Descending Further Into Quality

Descendants 2

 

Robbie K here with a little change up.  Instead of hitting the silver screen with this review, I analyze the latest Disney Channel Original Movie (DCOM) to premier tonight.  Our film focus tonight, the sequel to Disney’s latest merchandise extravaganza Descendants.  If you don’t know what this series is about, it focuses on the offspring of the Disney villains and their quest to find themselves amidst a plethora of chaotic assignments.  Like many DCOMs, legendary director Kenny Ortega returns to bring you music and kid-friendly drama that keeps breathing life into Disney Channel.  Tonight, the sequel is back to keep the momentum going and try to retain some quality back to the cable network.

 

LIKES:

 

Villain Kids:  In most movies, the story is only as good as the antagonists to fight and in this case Uma (China Anne McClain) is an improvement over last movie’s band of baddies.  Descendants one tried to reinstate the classic baddies, with subpar casting and actors who semi looked the part. The direction of the movie though put the kids in the forefront and the villains in the back, resulting in rather boring/cheesy performances.  With the kids being the focus, the new villain of Uma gets the focus and development needed, and her malicious planning are nice qualities.  Her second in command Harry Hook (Thomas Doherty) is the enforcer who has some mad skills to bring to the table and actually does something to up the ante in a rather calm series.  With kids at the focus, the doors open wide for more adventure at hand.

 

The Message:  DCOM movies are all about teaching a lesson, and Descendants 2 keeps that time honored magic alive.  Where Descendants was all about not being your parents and marking your own path, the sequel focuses on finding yourself as the main theme.  A good lesson we can all use a refresher on that only loses a little power by the preachy delivery.  Of course, there are other minor plots to help teach a few more subjects on friendship, courage, confidence, and knowing when a rule needs to have a new spin. All good messages for young ones to get bombarded with, and an applause at Disney doing it right.

 

The Story:  The first movie did a nice job introducing all the relationships of the world while embedding it in plots of doing villains’ bidding, but also battling yourself when morals conflict. Yet the story was very simple and lacked the kick that it needed to be fully entertaining.  Descendants 2 was a step up, building on those relationships and using them to tell a new story that involved exploring more of the isle.  The added “suspense” was again a step in the right direction, and the increased urgency only brought more suspense to the mix. 

 

The Songs:  By far my favorite component was the soundtrack.  After seeing Descendants a thousand times over the last two years, I made my list and found only a couple of songs I found timeless.  In this installment, the five out of six tracks will most likely be coming to my Ipod.  The dance numbers were much better for me and they fit very well into the theme of the movie instead of just being jammed in at random intervals ( see Evil Like Me and Ridiculous).  The new soundtrack has edge and really kicks up the beat.  Nice improvements guys.

Acting:  One thing I must give props to though, is the acting.  Descendants cast is super talented and each brings a dynamic energy to the movie that really sparks magic into the DCOM world.  Dove Cameron steals the show with her fantastic ability to direct a character and mold it into a believable performance.  She also brings singing and dancing to the mix that mirrors the emotions present in her character. Cameron Boyce as Carlos has the energy and moves to impress, even more this time with the dance numbers.  Sofia Carson is brains, beauty, and passion with focus on her singing coming out in this movie.  Sofia’s dramatic air somehow brings the group together and keeps the extreme personalities grounded.  Booboo Stewart as Jay has more lines in this movie, and brings that action packed, stunt oriented edge the movie continues to need.  Just maximize his talents more please.  Finally Mitchell Hope does a nice job as King Ben, reprising his well to the full effect and refining it to meet the needs of the scene.  The cast’s chemistry is impressive and Ortega’s guidance keeps things strong, selling the relationships that this movie depends on.  

Dislikes:

 

Dropped plot elements: If you haven’t followed the animated shorts and accompanying books, then this won’t affect you.  However, the super fanbase will note other characters missing from Auradon’s halls.  Many characters are absent in this film, and even those from the first film have been reduced to back burner secondary appearances with little involvement in the main plot.  Audrey, Jane, even Doug are not nearly as involved, most likely to give the newbies more screen time.  Unfortunately…

New elements lacking:  Outside of Uma and maybe Harry, many of the new characters are also reduced to smaller roles than I anticipated.  Newcomers Dizzy (Anna Cathcart) and Gil (Dylan Playfair) have been the highlights of the recent advertising campaign, but sadly don’t do much in this film.  In addition, many of the dramatic buildups, foreshadowing, and magic are actually played less than I originally thought.  Guess dancing and sword fighting are more important than complete plots.  One warning I have for future installments is to not grow so big to drop other characters, or face the threat of devouring yourself by inconsistencies.

Rushed Plot:  Descendants holds a lot of potential to be an epic tale, and that first book by De La Cruz was an epic introduction filled with that potential.  The movies unfortunately have lost that balance and go for the rather rushed conclusions that make many DCOMs lacking.  Number 2 did not improve on this element, but worsened as they tried to shove too many plots into the short run-time.  Much of the conflict is dropped quickly, the tasks and trials are rapidly completed, and new elements are haphazardly dropped without any buildup or heat.  I know they are shooting for time constraints, but with something this big… you can take your time and go a little longer.  Younger audiences won’t care about this, but older ones like me would appreciate a little more dramatic play ups.  In addition, don’t set up potential plots and drop them like a bad habit (see Chad Charming subplot).  That incomplete presentation is a little disappointing with legendary directors in the mix.

 

Anticlimatic ending:  I know, this is a movie geared for younger generations, we can’t have too violent of a fight.  The sword fight did a decent job of bringing the appropriate action especially the tangle between Harry and Jay (Booboo Stewart).  However, another struggle at the end showed off some semi-decent computer work in a very…bland manner.  I can’t reveal much more, but an epic tangle could have come in that wasn’t so…abruptly stopped.  Kids watch lion King, Aladdin, and Incredibles, they can handle more than G rated punches.  Add some “fire” to the mix, or throw in some close calls to mix things up and actually bring fear to the mix.

 

The Verdict:

 

Overall, Descendants 2 stepped its game up on many levels with their villains, story, and songs.  Yet it still succumbs to the modern spin on DCOMs to go for musical gimmicks and diluted themes that while entertaining are not the only sustenance of the film.  Descendants 2 story has room for improvement in regards to integrating its characters more, and could take a lesson from the books in regards to adding some suspense to the film.  Still, it is one of the better DCOMs I have seen in a long time, and certainly the more impressive sequel to grace the small screen.  With a little more work and some other feedback from you fans… Descendants 3 (which I feel will come) can be even more exciting. 

 

My scores:

 

Family/Musical/Adventure/Fantasy: 8.0

Movie Overall:  6.0

Feel Good Movie that Gets the Job Done

The Intern

            Robbie K back again with another movie review. This time I’ll be focusing on the latest Comedy entitled the Intern starring Robert De Niro and Anne Hathaway. These two actors are legends for bringing roles to life, and from the trailers promise to bring their talents back to the silver screen for a heartwarming adventure. Does this movie live up to that promise? As always please read on to find out.

The story of the Intern is a simple tale about two lost people in need of something to help get their lives back on track. It’s plot is very formulaic, lacking any twists or turns to offset the predictable path it follows. Both characters backgrounds are very typical of Nancy Meyers’ work involving some unbalanced, dramatic family dynamic that is in need of some tuning up. Despite the familiar plot dynamic, The Intern somehow stands out from the mire of comedies that currently flood the market. For one, the movie is very relatable and realistic, with characters you latch on to within twenty minutes of the film’s start. Ben (De Niro) and Jules (Hathaway) are characters who have morals and qualities fans of all ages will love, such as diligence, compassion, and rationality that many comedy/drama characters lack. And for once I wasn’t annoyed by characters in a comedy/drama, but rather interested in seeing where their stories would go. In addition, the story kept taking different avenues, mixing up the drama to provide different obstacles for our characters to overcome (much like life), keeping things fresh. The major flaws with this story are small gaps that arise in the plot, things conveniently being settled at a drop of the hat, and some transitions that were a bit to random for me.

But while the story is not the most unique, or exciting for that matter, The Intern does provide a handful of life lessons wrapped in a heart string tugging package. Ben’s morals are motivating, traditional values from a dying generation that are designed to motivate and inspire one to work hard and help others. Jules characteristics are meant to be empowering, breaking the traditional stay at home mom role and portraying women kicking modern day business in the can. While these morals may seem cheesy, and overdone, Meyers manages to deliver them in a very appropriate manner that bypasses the preachy, in your face lessons. Even the romantic dilemmas are professionally portrayed, bypassing the movie magic and instead giving a realistic approach as to how to handle problems. Perhaps the biggest, unrealistic component is the fact that everyone actually listened to them without much resistance, seeing as humans are so open for taking advice these days.

No matter how well a character is designed though, you need an actor to bring it to life, which this assembled cast more than accomplishes. De Niro continues his impressive track record, somehow playing epic characters, yet somehow playing himself. He brings that warm smile that brings confidence and wisdom, no matter the situation. Hathaway as well impressed me, as she wears the multiple hats of boss, friend, mother, and wife. She covers the emotional spectrum and manages to sell the pain and pressure that Jules suffers from. Separate these two are strong, but when acting together they are on an even higher level of quality. The supporting cast is fantastic as well, each well balanced into the grand story to play their parts and provide the laughs we so need.

Speaking of laughs, the Intern’s comedy was a nice break from the overacted and ridiculously stupid stunts many comedies take these days. Instead it is witty, loaded with clever dialogue that is well timed and simplistic and for once not over done or drawn out in length. It branches across the age generations covering topics like love, balancing life with career, morals between old and new generations and bridging the technology gap. Each of these topics was tastefully done, relying on the actor’s delivery to be funny instead of just some stupid catchphrase meant to be posted on memes.

The Intern is not the most unique movie to grace the theaters, and it feels very much like a typical Nancy Meyer’s work. However, this movie throws at a lot of the movie magic and melodramatic drama for a film that is fun, positive, and a good bridge across generation gaps. The little family established in this picture will pull you into movie, and the two hours will fly by as you become engrossed in the characters’ lives. For quality acting and a fun movie, The Intern is worth a trip to the theater, despite it’s lacking of special effects. I encourage many to check it out when it comes out on Netflix or RedBox in the future.

My scores for the Intern are:

Comedy: 8.0

Movie Overall: 8.0