as much importance, and really left me asking, what was their point.  One girl has just one line and a few stares at the camera.  Why include them if you aren’t going to use them to develop the characters, or at least try to work together to escape the demon’s wrath. 

 

Predictability:  Scares are getting easier to predict in this day and age.  This is mostly due to the development team throwing their usual tactics into the mix to warn you of the impending jump scare. Annabelle Conjuring doesn’t escape this trend and much of the scares can be seen a mile away in some form or manner. While there are a few moments that were good tries, the tactics got repetitive and/or cheesy to be laughable rather than fearful.  Fortunately, some creepy special effects and the darkness offset this enough to still get under your skin… thanks religion nightmare inducing series.

 

The Verdict:

 

Overall, Annabelle Creation is one of the better horror movies of the summer and perhaps this year.  It is dark, creepy, and moves at that pace needed to keep you invested in the movie for the two-hour run time.  In addition, the filling in gaps and hints start to connect the world (a very popular trend), which will have you die hard horror fans screaming in delight at both scares and plot.  Yet, there are still elements of the story telling to clean up and utilizing your characters you bring in is a big step to improve on.  In addition, I hope the next installment forgoes the predictable moves and gives us that kick I haven’t seen yet.  Considering everything, this reviewer recommends a visit to the theater for this one, assuming you are disturbed by spiritual haunting movies. 

 

My scores:

Horror/Mystery/Thriller:   8.5

Movie Overall:  7.0

 

P.S. Stay for the end of the credits for some teasing.

Atomic Action

Atomic Blonde

 

Spies, they come in every shape and size from goofy men in naked gun to the suave iterations of James Bond.  Yet one thing is certain, they often are involved in incredibly threatening situations that require luck, training, and sets of skills to get the job done.  This weekend, a new agent appears in the world of the silver screen and her name is Charlize Theron.  This gorgeous actress has been teasing the trailers with some exciting, seductive, and sexy scenes of her movie Atomic Blonde, promising an adventure to be had.  Robbie K back with another review, so let’s get this mission started.

 

LIKES:

 

Theron’s acting:  Lead actresses carry a lot of the movie when they are the featured character. Fortunately, Theron nails the role of the spy on all the avenues promised by the trailer.  Her physical looks, capable of making people go gaga, are only the superficial wrapping paper for the talent within, as she unleashes her cold ruthlessness with a little twist. She plays the wise and sly role well, bringing a dynamic character who has great chemistry with her fellow cast, crafting a deadly board to run their games on. Theron may be monotone in much of her roles, and often may play the same types of roles, but it works in this setting quite well.

 

Funny:  While certainly not the sole theme of this movie, Atomic Blonde is a figurative blast in the laughter department.  One of my friends compared some scenes to Monty Python in their comedic ploys of minions constantly getting up.  Seeing these stooges fall, dive, and become injured in a number of manners, but have ridiculous stamina is entertaining on many levels.  In addition, Atomic Blonde has some well-timed, and well-aimed, lines to relieve some of the tension. Mix all this with the over-the-top shock factor of this movie and you won’t help but laugh at the presentation at hand.

 

Action: The trailers painted an exciting thrill ride of death defying battles and spy warfare destruction.  And the trailers didn’t lie at all.  Atomic Blonde knocked hard on the action door as Theron faced the insurmountable odds of the secret army of spies out to hinder her mission and end her beautiful life.  The film has a number of styles for you including hand to hand combat, gunplay (and lots of it), and a few car chase scenes to keep things interesting.  Each of the drawn-out battles fits into the mission well, and the dynamic setting adds to the heat of the moment that is satisfying on so many levels.

 

The Soundtrack:  As Frozen proved years ago, a good soundtrack is something to take notice of.  Atomic Blonde’s featured tracks are all in the 80s, and the sweet beats are utilized to an excellent level that brings out the spirit of the scene.  And if you don’t care about a track matching to the movie, but like the synthesizer heavy music of the decade, then good news, you’ll be dancing in your seat to the sweet beats of the movie.  Whatever the reason, note that Atomic Bomb’s soundtrack is certainly a blast to the past of energizing music.

 

DISLIKES:

 

Convoluted story:  You may not have expected much of a story, after all most action heavy films seldom have one.  Yet, the thin story was certainly a complicated mess given everything packed into the movie and the directions they took to present it.  There is a mystery there, but it is overshadowed by the stunts and combat that ring throughout the movie. While the action is exciting, it distracts from the main plot and left little to follow given the shock factor of the series.  The dry dialogue doesn’t help much either, nor the fact that the movie jumps through so many perspectives in a short amount of time. The bottom line is…the presentation makes for a rather dry story, with only a few emotional oases to breathe life into the film.

 

Violence:  Action often does breed violence, but Atomic Blonde’s battles are true spectacles of mutilation and torture.  All the extras in particular are brutally battered in the fights, bashed in extraordinary detail to turn a few heads or make one of my friends cover her eyes. Theron’s character gets hit pretty hard too, painting her a few shades of gore as well. The gunplay makes for a ballad of painting the walls red, and the emphasis of close up, head explosions can be a little overdone at times. However, the most disturbing components are seeing the up and close drawn out deaths of a few character and their agonizing last breath.  Keep that in mind before jumping into the theater.

 

The unneeded romance scene:  I’m not one for the hot and sexy sequences in bed, but I can appreciate it when either done with class or pertinent to the story.  A scene in the trailers, and of course the movie, showed a rather hot moment that just didn’t feel necessary to me in the story.  Certainly, editing could have left this out, or at least the director’s cut, but without the added emphasis of relationships to the movie, I could have done without it.

 

The Verdict:

 

Atomic Blonde held much of what the trailers promised. It is an off the wall, very shocking film that leaves little to the imagination.  It is a thrilling, adrenaline pumping ride that felt fresh given the unique presentation and a soundtrack to further add fun.  Unfortunately, the stunts, violence, and convoluted presentation derailed the story for me and left me wondering what it is I just watched. There is plenty of theater worthy material to justify a visit, but if violence isn’t your cup of tea, pass this mission on to someone else. 

 

My scores are:

 

Action/Mystery/Thriller:  7.5

Movie Overall:  6.0

I Wish For Better Execution

Wish

 

I wish I may, I wish I might, make a demand that might cost someone’s life?  That’s not the way the rhyme goes, but this parody is pretty representative of the theme of my latest review.  Robbie K here, this time covering Wish Upon the latest horror genre flick to flood the silver screens across the country.  The “disturbing” trailers paint the picture of the next spine tingling film, but the PG-13 rating suggests it could be a little timid.  What’s the verdict?  Hopefully I can fill in some answers to help answer that question. Let’s get started!

 

LIKES:

 

Shorter Run Time:  I know what you’re thinking, not good if this is a like, but it’s nice to see a movie stick around the 90-minute run time when there isn’t sustenance to keep it running longer.  Wish Upon fills its short run-time purpose with the thrills you want, and keeps it concise, a sign of good directing and editing in an era what that so suffers.

 

Joey King: Singling out the actors in this rather new actor cast, Joey King reprises her horror acting in a “two thumbs up” manner.  King plays the role of a distressed teenager with class, bringing a delicate balance of drama, screaming, and shallow happiness to the character.  In many PG-13 or teenager focused films, the lead character often suffers from overacting or extreme tangents in directing.  For me, King was able to keep things in good proportions and didn’t have me rolling my eyes (a first in a long time.) While certainly not an award-winning performance, King gets props for carrying the load of the movie.

 

A Nice tangent:  Despite the common trend of demons, spirits, and ghosts… Wish Upon at least brings a slight twist to the themes of horror movies. The wishing factor is a nice gimmick to get sold onto and see what desires will tempt her to risk lives.  It set a nice pace for the movie to build upon, and made it a little dynamic in regards to whom would pay the blood price for Clare’s (King) decisions and selfishness. The wish factor also presented some character development, shallower but existing, that really worked in their favor.

 

Not overly graphic:  A PG-13 horror movie is often a lot lax in their grim depictions of death.  Wish Upon continues that trend, forgoing gross, exaggerated, drawn out torturous deaths in favor of ridiculous, and still horrible, deaths that are quickly executed. One can think of this as Final Destination meets Unfriended, which boils down to coincidental deaths with a filter.  Unfortunately, it means you have seen a majority of the executions via the commercials, but you will get a few sequences that have escaped the public eye up until now.

 

DISLIKES:

 

Very simplistic:  Despite the deaths being filtered and less intense, they were also very simplistic and not as impressive.  Yes, they were still awful (as death is), but the hype up of the trailers was sadly dropped with the simplicity of the deaths.  There was no extra edge factor to them, and the lack of suspense, which left the ridiculous nature of the deaths the eye-rolling component of the film.  If you want the mindless, over the top deaths without the blood… well your wish has been granted I guess.

Story:  Wish Upon’s tale has some decent character development in it to highlight the underlying theme of the horror movie.  It was great seeing Clare’s transitions and her attempt to find the solution to the curse kept in the box. However, outside of that, the story tanks.  It’s the same predictable mess that most of this genre is, with little sustenance so that they could cram more deaths into the movie.  The cool wish concept brought about a lot of potential to interact with the entity, as well as opportunities for a more suspenseful uncovering of the source of the evil.  I would have liked to see what the creature looked like, or at least more interaction with the invisible evil that dwelled within.  Other plot elements could have been a little more detailed in the delivery as well, to add the emotional impact I think they wanted.

 

The VERDICT:

 

Wish Upon isn’t the worst movie to grace the theaters.  This PG-13 movie brings a unique angle to a stale concept that is concise, decently acted, and not overly graphic. Unfortunately, the execution is still in need of work on a variety of areas.  A lackluster story that was underdeveloped and the lack of suspense are two key areas the potential sequel can bring to the table.  As for this film though, if you aren’t looking for a filtered death movie, you might skip this until haunts Netflix.  For those looking for a simplistic horror film though… you’ve got a ringer in the theaters this summer.  One thing is certain though…be careful what you wish for.

 

My scores:

 

Fantasy/Horror/Thriller:  6.0

Movie Overall: 4.0

Dive Down Into 47 Meters of Survival Terror

47 meters

 

It’s the beginning of summer and many people are storming to the beaches for a variety of activities. And of course, Hollywood is happy to release a shark movie to scare everyone back into the theaters, or at least try to.  My build up is of course on the latest suspense/thriller shark movie 47 meters down.  This “original” titled film looks interesting, so naturally I’ve been assigned to analyze, comment, and share with the public.  Robbie K here back again this weekend with yet another review. Let’s “dive” on in shall we?

 

LIKES:

 

Cute leads:  Many modern films are all about using that eye candy to reel you in, and 47 meters is no exception.  The lovely ladies Mandy Moore and Claire Holt take much of the screen time and as such are very pleasant to watch.  For one thing, they are certainly cute. Whether in stunning dresses or wet suits, they look fabulous to keep your attention to the big screen.  Looks aside though, the more important aspect is their acting.  While certainly not an Oscar performance, the girls have the part down pat of playing fear, scared to the point of either death or survival.  The kept the acting in check (for the most part) and sold me into their characters. Of course, they could have used a little more character development to further invest me into the girls’ lives.

 

Suspenseful:  When it comes to suspense/thrillers we want…well suspense.  Good news folks, 47 meters has you covered with this aspect.  The setting itself will get your muscles tense, the dark, foreboding depths filled with terror at what lurks in the shadows.  Yet that is just the surface of the thrills, as the ever-present threat of drowning looms over our heroines. This constant threat continues to amplify the fear, especially when the CGI sharks swim in and things get further heated. The team balanced the fear with brief rests to ease the tension, many times faking us out with foreshadowing before taking a different path.  Such dynamic antics, alongside great sound and music editing, resulted in a fantastic culmination that many shark movies have lacked in the past.

 

Surprises: As I mentioned up above, the directing team kept things dynamic through this movie.  While there is certainly a linear goal for the girls (survival), the path they pursue takes many detours to get there. Just as you think one goal is accomplished, another curveball is thrown to waylay their mission and keep things interesting.  Yet it’s the end that really churns up the water and will leave you in a daze that many horror movies fail to achieve.  So well done on that guys.

 

DISLIKES:

 

Pointless extras: You see the credits, you realize there are few names listed for the acting cast.  In all honesty, they could have left almost all those names off. One major dislike is the limited involvement with the other cast.  Yes they do a lot of background activity to help increase their chances of survival, but you just don’t see much involvement in them. As such, you can’t help but wonder what was the point of them (primarily their boy interests) being in the movie.

 

Miracle moments: Many films have those moments that are sheer coincidence or miracle moments.  In 47 meters down, those moments are quite frequent, throwing plenty of inconsistencies that are a bit eye-rolling at times. Prolonged bouts of struggle often fade fast and magically get solved.  These stretches do add suspense, but many of them are incredibly unlikely to end that way and takes away from the magic they were building up. If you can suspend these observations you will have no problem, otherwise get ready to laugh at some of these cheesy moments.

 

Few shark moments:  After all the advertising of shark attacks, one would think this movie would be filled with close encounters of the toothy sea beasts.  Not the case my friends.  Certainly, there are moments of intense jaw chomping action, but much of the 90 minute screen time is left in the dark.  Like Jaws, the threat of the unknown paints the picture of fear, but I had hoped for a little more engagement with the sharks. Instead, much of the movie focuses on the decreasing air supply and the girls trying to handle their fear.  When the sharks do finally come into play, it is exciting, but also the most overdramatic component of the film, especially that ending sequence.

 

The VERDICT:

 

            The reviews say it is the first good shark movie since Jaws, and on some level I agree with that.  However, 47 meters down has a long way to go to master the epic tale of the shark attacks.  It certainly has suspense and uses some cool tricks to get you fired up at the fear the lies at the bottom of the ocean floor.  While the survival aspect is neat to see, I came for a shark movie and felt I only got about 1/3-1/2 of that with the limited shark involvement. And for many of those moments, the coincidental solution to their problems made for some eye-rolling, groan filled reactions.  Still it isn’t the worst shark movie to date and is miles above the “original” pictures from Sy-Fy!  Worth a trip to the theater?  Yeah I think it is on some level, but you can hold off for NetFlix as well. 

 

My scores are:

 

Horror/Thriller:  7.0

Movie Overall: 6.0