Space, the final frontier, a void of endless possibilities for us humans to explore, colonize, and potentially ruin with our wasteful culture. For now though, it serves as a great medium to make a movie about science-fiction for. Throughout the history of movies, space films have allowed the imaginations of many to take off and bring some of the most memorable movies that we still latch onto today. Tonight, the review focuses on yet another film that hopes to soar to new heights and win a new award. Robbie K again with another review, this time on:
Movie: Ad Astra (2019)
The Obscure Answers
Space movies vary in a number of things, but the presentation can make or break the film as a whole depending on what their focus is. For Ad Astra, the movie managed to tailor it’s fiction component to provide a more realistic tale that will appeal to a wider variety of audiences who sometimes get lost in the fantasy element. Ad Astra’s plot is interesting in the point of an incident known as the Surge, whose origin lies in the last know place that Brad Pitt’s father (Lee-Jones) was seen going. To help minimize the Surge from further destroying the world as we know it, Pitt is sent into space and through it goes on a journey of self-discovery that adds the psyche element analysis on board. This interesting concept is going to be great for Sci-Fi book lovers, as it feels much like those stories where the first-person perspective is portrayed from the third-person look. It’s a bit dense, but the fact they were able to keep to their own rules they established at the start was a big win for me. Certainly the story is brought out by great acting, mostly on Pitt’s part who hits the depressed space hero going on dangerous mission well. You can feel the suffering of the character, see the thoughts reflected in the tiniest gestures, and feel the emotions of the character in the dialogue/monologues he unleashes. It’s a great leading role,, though it could have benefitted from more inclusion of other characters to even out the sullen nature of Pitt’s character. My friend and I both did agree though, that the special effects and movie magic were the best element of the movie. Ad Astra’s cinematography was gorgeous, with fantastic integration of CGI structures into realistic shots, and more so designing the sets to which this drama plays out on. It’s these stunning effects that bring everything to life and will most likely catch they eyes of moviegoers everywhere as you are pulled into the venture at hand.
Yet all these unique approaches and special visual story telling do not quite get you set for the more artistic/symbolic approaches that movies sometimes take. Ad Astra’s subplots and tangents open up the new adventures and accomplishes the task of getting character development rolling. With each “stop” so to speak, there is a reflection by the character and what he is thinking that is awesome for the character component, but semi-worthless in terms of story over all. Again like a book, this film’s treks across the void are awesome to see, but not necessarily carrying much point past the artistic visualization. As the movie continues on, it does not quite tell the story in the most black and white aspects. Much of the film’s lines are very in depth or vague, capable of providing you insight to piece things together, but the delivery is a little stuffy and theatrical that it dilutes the significance this scene plays. Thus, these side avenues, while certainly extra tales to further dive into Pitt’s psyche, were not the best use of time in my opinion. When the ending finally came and the overall goal we set out was reached, I again was disappointed in the results it took. I think i always knew where it was going, but Ad Astra’s finale needed some excitement or further tension to justify all the time invested, and I felt I did not get that outside of the symbolic gestures it took. This may not have bothered me as much had the pacing of this film been better. Pitt’s journey is very slow and given the amount of details it brings, did not have too much excitement or speed to get to the goal fast enough. This led to me fighting sleep occasionally and I would have loved again some editing to add a little pep or do some more editing to get out the film faster.
Ad Astra achieves the prize of beautiful style, deeper tales, and great acting to come to life. It throws away the idea of space battles or aliens and instead subjects the goer with impressive looks into a character and the symbolism that space travel can bring. It feels much like a book put to movie and I give mad credit to the vision that James Gray had when putting this film together. However, this unique and detailed approach may also be the downfall of the tale as the cascading subplots and tangents become a little overbearing at times. kA sort of linear, connect the dots like approach does not quite give the most exciting narrative and the ending, no matter how beautiful it is, seems a bit of a sucker punch that made the movie’s dragging pace not so great for me. Yet again, if this kind of vague and symbolic approach is your cup of tea, definitely check this film out because there are enough visuals and effects to utilize theater technology well. However, if you want a more traditional space movie and need the lasers, aliens, and tension, this film should be on the home viewing instead.
My scores are:
Movie Overall: 6.0