Hunting For More Original Satire?

 

 

The Hunt Poster

 

 

The left-wing movies often are wild cards that have a hard time getting the recognition and credit they deserve.  Unlike so many other big chains, these movies dare to defy the normal with their approaches, taking radical chances to deliver an original film that manages to stick in your mind.  Unfortunately, these artistic visions can often be too out there, ahead of their time or too boring that they get shuffled into the forgotten realm.  However, reviewers like me are taking a dive into the ,movie to see if this film successfully defies the big chain tales that many love to hopefully do it justice.  Let’s get started I take a look at:

 

Movie: The Hunt (2020)

 

Director:

Craig Zobel

Writers:

Nick CuseDamon Lindelof

Stars:

Betty GilpinHilary SwankIke Barinholtz

 

Likes:

  • Run Time
  • Original
  • Campy
  • Funny In Weird Ways
  • Changing Tale
  • Few Slow Parts
  • The Ending Sequences

The Awesome Artistic Satire Of The Film

 

DISLIKES:

  • Broke a Cardinal Rule
  • Language At Times
  • The Opening Sequence
  • Crappy Character Development
  • Too Silly At Times
  • The Sometimes Too Political Nature Of It

 

Summary:

 

This tale already started off right with the promise of a shorter movie, not only for time saving components, but also for the potential of a good exciting tale.  Well, The Hunt did this for me in the weirdest ways.  First off, its ironically original, despite what the trailers suggest, deeper into the film though you get a much more original presentation that turns out to really fit in this crazy world they unleashed.  Campy tropes and movie mannerisms come out in full effect, and much like the movies of the 80s, 90s, and early 2000s,, the cheesy approach really works.  That corny nature not only works for the action and pacing, but the comedy that again works in weird ways.  The Hunt is one of those movies that is overly aggressive for much of the film, but given the theme of the movie that quirky sense of humor starts to come out and wind up being funny when all is revealed.  In addition, the brilliant change in the movie’s presentation of the story opens up a sort of mystery as to what is the true bizarre source of the film.  By putting out so many questions and keeping that air of mystery keeps you intrigued as to how deep the rabbit hole of hunting goes, leading to again a more engaging tale.  An added bonus, the movie ends up having few slow parts to go with it too, with the pace, time span, and weird mystery leading to few drawn, out conversation heavy moments.  When all of these moments start finally converging at the end, the climactic finish really feels climactic as the ending sequences unleash the torrent of action goodness you were looking for in this thriller.  It pulls the pieces together, reveals much of the secrets, and just finishes in the manner you’ve come to both expect and not expect, just like this movie says it would and keeps that weird energy going all the way.  When pulling all this together, the movie’s artistic satire on political division, typical human responses to just about everything, and sort of the daydreaming fantasies of how some of this drama could be resolved.

 

As I have said before though, these left field flicks are not afraid to cross the lines and sometimes it’s a little too much for this reviewer.  While not the worst breaking of one of my rules, the film did hit one of my no-nos that affected me a bit more than I care to admit.  Fortunately, it was short lived, but still a slight rewrite could have fit with the scheme of the film and been a little better for me.  However, past that, the movies focus on crude language and threats occasionally got into the lazy writing arena that again is more annoying than creative for me to see.  Past these two though, the movie’s flaws that really stood out started with the opening sequence.  Upon the start, the movie throws some odd curveballs that made me start to hate it and walk out.  A very rapid introduction, and some rather crappy character development left me feeling like I had been cheated by the trailers again, and was left with a shock culture film that did little more.  Fortunately, the movie worked the story better, but the character development did not improve much past two characters… which stunk with the potential it had.  I would have liked a little more sustenance behind the characters, but doing that would have shattered the illusion of comedy they were going for.  This brings me to my next point, the silliness of the film.  While clever, witty, original, and artistic, the over aggressive comedy of the film may have also been a slight downfall in terms of the story/character development.  By taking this ridiculously campy focus, so much else was crammed to fit this scheme that I felt it got a little too forced at times.  Yet I will have to admit I’ll take the forced comedy over the forced politics that this movie does.  While artistic and wholly satisfying to see at the end, the very dramatic, politically charged dialogue hit a nerve, primarily in how much I dislike social media ranting.  The movie crossed the territory at times, and though pointed out how ridiculous things could be… the movie sometimes got a little too preaching of political agendas that were not fun.

 

The VERDICT:

         The movie certainly surprised me in how fun it was as the first act opened up too much better components that were hidden by the trailers.  It was campy and original, adding some nice surprise and  to create an engaging and fast paced film with an ever-changing premise.  Most things flowed naturally, and the underlying mystery of what pulled everything together and why kept me engaged in the film to get to that fitting end.  An exciting climax and the brilliant poking at the ridiculousness of our extreme society tendencies further wraps this odd piece with a casing of fun ridiculousness that will be remembered.  Yet, this is not going to be a hit for those too hooked on the limited violence and straight and narrow tale presentation.  The Hunt has a lot of times stepping over the line and if you are sensitive to that stuff, you may be blinded from the smarter things this movie has.  I implore you not to walk out of the opening sequence despite the chaotic, simplistic, nightmare it starts out as. Yet, be ready for some over silly moments, lackluster character development, and very in your face political components to raid your ears. If you can’ handle these annoying trends that seem to continue to grow and infest entertainment, you need to stay away. However, if you can enjoy that wit and see the bigger pictures and components, you’ll be in good shape to enjoy this film and can recommend hitting this one up in theaters. 

 

My scores are:

 

Action/Horror/Thriller:  7.5

Movie Overall:  7.0

This Movie’s Quality Is Not Invisible

The Invisible Man Poster

 

When it comes to Thriller, and not the Michael Jackson song mind you, these films can hold a wide range of quality from boring and lame, to the most engaging film of the year.  As such, I could not help but hold skepticism when I saw the massive amounts of advertising for tonight’s film.  A film about the infamous monster movie, this Dark Universe turned stand-alone film looked to have potential, especially given the lead actress.  Yet, Blumhouse studio’s last film did not quite succeed like it wanted and once again returned to the theater to see if this film has the pizazz the hype is being granted.  Check in folks as I review:

 

Film: The Invisible Man (2020)

 

Director:

Leigh Whannell

Writers:

Leigh Whannell (screenplay by), Leigh Whannell (story by)

Stars:

Elisabeth MossOliver Jackson-CohenHarriet Dyer

 

 

LIKES:

  • The Realism
  • Suspenseful
  • Great Pace
  • Great Camerawork
  • Creative Tactics
  • Use Of Good Sound Effects/Editing
  • The Climax Is Great
  • The Emotional Connection To the Main Character
  • The Acting

 

DISLIKES:

  • No Backstory/Rich Background
  • A Little Fake Looking At Times
  • Trailers Have Shown Lots Of Things, while Still holding More
  • Predictable for me
  • An Angle That Does Not Make Sense

 

 

SUMMARY:

 

The movie is taking a monster movie concept and bending the tale to become a much more dramatic thriller.  Like a great mini-series, Invisible Man manages to take the movie magic of the original tale and add a little more realism to it to help group more people in.  And it is that realism that makes so much of the rest of my likes really pop out for this movie.  A major selling point of the film is the suspense, and boy does it deliver on this aspect through the use of so many thing.  Whannell and her crew create a very tense atmosphere from the start of the movie to the end, never letting up on trying to keep you at the edge of the seat.  My friend and I agreed the pace was great, a constant moving ride of one woman contesting her sanity with the supposed reality, and never stopping in its quest to keep you engaged.  Very good camerawork helps amplify the feelings of a stalker in the midst and fighting the feeling of being alone despite the safety of the light.  Using other creative tactics such as varying environments, the illusion of safety, and other coy maneuvers to bring the manipulation of the invisible man to full light.  Throw in the use of fantastic sound editing, or in this case absence of sound editing and you fully get caught up in the atmosphere of fighting the paranoia and chaos of the real world.  Once the Climax hits, the movie only further amplifies all these maneuvers, yet moves the tale to several new acts that keeps the story entertaining and interesting, yet rounding the tale to completion.  And through it all, the main character is surprisingly amazing to latch on to, the emotional investment granting you empathy and rooting for her to find a break in the case.  Much of this has to do with the acting of the cast, Moss once again unleashing her amazing potential in this character.  She has these roles down pat, from the borderline sanity and screaming, to the strong woman ready to take charge.  The character design, alongside her performance succeeds in making a strong, central pillar to which much of the movie weighs on.  The rest of the crew does their job right of course, but I need to move on to the dislikes.

 

My friend and I both agreed that the movie’s simplistic backstory is a little disappointing, especially in terms of the secondary characters.  While it was certainly for time purposes, I believe some extra time to background build up only would have further strengthened the character and helped get the rest of the cast involved more thoroughly in the film.  Past this point though, the movie’s component that is a minor flaw is the fake looking effects that sometimes arise.  Understanding, it is not the main theme, the movie does sometimes draw into the fake looking special effects, that still fit for the film, but not the smoothest at times.  Past that minor flaw, the movie’s next component that got me was the predictability of the film.  Now for me, I’ve had plenty of experience to see foreshadowing and allusion to what is coming next, so using that and much of what the trailers have revealed I got most of the twists of this movie.  My friend though stated not remembering most of the trailers and did not pick up on some of the predictable parts, and stated that if you have not been bombarded by the trailers you should have no problem dodging much of the predictability.  As for me though, I had most of the suspenseful moments toned down because I had a good guess of what was coming next.  Yet, the part that got me near the end though was a concept the movie takes to geniously start the next bout of thrills and get the excitement turned up.  Yet, that concept should have been consistent and if you review the scenes and realize Cecelia’s advantage should have remained said advantage, but then gets warped in a nonsensical way was a little irritating for me.  Lost in the moment and seeing the next approach to threatening, it helps soften the blow, but the logic does not have to drop for the sake of keeping the thrills. 

 

The VERDICT:

            In all honesty, the movie was awesome on so many levels.  An engaging character leads this thrilling, fast paced adventure, where a realistic approach helps to give this monster flick a much deserved repaint.  Using fantastic camera and sound editing, alongside creative approaches to keeping the thrills coming only further amplifies this film’s successful goal of entertaining, with plenty of rewatchability for this reviewer.  And throw in the amazing character and acting to bring her to life and you will find the movie succeed on many levels to bring life into this genre.  However, the lack of backstory is something I really longed for to help give more layers to a few of the characters, and the computer graphics to help show the threat could have sued some touching up.  Alongside the predictability and inconsistent advantage twist, these two components were the weakest aspect of the movie, and for once I would have loved some extra time to iron things out and make it perfect.  Overall though, this movie is a fantastic flick with rewatchability and definitely worth a trip to the theater with a group or by yourself. 

 

My scores for the film are:

 

Horror/Mystery/Sci-Fi/Thriller:  8.5

Movie Overall: 7.5

Is This Island A Fantasy Worth The Price?

 

Fantasy Island Poster

            It was an interesting television show back in the day, an island that can grant you any desire you want, though at a price.  Welcome to Fantasy Island and the second review of the day is all about the wonderful world of Blumhouse modernizing the classic plot.  Robbie K is back with another look at the silver screen wonders to determine is this trip to paradise worth the scares or not to dare as he reviews:

 

Movie: Fantasy Island (2020)

 

Director:

Jeff Wadlow

Writers:

Jillian JacobsChristopher Roach

Stars:

Lucy HaleMaggie QPortia Doubleday

 

 

LIKES:

  • Good Pace
  • Nods To References
  • The Satisfying Visual Appeal
  • Funny At Times
  • Better Character Development Than Expected
  • Some Twists
  • Michael Pena

 

DISLIKES

  • Most Characters Still shallow
  • Plot Twist is Okay
  • How Random The Island’s Gimmicks Are
  • The Sudden Change Of Plot
  • How Forced The Comedy Is At Times
  • The Rushed Ending
  • Not Scary

 

Blumhouse knows how to churn out the horror movies like a gumball machine, where they come out a quarter a ball and sometimes have no flavor at all.  Fortunately a recurring theme that I like to see is that the movies do go at a decent pace, entertaining and fun to capture a variety of attention spans.  Fantasy Island is a quick paced adventures that tries to juggle “original” stories while still keeping to the feel of the original series.  I appreciated the nods to the references in this movie, some very well integrated, others forced and not as satisfying.  One thing I think many people agreed was that the film immerses itself in the superficial pleasures movies have taken on, mainly in the form of bikini clad hot people, handsome perfect matches, and those oh so satisfying horror elements that etch in our minds.  It’s all about the Pleasure Island effect and for the younger generation it works.  This is also true with the comedy, a movie that does little to integrate wit and wonder, instead going into those reality TV tropes that MTV made famous and latching on to them.  It was funny for me at times, but overall a bit stale and forced.

Yet I’ll give them props that they managed to defy my expectations and give better insight into characters than I anticipated, primarily in three characters whose stories ran a bit deeper than the G-strings the extras wore.  I tried to grapple on to these characters for the most part and figure out if there was a deeper connection to the story over all.  This does not happen that often either, but the movie got me with a few twists and while not my favorite, I have to give them points for surprising me.  My favorite thing would have to be Michael Pena though.  While not the best acting job he has done, I think he inherited the island’s owner role well, and makes for an interesting piece in what could be a series.  I’m not sure where they will take him, but he has that cool, collected charm that is both comforting and deadly at the same time.  He makes for a complex character, who holds many secrets that unfortunately were not fully delivered on for me.

 

Now in terms of what is decreasing scores, that comes in the form of the incomplete and sort of left wing twist they pulled into this film.  First of all, despite trying to develop the characters, they did not quite deliver the full force of development that I think they were going for.  Most of the characters start to represent certain character paradigms, but these political charged issues get swept under the rug for more superficial fun and “horror”.  Even the ones with a deeper well of development sort of become flaky figures whose indecisiveness is more annoying than fresh for this reviewer.  As they try to resolve their character flaws, the after school special approach kicks in to not give a satisfying finish, but instead just bluntly finish the film.  Forced humor does not help make things better, with so many tropes from two of the characters becoming annoying as they fall into the new generational tool bag approach that somehow keeps selling.  The comedy to relieve the “tension” of the film does not work for me and felt unnecessary at times.

Much of this has to do with that plot twist, a curveball that was thrown to offset the stagnant pond, only to cause ripples in wrong way.  It’s a forced introduction to justify the interconnected stories and sort of becomes an eye rolling experience when everything is explained.  It’s because of this twist that the plot of the movie changes, going from horror mystery to action mystery that does little to embrace the alluring wonders this island might have.  Even the plan to handle the island changes three to four times, showing potential indecisiveness or panic at trying to force this twist into the film.  And because of the change in the horror approach, the island’s gimmicks, the things the trailer was using to rope you in, start to become cheesy pieces/obstacles who only serve to push the characters to make bad decisions rather than become the character developing pieces they want.  It’s almost like watching someone cheat on a video game, where the goal is not so much to win, but to survive until the movie’s time runs out.  This lazy finish to a buildup that seemed interesting and further dilutes both the story and scares.

This brings me to the last two points.  First the ending of the film feels very rushed. The twist getting forced at the end sort of discombobulates the pace of the plot and as the waves are settling, the directors seemed to want to quickly tie it up to not go past two hours.  The piece meal finish is not very suspenseful and the quick wrap up only has some relief from the heart string pulling shot that comes in the final moments of the film.  Yet the biggest thing is, the scares of the movie are rather null and void.  Fantasy Island has little in terms of bone chilling terror or mentally scarring moments, again forced to dilute these components to keep the PG-13 rating.  It’s this lack of scares that sort of makes the movie boring and thus, I had wished they had gotten a little more creative with their gimmicks the way Scary Stories did back in August. 

 

The VERDICT: 

            Is this movie as bad as a 22 on Metacritic?  I don’t really think so.  Fantasy Island falls into the trend of making a superficial movie that has all the gleam to attract you with little sustenance to keep you nourished.  It’s a great opening horror movie for the younger generation to wet their feet, as it attempts to get some relatable issues on the table, add a small amount of character depth, and still give the “thrill” of the chase.  Yet where the movie falters is in its ability to really tie this adventure together, managing to put a twist into the film, but not in the artful form to pull everything together.  Even worse, the movie’s rushed ending and lack of scares just makes this an MTV television series with a more bloated budget.  While the performances do their best to handle the characters, there is not enough meat to this islands presentation to say it’s the best horror movie, but there are enough special effects gimmicks that can make a night out with friends worth the theater visit. Otherwise hit this one up later on down the road when it hits streaming.

 

My scores are:

 

Adventure/Comedy/Horror:   5.5

Movie Overall:  5.0

 

 

A Grimm Fate For A Grimm Tale?

Gretel & Hansel Poster

 

Fairy tales have been graced with magic to make them more appropriate for the young mind of other countries.  At their roots though, the Grimm fairy tales hold a heart of darkness that were meant to teach the lessons to the youth of the European natures.  Despite the disturbing tales we have seen today’s movies hold, the original stories are truly the nightmare inducing moments that can leave on scarred.  So with the gloves coming off in the modern-day cinema, let’s bring that horror to life and potentially twist even further.  Hi Robbie K here to bring about another movie review on the latest silver screen slayer.  Will this late month horror movie slay, or is it just another victim of the dumping grounds of January?  Let’s get reviewing:

 

Gretel and Hansel (2020)

 

Director:

Oz Perkins (as Osgood Perkins)

Writer:

Rob Hayes

Stars:

Sophia LillisAlice KrigeJessica De Gouw

 

 

LIKES:

 

  • The Acting
  • The Short Run Time
  • The Richer Dialogue (from one aspect)
  • The Beautiful Woman
  • The Look Aesthetic Of The Movie

 

DISLIKES:

  • The Pace
  • The Lack Of Character Development
  • The Lack Of Scares
  • Disgusting Imagery
  • The Dialogue
  • The Politics
  • The Whininess Of Hansel
  • The Almost Pointless Introduction Of Characters
  • The Story

 

Summary:

In horror there are many things needed for the execution of the chilling tale and in this case the acting is a big selling point for me.  Sophia’s role is a little twist on her It character, with same intensity and damage, but this time a little Older European and maturity that takes the lead on the new approach this tale takes. She’s strong and fierce, yet shows the scared vulnerability that a child role would and it is a staple to latch on to.  Then comes the wonder Alice Krige, whose adaptation into the deluded villain once more impresses me.  Sinister and yet innocent, powerful and yet sickly, and caring yet cold, she balances all these emotions and succeeds in crafting a creepy character.  Though you know what she represents, the acting always left me with that slight hope something will go differently.  The two have wonderful chemistry together, something I would have liked to have a little more guidance and development to maximize.  While not in it for long, the beautiful Jessica De Gouw shined in her performance, both in look and presence of her character.  I would have liked more expansion on this character, especially given how commanding her presence was, but that was not the focus this tale took.

Moving on from the acting, the movie succeeds in accomplishing its journey in a short run time and not trying to get too bloated (see Midsomer director’s cut).  The film has a much more poetic dialogue, that feels well adapted to the Grimm Fairy tale writing, and goes with the artistic feel of this movie that Perkins focused on.  Yet, the biggest focus of this movie is the look of the film.  Gretel and Hansel is all about creating the creepy atmosphere and letting it be the component to creep you out for much of the film.  The use of camera filters and lighting are the main tools that somehow rob the hope of success from the film.  All the shadows and elusive safety keep things always dark and dismayed, while also sort of establishing a sickening feeling that only further infects you with the skin crawls that come.  The visualization of the witches home and the tricks she brings, also have that atmosphere that will certainly embed itself into your mind and leave you scarred for the event.  Sure there are some shock culture moments and jump scares, but really it’s the looming atmosphere and cinematography that succeeds the most.

 

It seems that the visualization was too key a focus though, for some of the movie telling basics were dropped in my opinion.  First of all, the pace.  Horror movies often keep things moving, but this artistic twist is not one of those films, sometimes feeling super drawn out and stuffy rather than the thrilling tale.  Part of this comes from just the slow buildup of the “surprising” reveal, but the other part comes from the weaker character development.  Gretel and Hansel’s tale has sort of piece meal components that are shown just enough to set a background, but never to give meaningful insight to craft interesting characters.  Even the witch herself is rather plain, a back story that is introduced too late, not very surprising, and sort of crammed into the ending instead of again giving rich characters to fear or analyze.  The story instead just seems to hover around this convoluted conversation between Gretel and the Witch, always working towards this slow discovery of what we know and barely moving away for most of the movie.  I guess they felt it pointless to make a big story for an already known tale, but then I question the introduction of some other characters into the film, and the hopes of using them as means to add variety to the movie.  As such the various side stories are not needed merely adding obvious foreshadowing and time to the film.

Something else I could have had edited out would have been the whininess of the little brother, who had a symbolic component to Gretel (the star), but sort of got annoying with the way they took the character.  Realistic, absolutely, but Hansel’s involvement was not as enjoyable to me, especially when the politics started coming into play (which we are about to discuss).  In regards to scares, again the movie relies a lot on the visuals to scare you, and though creepy at times, it is more a movie to focus on disturbing imagery than real creeps.  If you love the shock factor films, you’ll get it, but for me, the disturbing imagery would have been better minimized in place of the story and creepy scares I particularly love.  Finally the politics.  Not even horror films can escape the political trends of the modern day, and the title should give you a hint of the focus the writers wanted to place.  Again, I’m never above a message being integrated into the story, but that does not mean the story and dialogue have to be purely focused on that message and rubbed In my face.  That fluid, old English dialogue is awesome and poetic, but is so geared toward pushing for this new political twist that it falls into that vortex of cyclic conversations.  The result is again a stuffy movie that does not move to the predictable ending fast enough.  It’s a shame given the potential, but this was the biggest weakness for me in this film.

 

The VERDICT:

 

            Gretel and Hansel is a great example of visionary creativity to make an old tale feel new.  With haunting atmosphere and a cast to play in it, these are the main strengths for the film and the component artistic loving movie goers are going to love. Yet, this artistic nature really took away from the story for me and left me with a boring, bloated film that missed the potential the trailers painted.  Story wise the characters are rather flat, the extra story characters and background information so streamlined it is almost a waste of film for this reviewer.  Throw in too much focus on the political message hogging most of the attention and you get this film that seems to be two sharks circling, but never attacking.  I give props for a psychological dive and realistic portrayal in the film, but this Grimm’s Fairy Tale is a little too sleep inducing and bloated for my tastes.  Thus, I believe this film was dumped into theaters, when it really should have premiered on a streaming network instead best left for watching at home.  Thus, my scores are:

 

Fantasy/Horror/Thriller:  5.5

Movie Overall:  5.0

What Lurks Beneath The Trailer Of Underwater

Underwater Poster

 

 

The realm of horror, as I have said before, is an avenue that allows the darkest fathoms of the imagination to come to life. Horrors and fears can take on many forms and in some cases the directors capture that terror in the perfect balance.  On the other hand, the modern cinema also ruins the genre when cheap gimmicks fail to scare and become the focus.  So what is tonight’s film all about?  Well Robbie K is here to offer some thoughts and insight as he makes spoiler free review of:

 

Movie:  Underwater (2019)

 

Director:

William Eubank

Writers:

Brian Duffield (screenplay by), Adam Cozad (screenplay by)  | 1 more credit »

Stars:

Kristen StewartT.J. MillerJessica Henwick

 

 

LIKES:

  • The Decent Comedy
  • Decent Acting/And Time Worthy Characters
  • Great Pace
  • Suspense Moments
  • Creature Design
  • The Atmosphere
  • The Story Is Okay

 

DISLIKES:

 

  • The Predictability
  • T.J. Miller Forced Some Times
  • The Chaotic Camera Work at Times
  • Suspension Of Disbelief At Times
  • The Worthlessness of Most Of the Crew

 

SUMMARY:

 

When it comes to a horror movie you can’t help but want to laugh through the movie.  Okay, I need to think of a better transition, but the film succeeds on throwing that comedic relief at just the right moments to help change the energy of the scene.  That aside, the real strength of the movie comes in the cohesiveness of all the little parts that this genre thrives on when done right.  First the acting!  While not award winning, I was very happy to have characters that had more layers than the typical creature fodder Sci Fi Channel has made famous.  Underwater’s crew is different though, as Steward leads the bunch in a thrilling adventure that puts science skills to the test.  Several members make logical decisions, there is great interaction amidst the crew, and the teamwork they show actually paints characters that are worth investing your time in.  And through this adventure, let’s just say there are a lot of things that will test your connection to them.  This film moves quickly, a brisk pace that never dwells long enough for boredom, and takes few detours in the quest to escape the denizens of the deep. Mixing well with the pace comes very suspenseful moments that utilize so many special effects to paint the terrifying canvas of the deep in new ways that will insight nightmares. Some of the moments are all about the setting itself, while others integrate the creatures and allow the use of imagination to paint the terror.  It works fantastically well, and when the revelation of the creatures finally arises, the design does not fail to impress.  Monsters are made of nightmares like this, and they are utilized to a fine degree that does not overshadow the rest of the tale, but still gives you plenty of creature love.  Yet what really ties everything for me is the atmosphere itself.  Underwater uses its name well, and helps blend the adventure into sections that together form a cataclysmic environment.  There are few safe havens in this movie, with the beasts lurking around every corner, and when they aren’t the environment itself is ready to douse the life out of them.  Throw in the use of shadows, fantastic sound editing, and again the tease with imagination that designs that environment. Finally, there is actually a point to all the chaos, with a logical connecting line that actually grants purpose to the antics at hand.  Underwater takes the familiar story, and changes the acts to help keep the adventure fresh and dynamic.

 

Amidst all the treasure, there are some rusted metals that tarnish the movie for this reviewer.  For one the story is pretty predictable, still following most of the rules and trends that the SyFy channel movies do.  A few twists do help stir the sediment up a bit, but you have an idea where it is going.  Thankfully, this predictability is lessened due to the intensity of the scenes themselvesAs mentioned above, there is comedic relief, and while enjoyable at times, there are other times where the awkward joke is too forced or beaten over the head for it to really work.  This works in movies like Deadpool, and while I think it’s curb to show how he is dealing with the stressful situation, there are times I would have liked to see a little more from this character other than another joke.

These are probably minor dislikes for me, so I’ll move on to a few of the things that were more bothersome for me.  As many of you know, I’m not the biggest fan of chaotic camera work when it comes to details.  While this added to the intensity of the scene, I felt Underwater went a little too crazy at times, using the swirling madness, and shadows a little too much to deprive the details I wanted to see.  This aspect improved near the ending, but the middle parts had a hard time finding the balance between stable and maddening angles.  Next, the suspension of disbelief sometimes is a little laughable for me in this film.  I know, in this genre one must be ready to do this, but hear me out a little.  Again with no spoilers, Underwater sort of does not play by its own rules it establishes at the beginning.  The creatures behavior is erratic, sometimes being aggressive and other times not, which is sort of explained at the times, but then overwritten for me.  Other times it’s about how convenient things work out or don’t work out, which though adds to the intensity of the scene, will in retrospective seem a bit cheesy at how things happen to play out.  If this does not bother you or take away from the suspense, no worries then, but near the end in particular is where I particularly found them stretching their convenience muscles a little too far.  Finally, though the movie is much better with crafting their characters than other creature features, it still has not quite put the finesse in everyone.  For a crew of scientists, drillers, and deep-sea explorers, only one or two really show off the scientific skills that were promised.  Kristen Stewart’s character is the most equipped to handle the job and maybe the Captain, but the rest well, they don’t quite hit the mark for epic battles or adventuring that i had anticipated.

 

THE VERDICT:

 

            Overall, the creature feature is one of the best to emerge from the depths of the Hollywood ocean. Underwater takes us back to the days of classic film storytelling, where a story is designed to tether the scares, special effects of scenery and modern computer work add for decent scare factors, and the intensity of the sequences help net your interest in characters that aren’t just shark fodder like a classic SyFy movie.  While there are still some predictability issues, and the suspension of disbelief starts cooking up things, there are not too many issues that most fans of this genre will be affected.  Again, I’m not particular fond of chaos swirling camera work, but I again admit it adds to the moments and at least gets balanced.  Give all the CGI work, the decent story, and performances, this guy encourages you to head to the theater for this one to enjoy to the most, but if not definitely check it out at home. 

 

My scores are:

 

Action/Drama/Horror:  7.5

Movie Overall:  7.0

A Grudge That Needs To Settle And Reset

 

The Grudge Poster

  It’s January, and that means it’s time for testing for things that may or may not work this year.  One genre that seems to love creeping in this time of year is the horror genre, in hopes of getting the fanbase flocking in.  Yet, the horror genre always fluctuates depending on the imagination, the risks, and the vision of those who helm the creative wheel of design.  This weekend, the solo film releasing this weekend is based on the popular series that has been retired in the America’s, in terms of mainstream, for some time.  I’m talking about the Grudge and today I review to determine if the latest malicious spirit adventure can reclaim its hold over the modern generation. Robbie K back with a look at:

 

Film: The Grudge (2019)

 

Director:

Nicolas Pesce

Writers:

Nicolas Pesce (screenplay by), Nicolas Pesce (story by)  | 2 more credits »

Stars:

Tara WestwoodJunko BaileyDavid Lawrence Brown

 

 

LIKES:

  • Short Run Time
  • Good Use Of Visuals
  • Creepy Aesthetic
  • Lin Shaye’s Acting
  • A Unique Presentation Style

 

DISLIKES:

  • Complicated Story Telling
  • Predictable Story Telling
  • Not Scary
  • Vicious Deaths
  • Boring
  • Not Quite Unique Enough

 

SUMMARY:

 

It’s not a good start when the first thing I mention is the short run time, but in this case it works to be at the 90-minute mark for the run time.  Grudge is all about visuals and the art of trying to scare you, and I was able to see a heavy focus on those superficial features instead of the movie’s presentation as a whole.  The Grudge’s visuals rock in terms of establishing the spooky atmosphere, with shadows, low lighting, and spooky sound effects to make the creepy aesthetic as life like as possible.  I felt the haunting atmosphere leave with me, the lack of safety in my home or with lights on as the curse goes wherever it chooses.  That creepy nature itself is the true scare factor of the movie, always keeping you wondering what disturbing visual is coming next in the hallowed halls of the home.  As for the cast who has to act in the setting, Tara Westwood was a fantastic actress to take point in the progressing role.  Not quite the most unique role, but it works given the direction this film took.  Yet, the leading lady of horror Lin Shaye still shows off her trade for the occult captivating the insanity, looming nature of the spirits around her, and the feisty bouts of dramatic flair that fits perfectly in this world. In terms of my final positive, well the story is told in a nontraditional manner, and for that originality gets points in the eyes of this reviewer, especially given the attempt at trying to establish a mystery at the same time.

 

Then come the things that took away from the experience from me.  Though original, the story telling is complicated, a piece meal of flashbacks that like a mosaic seem to fit together, but more so in a fractured manner that is a bit too artistic given what I go to these movies for.  The mystery that was trying to be put in did not pan out for me, because of how predictable the story was, and in the short run time, all the clues were laid out for you miles in advance that it was underwhelming to say the least.  Despite, the attempt at making a creepy atmosphere, the scares themselves are very lackluster, a similar tactic of trying to throw something in every corner to scare.  Sadly, the techniques don’t change much and by the third jump out, the technique is so stale you turn it into a game of counting how many attempts in 90 minutes.  Even more so, it was more about gruesome deaths than actual scaring, the unrelenting depictions of blood and maiming actions await those giving this movie a change.  Not scary again, just there to feed the beast of darker picture lovers.  All of these should be no surprise in the Grudge series, I get it, but in the past the newness of it allowed these components to be more enjoyable, while the constant storytelling and linear progression helped balance all the chaos.  In this unique telling though, the constant back and forth, cheap scares, and predictable ending just makes this film boring, missing any sense of danger, challenge, or even gripping action.  The film as a result feels rather bland, missing the same oomph that we always love to see in this genre.

 

THE VERDICT:

 

            The Grudge will always hold its unique nature and destructive force in the world of cinema.  However, this installment does not quite reach the goals set out by the series and directors long ago.  While unique story telling style and creepy aesthetic win in this movie, alongside some decent acting, the movie just is a bit too convoluted and boring to say it was the ride I was looking for.  Fans of the series are going to be the target audience, or for those just wanting complex tie ins of dark demises.  As for the rest, hold out until the streaming services pick it up, and event then it’s limited.  Instead, I encourage to try out some other films instead from the holiday season. 

 

My scores are:

 

Horror/Mystery:  5.5

Movie Overall:  4.5

I Don’t Think You Will Sleep Through This One

Doctor Sleep: The IMAX 2D Experience Poster

 

Stephen King is on a role this year with two stories turned to movies, among other products, and potentially raking in even more cash. The age of taking author’s works and putting visual spins on them continues to thrive and sometimes we get an interpretation that brings our nightmares/expectations to life.   On the other hand, the limitations of movies can sometimes lead to bad projects that are disappointing more than anything.  What will happen in this interpretation?  Well I’m here to share my opinions to help you get the most out of your movie going experience.  Let’s get started as I review:

 

Movie: Doctor Sleep

 

Director:

Mike Flanagan

Writers:

Stephen King (based on the novel by), Mike Flanagan

Stars:

Ewan McGregorRebecca FergusonKyliegh Curran

 

 

LIKES:

  • Acting
  • Feels Like A Visual Form Of Book
  • Nice Haunting Atmosphere
  • Pacing For The Most Part is Good
  • Great Antagonists
  • Fantastic References To original/With modern twists
  • Story Telling As a Whole

 

DISLIKES

  • The Run Time
  • Expecting More Integration of Shining’s connections
  • Not Scary
  • Graphic Violence That is Haunting But Disturbing

 

SUMMARY

 

When the revealed the cast of this film I was interested in seeing how they would adapt into King’s Universe.  The result is positive for me with the three main characters really taking a shine to the multi-layered characters each contributing to the terror in some way.  McGregor takes much of the lifting in his evolution of tortured spirit, keeping that quiet intensity famous of his younger counterpart, but somehow pulling out other tricks when the time is right to give a psychiatrically tortured counterpart.  As for the antagonist, Rebecca Ferguson is wonderful counterpart to McGregor, keeping that same creepy tone, but this time bringing a savage/psychotic edge that fits well in the horror genre, think villains from Walking Dead before it went too far.  As for the talents of Curran, well she was the perfect balance that sort of inherited both sides of the Shining coin, executing her vulnerable side well, but also managing to bring girl power to an even medium.

Acting aside, the rest of the movie thrives in the element of bring King’s imagination to life.  To be honest it does feel like a visualization of the book, the intricate details, outlines story, and connecting points a wonderful example of the art of literature translation.  King’s words always paint a picture of sheer horror, immersing one into a nightmare realm that goes into the darkest corners of the minds and dreams.  Doctor Sleep’s haunting chills line just about every minute of this film, bringing with it characters that fit into it, primarily the antagonists that Danny faces.  Such fitting characters and truly nightmarish villains make a wonderful centerpiece to get hooked onto.  Yet, the movie does not just focus on making the characters the star, instead finding way to integrate the Shining into the film while sticking to the originality of the tale.  Seeing various nods back to the original tale, though with modern face lifts, and having them there to support the tale, again getting an applause from me. With such details, you might think the pacing will suffer, but Flanagan accomplished the task of keeping all these details and plot dynamics balanced, but not sacrificing the entertainment value that movies are expected.  In conclusion to this like section, the story telling is told well at an engaging pace that makes for one of the better horror movies and book translations in a long while.

 

Yet for me, it’s rare to see a perfect movie that I love everything about and this was true for Doctor Sleep as well.  For one thing the run time is a little long for a later night showing, I know my fault, but despite how well the balance of this tale is, there was some pacing that made the 2.5 hours a little too long for me.  Perhaps it was from working a 15-hour day, or maybe it’s due to wanting a little more of the Shining’s plot components brought in, given how long the opening was about the time lapse between the two stories I might have wanted a little more integration into the mix to help fully get my horror element on. In addition, the movie did not do the most in the scare factor for me, going more down the  drama/thriller category than the actual horror element.  I’m not saying others will not get scared, but it all depends on what you like to jump at creeps vs jump scares.  For me though, the aspect I know was needed, but I did not like is the torturing and graphic violence components.  I can say I like action movies and over the top stunts, but in this movie the violence is all about inducing the disturbing, skin crawling factors that these books are famous for.  Weak constitutions to graphic displays of fear inducing dismantling need to rethink diving into this, for there are several scenes where this factor comes into full swing with little mercy.

 

  The VERDICT

            I have to agree with my friends who saw the film, Doctor Sleep is one of the better novel interpretations that I have seen in quite a while.  My favorite aspects of this film are how much like a book it plays out, yet never sacrifices the entertainment factors and visualization components that films need.  A haunting atmosphere to play in, with great characters to bring out the solid story, I feel many King and horror films will be impressed with the presentation of this tale.  While the run time is a little longer than expected, and the scares are at a minimum compared to the first film I watched a long time ago, the true component to warn people about is the graphic violence/torture that may haunt your memories for some time.  It’s true I would have liked a little more of the Shining aspect, but overall a solid story telling from King and company again.  Is it worth a trip to the theater?  Absolutely, as it has theater quality effects and good storytelling for most audience members to enjoy.

 

My scores are:

 

Drama/Fantasy/Horror:  8.0-8.5

Movie Overall:  8.0

It’s The Final Countdown… To Halloween Horror Flicks

 

Countdown Poster

 

What would October be without at least one horror movie to come to theaters?  Boring is what many would say, and so we have the final weekend of the holiday trying to gain some revenue before the season is over.  So Robbie K is back once more to give you some ideas on the latest of the horror installments to haunt the silver screen.  Will it be good?  Will it be bad?  Will you die of boredom?  The answer to those questions is below so let’s get ourselves in shall we as we review:

 

Movie: Countdown (2019)

Director:

Justin Dec

Writer:

Justin Dec

Stars:

Elizabeth LailJordan CallowayTalitha Eliana Bateman

 

LIKES:

  • Moves At A Good Pace
  • A slightly new twists
  • Funny At Times
  • Liked The Central Character
  • The Story Is Cute

 

DISLIKES:

  • The CGI work
  • The Thrills and Kills Are Mediocre
  • A Little Silly In Terms Of Story Telling at Times
  • Dead Ends
  • Predictable

 

SUMMARY:

 

Horror movies are something that have come to be a little too mass produced, where ridiculous concepts come out of the wood work to try and capture your attention while darkening your dreams. In this case the movie takes a hit at it, but rather than crafting original beasts instead focused on a quick pace to keep you entertained for the most part. Countdown’s limited time limit requires things to move at a brisk pace that is both entertaining and yet complete.  The film manages to bring a slightly new twist to the mix, taking an old concept and modernizing it, while still tagging some traditions to it.  As such, the film has a little more originality to it and that’s something difficult to capture in these days of over production. In this dark tale, there is fortunately some comedic relief to lighten things up, but not enough to make it a spoof, again portraying some balance that films seem to lose.  My feeling for the strongest component of this movie is the character development, and more so the central character of Countdown.  Quinn (Lail) is a lovely character that has a little bit complexity past the usual damsel in distress/air head that comes with horror territory.  The various levels of personality made for a more engaging heroine, and seeing her evolution as her plight grew more stressful with each passing second.  I think Lail was a fantastic actress to watch, delivering a nice performance that went hand in hand with the cuter story she shared with the other characters. The story may not be that harrowing, creepy, or even unique, but there is an energy to it that seems to be a toned-down version of a horror movie that is once more about the characters and not just the thing they are fighting.

 

While many of these components are nice in terms of storytelling, the movie did cut costs on other areas that may not be impressive to the usual lovers of the genre.  First the CGI work needs a little trimming up, looking a bit hokie, faded, and too computer in my opinion. In addition the beast doing all the killing did so in rather, contained ways that were off screen or hidden in shadow.  It’s not that I want to see gruesome death and mangling, but a little more details might have been preferred for this writer. And while I enjoyed the story telling for the most part, there were times that the film felt a little silly, taking tangents that were stretches to incorporate in some way to liven up the film.  They did not work for me in forms of comedy, but instead became crashes into dead ends where characters, plot points, and other components were left to stand for some wrecking ball to break through.  I guess to meet time constraints they took this approach to again be original, but it just fell short as lazy storytelling with these components.  Finally, the film is predictable, with only a few things hiding in the wings to try and surprise us.  Yet, all the foreshadowing and obvious introduction to the plots were the stars needed to point me towards the things they wanted to keep a surprise and by the revelation I had pieced most things together.  Again, kudos for trying, but not the most surprise filled plot.

 

The VERDICT:

 

            Overall I did not hate Countdown, but instead grant a nods towards a character centric story with a cute vibe and good pace to entertain.  It’s true I would have liked a little more haunting/craziness to come into play to give you that true Halloween thriller you were looking for this late in the season.  It’s predictable tale, sort of hidden killer, and silliness that filed away the edge of the movie and thus takes away from the atmosphere they created.  I felt that they could have just put this one onto a streaming site, but I’ll give them props for trying to put their work out onto the screen.  Yet, this film really boils down to being better suited at the home viewing then coming to theaters so hold out until the release if you can.  As such, my scores are:

 

Horror/Thriller:  6.0

Movie Overall: 5.0

Floating Through Nearly 3 Hours With Fantastic Acting and Decent Plot

It Chapter Two Poster

 

Two years ago, the relaunch of yet another series started, taking modern day technology and using it to put a new face on it.  Stephen King’s legendary book titled IT came back in a new light that felt like a Stranger Things Episode with a little more demented/horror element added to it.  When the ending came and the credits finished, the promise of part 2 lingered in red, setting the stage for the second act of the book.  Two years later, the adventure arrives and the question is… will the movie live up to the potential or are we waiting for nothing. Robbie K coming in for another review of the latest film to hit the theater, hoping to give you some spoiler free insight on the film.  So let’s get set as we look into:

 

Movie: It: Chapter 2

 

Director:

Andy Muschietti

Writers:

Gary Dauberman (screenplay by), Stephen King (based on the novel by)

Stars:

Jessica ChastainJames McAvoyBill Hader

 

LIKES:

 

  • The Story Components
  • The Terrifying Forms
  • Decent Pace
  • Creep Factor
  • References
  • Acting

 

DISLIKES:

 

  • Not Scary For Me
  • Plot Presentation At points
  • The Length Of The Film
  • The Stepped-Up Game
  • The Over Use of Cursing at Times
  • The Assistant

 

SUMMARY:

The genius of the film is that although a sequel it’s also a stand-alone film that manages to take the tale in a new light.  Chapter 2, at least this version, manages to make a multilayered story that holds part horror and part soul searching as our characters developed.  In a decently compact way, It 2 accomplishes the task of bridging the 27-year gap and keeping to the horror element all why pushing some heavy political issues and moral tasking topics in a classy way.  Not just a drama, the horror element still stands true in this film and Pennywise’s new tactics are a step up in the form of nightmare motivating images that will stay in minds for a long time.  Not the most realistic at times, IT’s new forms for the most part have enough skin tingling factor to them to make some squirm in their seats, especially given how they made Pennywise a much bigger threat than I anticipated. A small subtle component that I quite enjoy are the small references to the book or popular phrases about the book. It’s nice balanced humor and a clever ploy to sort of justify the decisions made in this film in regards to changing the story, which gets a nod of respect from this reviewer.  Hands down though, the best part is acting, which I can go on for hours about.  All the adult forms mirror the kids in many qualms, take the baseline characteristics and maximize them, and play off of each other so well that I can’t help but praise the casting direction.  As for the clown himself, Bill Skarsgårdagain redeems his role as Pennywise and takes the nightmare amalgam worthy as a legendary villain. He manages to add new levels of creepiness without trying too hard, achieving that skin crawling factor to new levels.

 

In regards of areas that are still working on improving for me, well the film did not quite scare me like I was hoping.  Again, I’m used to much of the scare tactics, but It Chapter 2’s use of computer effects and other designs did not quite scare me as much as disturb me at times (that scene at the Chinese restaurant). In addition the stepped-up game of Pennywise sometimes crossed levels that I wasn’t a fan of, primarily in some of the more torturous aspects that this film took.  Those that have a low tolerance for dragged out beatings or torture may want to avert their eyes at these points.  In regards to the plot much of the overall arc is wonderful, but the presentation at times comes off a little more convoluted than I had hoped.  During the middle of the film the constant intertwining of past and present did not quite make sense to me, until the end when the explanation came.  Not that it was not entertaining at times, I felt this approach sort of added fluff to the movie, almost as this was a director’s cut.  This brings me to the length of the film, while certainly not the slowest movie (Midsommar anyone), the nearly three hour run time did not quite feel necessary given that the first part was nearly an hour shorter.  Again it is entertaining for the most part, but it’s a commitment I don’t think was quite needed.  A small nuance again for most, the cursing sometimes goes down the avenues of being lazy writing, primarily in the overuse of the F bomb when there were better lines that the first film capitalized on.  My biggest beef is the assistant to the mad clown, to which I don’t want to ruin. A concept that starts to hold potential, the assistant is a wasted character in my eyes that serves for only a little bit of plot development and a few comedy moments.  So much could have been done with this character, but I think the squad found this character the one to cut out most of in favor of the other focus points of the film.

 

The VERDICT:

            Wrapping this up, two years gave the movie enough time to make a horror movie that is familiar, yet has enough flair to be its own. Sticking to horror roots, the movie focuses on the story and does a nice job integrating most characters into the film. It may not be scary to me, but Pennywise is still creepy and has upped his danger level with new forms and references that should have fans smiling.  Yet it’s the acting that holds the key to success and brings the movie to levels that are super entertaining and deep compared to most horror genre casts. Still, the movie is a little long winded, with a convoluted presentation at times that adds a little length, and a character that felt like a waste.  Otherwise, a semi-cheesy ending and some darker tactics are the only things that really didn’t impress me.  The summary though is that this film is definitely a worthy edition to the horror genre, and I believe it’s worth checking out in theaters.  My scores are:

 

Horror:  8.0

Movie Overall: 8.0

Do You Hide From This Film Or Seek It Out

Ready or Not Poster

 

Robbie K back in the trenches for another movie review, this time looking at yet another horror movie to hopefully bring with a number of warped imaginations to life.  Some of them bring us into the disturbing zone and leave us scarred, others manage to be quirky cult thrillers that lead to endless sequels, and others are so bad they somehow stay good.  Tonight, the horror movie looks to be a hybrid of a thriller meeting said horror, with promise of being a romping good time.  Yet, the trailers can certainly be a mask for something else.  Read on to check out my thoughts on:

 

Movie:  Ready or Not (2019)

 

Directors:

Matt Bettinelli-OlpinTyler Gillett

Writers:

Guy BusickRyan Murphy

Stars:

Samara WeavingAdam BrodyMark O’Brien

 

 

LIKES:

  • Good Acting
  • Decent Suspense
  • Pace
  • Quirky
  • Funny
  • Lives Pretty Close To What The Trailer Promises

 

DISLIKES:

  • Predictable
  • Not Scary
  • A Little Too Silly
  • The Ending Sort Of
  • Focus On Blood at times

 

Summary:

We get that these types of movies often do not have the best acting, but in this film the cast actually brings some effort into making believable characters that aren’t too annoying.  My lead is Samara Weaving who has the comical role down, but Adam Brody is a solid second actor to craft the believable brother struggling to handle the situation before them.  As the rest of the cast plays essentially sadistic players in the mad games of chance, these carbon copy roles are all about trying to bring the suspense factor to the movie.  Ready Or Not achieves the suspense decently, keeping a nice pace to keep the action going and the horrors at least coming.  Thus, the thriller aspect is very well achieved in this movie.  Yet, another element that I liked was the quirkiness of this film, primarily in the form of the presentation.  Ready or Not is one of those movies that manages to find a stride with the cheesy gimmicks, putting a comedic spin on things without being too forced in your face.  Perhaps it’s the subtle comedy of the overzealous aunt, the clumsiness of the sister, or maybe just the reactions of the main character Grace, but there is something in the writing and presentation that makes it just fun.  As an added bonus, the film also manages to achieve pretty close what the trailer provides, leaving some surprises to enjoy, and yet still not diverging down the pathways it could have taken.

 

In regards to dislikes, the predictability of the movie is okay, some parts due to the trailers and other parts laid out in writing with heavy foreshadowing.  This predictability not only ruins some of the surprise, but it also diminished the horror element of the movie as well.  Ready Or Not’s thriller is the selling point, for the jump scares are few, the creep factor is low, and there are seldom any moments that had me on the edge of my seat.  This could also be due to the comical side of things and the fact they focused so much on the ridiculousness of the plot to help tone down the creep and scare factor. Maybe taking things the silly route wasn’t the best route for this one, especially giving the ending, which to me is a mixed like and dislike.  On the one hand the ending falls in line with the silliness of the movie and sort of just naturally occurs leaving you satisfied.  On the other hand, the movie’s ending led to not quite getting the hunt fest I had thought I was going to see.  Like the most dangerous game or a final destination I had kind of thought members of this household would have altercations that were do or die.  Yet as you will see, this in not quite the case and there is little more I can say without ruining anything so onward we move. My final component is the gore factor of this movie.  Certainly not the worst thing, Ready Or Not does sometimes get a little too fixated on the blood factor for my tastes.  Those who aren’t fans of seeing suffering, skin crawling spectacles of crimson colored chaos need to turn away, as there are some gut-wrenching moments that aren’t for the faint hearted.

 

Overall, the adventure of Ready Or Not is a fun little project that is campy, quirky, and still thrilling in the world of horror films.  With an engaging cast and concept, it’s a movie that will keep the audience hooked and perhaps make them laugh at the odd sense of comedy and justice that they brought in this film.  And though it matches the tone of the trailers, at times the comedy may have diluted the thriller anticipation you might have though.  For the hunt sort of gets caught up in the blood and comedy rather than delivering the full-on horror chills.  Still, the film is a fun watch and probably good for a small group to hit the theaters with or watch at home. 

 

My scores are:

 

Horror/Mystery/Thriller: 7.5

Movie Overall: 6.0