Ambiguity Comes At Night

It Comes At Night


Horror movies, they seem to be popping up at random times during the year.  Why June 9th called for one, I don’t know, but nevertheless… here I am writing another review on one.  Tonight, we hit It Comes At Dark, a movie starring Joel Edgerton.  Based on the trailer, I was expecting a thriller set out in the woods, as our main cast remained isolated in their proverbial fortress of solitude.  And with good reviews on other sites, my expectations further swelled.  What lies hidden in the house?  Robbie K will try to answer with another spoil free review.




Unique Twist: I use the word unique lightly as most stories have been told in the daunting flood of movies.  This film though treks away from the typical presentation of the horror genre, focusing a lot more on character development instead of just on the scares.  It comes at night takes a more artistic explanation, using the metaphorical devices to build up the suspense, story, and spook factor present in the film.  Such an “original” presentation is fun to watch, as the realistic atmosphere adds a little more edge to the movie.


Creepy:  If you’ve read my other horror reviews, you know I like a movie that balances jumps with creep factor. It comes at night doesn’t rely too much on the abrupt symphony blares that shatter the silence, but instead focuses on the creep factor to get under your skin.  The director brought three components that helped deliver the motive.  The first is the use of shadows, letting the unknown hijack your imagination and pain the picture of what lies n the dark.  Have a fear of the night, or at least night in the woods, then get ready for your worst nightmare, because that is what you are going to get. Second is the utilization of subtle sounds to further tease your imagination to create an image of what lurks in the dark. And finally, the realism factor.  It comes at night’s twist could certainly happen and realizing the fact spices up the terror.  That’s right, no over the top monsters, gratuitous maiming, or cheesy over dramatic stories about possession. It’s just straight up creep fest, using simple scare tactics.  Nice job guys.




Slow Pace: It Comes At Night does indeed have a unique twist, but it also opened the movie for a much slower presentation. After a rather tense opening, the pace drops to a snails run as you watched the family work to make a living in this post-apocalyptic world. Like one of the weaker episodes of the Walking Dead, much of the movie involves sequences of chores, upon chores, upon…yep you guessed it…more chores. And given the short run time, I wanted more bang for the buck.  Certainly it develops character (a plus), but without that exciting finish and tension to bring it full circle, the movie dragged and left me bored at times.  Artistic? Yes!  Realistic Yes! Needed all the time?  No!


Frustrating flashbacks:  This movie has plenty of weird dreams and semi-flashbacks trying to tell the story and do indeed build up the tension of the situation.  What is frustrating though is how incomplete these flashbacks are in the grand scheme.  The director had a brilliant idea to tease you with the unknown threats looming in this movie.  Unfortunately, the flashbacks, again, never get to the final answer, and all the extra flashbacks (while a great portrayal of thought and fear) frustrated me to know end at the constant interruption of the momentum and not providing the answer. I get it…that’s the point of this movie, but come on…give us something.


Ending:  The ending is certainly not the typical, run of the mill finish you expect in most spooky flicks.  So, this reviewer gives them props for that originality and significantly hard punch in the face.  Yet again, the director’s obsession with being artistic resulted in an ambiguous ending that drops to black just like that.  After bringing things to a full boil, the big finish fizzles out with a hasty wrapped up conclusion and a silent final scene where nothing happens.  No answers to what has happened to the world. No answers to the unknown factor that led to chaos (no clear one anyway). And no satisfying ending to complete the run.  So unless you just like dark, vague, finales where you are responsible for piecing things together, get ready for a disappointing ending.




It Comes At Night certainly defies the typical horror genre, and finally injects some uniqueness back into the mix.  A fantastic use of shadows and using the imagination to fill in the gaps amps up the scares and truly colors the unique “monster” looming in the woods.  Yet, they went a little too far with this gimmick and the incomplete ending just didn’t do it for me.  Abstract thoughts and artistic quality aside, I can’t recommend this one for the theaters except for those who like psychological analysis of a plot. 


My scores are:


Horror/Mystery:  6.0

Movie Overall:  5.0

Life, or Did They Mean Death?



What is life?  That is a question that so many researchers have tried to answer over the centuries.  And what better way to try and answer that question than with a Hollywood movie production starring Ryan Reynolds and Jake Gyllenhaal.  My last review this weekend is on the movie called Life, a science fiction/horror film hoping to provide the scares of the March season. But will contact with this film give you the chills, or send you running to the ills…with disappointment. Robbie K here with another review. Let’s get started!



  • True Science Fiction
  • Evolution of the creature
  • Creepy and horrifying
  • Good characters


Summary:  We know most science fiction movies fall short of the genre, focusing more on the fantasy element and special effects (Star Wars, Star Trek, etc.)  Life though hits the genre right on the mark, dropping us amidst an international space station where research about Mars is underway.  As the chaos unfolds, the crew has to use their training, knowledge, and science (and not gigantic guns) to try to outwit the beast before it gets them.

And speaking of the creature, “Calvin” as it is called has an interesting design at the start looking like a fungus.  Yet the spores quickly evolve into a deflated looking star fish, and from there began to evolved into a truly destructive creature.  Calvin’s metamorphosis is perhaps the creepiest aspect of this film, as his search for the crucial ingredients (food, water, and oxygen) drives it to savagery (it will make you look at star fish in a whole new way).

Outside of that though, some other factors that brought the thrills and chills start with the realistic setting.  There rendition of the international space station looks pretty close to our own world’s, minimizing the fantasy component to keep one ground in the horror the team tries to present, establishing a feeling that this could happen.  To go alongside this, the other factor is how alone one feels on the station. Much like the first Alien movie (to which this pays homage to), you feel the isolation of the station as if you are the prey Calvin seeks.  This added edge truly brings the horror aspect full circle

Finally, the characters also help amplify the horror component of this film.  It is nice to see the human cast not be a bunch of idiotic, shallow teens for once, but instead educated scientists fighting for survival (while also not being the single-minded buffoons that often take these roles). The cast was dynamic, each specialized but capable of covering their team members should something happen.  Such development led to characters you actually rooted for, instead of against them as we often see in horror films.  And the actors all played their roles fantastically, from Ryan Reynolds sarcasm, to Jake Gyllenhaal’s scary accuracy in someone with social anxiety.


  • Unneeded dramatic opening
  • More evolution of the creature
  • Predictable ending (though nice twist)
  • Savagery of kills


Summary:  A minor dislike I know, but Life’s dramatic capturing of the capsule in the first twelve minutes was really unnecessary.  All I gleamed from this opening was technical displays and a little excitement to get the mood going.  There are probably a few other scenes that could have been left out as well, but these were minor compared to the big stink they made with this opening sequence.

Unnecessary scenes aside, the other thing I would have liked was more development into the creatureDon’t get me wrong, the final form was creepy, but after all the changes happening in the beginning (which were a stretch mind you), the team suddenly brought it to a halt.  Yes, they tried to explain it via “science”, but this abrupt halt just broke pace/balance the movie was establishing, which felt a little off for me, right down to the end.

Speaking of ending, Life’s trailers hint at what the conclusion is, and based on my observations I had a good idea where it would go.  I wanted things to be different, but sadly the ending can be predicted within 30 minutes of the show time (assuming again you haven’t watched the trailers).  Albeit there was a nice twist to try and throw you off, Life’s directors didn’t go the full distance to prove my observations wrong.

Yet the biggest beef I have with this movie is the dark, disturbing, savageness the directors instilled. If you’re a fan of watching gore filled deaths, suffering, and depressing looks this movie will send “out of orbit”.  For me though, these moments only take away from a movie if done too much or in the wrong manner.  My biggest strike comes from the graphic death of a lab mouse (which broke my heart as most animal cruelty does).  That’s only the start of Life’s grotesque hunt as Calvin finds disturbing ways to attack the band of researchers in immense detail. Why the directors felt the need to focus on such disturbances…I don’t know, but in this case less would have been more, as the first Alien flick did long ago.




Overall, Life is one of the better science fiction, horror films I’ve seen in years.  It drops the grandiose serial killers and idiotic victims, and upgrades to an adapting monster hunting intelligent people. This realism crafts a more suspenseful tale that kept me engaged, while crafting that horrifying atmosphere I love.  While most of my dislikes are small, the mutilation involved, alongside some scientific imbalances, really didn’t impress me in this movie and the predictable ending didn’t necessary wow me as well.  Is this worth a trip to theater?  If you are looking for a good horror film, then by all means hit the theater for it.  As for weak constitutions, skip this one and save some time.


My scores:

Horror/Sci-Fi/Thriller: 8.0

Movie Overall:  7.0

Should you “Get Out” and See This Film?


Another February weekend, another time for a horror movie to hit the silver screen. Tonight, my review is on Get Out, a simplistically titled tale that is from the mind of Key & Peele’s Jordan Peele! How well does a film directed/written by a comedian fare, as always, it’s my job to share some thoughts, insights, and opinions on the latest film. So, stay in, grab a drink and read my thoughts on this “epic” film.

LIKES: • Good Central Character • Comedic Relief • Well-Paced • Decent Story

Summary: It’s always good to have a character you can grip onto if you are going to watch them face the nightmares of this film. Chris is one of those protagonists that fulfills that role containing all the elements you want in a character: backstory, level headed decisions, not annoying, etc. Daniel Kaluuya is certainly one of the better horror genre actors, and portrays his role in a manner that doesn’t want to make you roll your eyes, outside some emotional flatness the team made him portray. Yet the other actor to steal the show (not based on looks) was LilRel Howery as Rod the TSA. Rod’s scenes are purely comedic, serving to relieve the tension the movie builds up and keeping it decently integrated into the story. These scenes, in addition to lightening the mood, keep the pace of the movie flowing to avoid that prolonged dragging feeling that many horror films seem to have. Such a pace kept the film interesting to me by keeping the suspense at a maximum. Perhaps the biggest strength to me, is that Get Out has a decent story laced with some originality. While not the scariest tale to hit the screen, this film has some hot topics built into the story (primarily racism and its wrongdoings) that go alongside the character building moments of the story. In addition, there is a nice twist to the tale, which may please many fans of this genre.

DISLIKES • High Political Points • Unnecessary Scenes • Not scary • The ending being a little too easy

Summary: While Peele’s writing is certainly impressive, tasteful, and clever at times, it also falls victim to being overly political for me at times. Get Out has many scenes were the extras throw the multiple judgmental stares, the rude, overstep their boundaries with too personal (and insulting) questions, or out of the way monologues about skin color that were more eye-rolling than necessary. It’s not that I don’t believe this issue exists, I just grow tired of directors deviating from the cleverness and pace of the story to make a point in these movies. Another unnecessary deviation was some of the comedic relief moments. Don’t get me wrong, Rod’s comedic relief was very welcome and had some of the best dialogue presentation of the film. However, there were moments where his scenes felt out of place, randomly thrown in there where they felt more like an SNL intermission than being pertinent to the story. Guess a comedian can’t fully drop his roots.

His comedic background may also be the reason this movie wasn’t too scary either. Again, Peele has done the genre justice in terms of making a thriller with a decent plot that has some substance to it. But this movie failed to scare me at any point of the film, outside of maybe a few creepy stares from the brother or other staff. I think Peele tried to make it creepier from the realism aspect, but outside of that the jump scares were poor, the extras presentation was more annoying than scary, and the theme of the movie takes a different twist. Finally, when the movie reaches its exciting climax, Peele’s writing definitely leaves you feeling fulfilled on many levels. However, much of that ending seems to be a little too conventional that takes away from what he built. Things happen in random succession and there are a few moments where logic (and realism) are dropped like so many hot potatoes it again becomes more humorous than fun.

The Verdict:

Despite my doubts, Get Out is a movie that stands out (in a good way) from many of the horror movies unleashed in the last few years. I always find value in a film has a good central character that has development and a well-paced, intriguing story to support it. In addition, while the comedy does have its out of place moments, the comedy is also a welcome diversion to make you laugh, fortunately in a manner that isn’t overly stupid. However, if you are looking for a movie that will haunt your dreams and make you jump, this isn’t the movie for you. Whether it is the lack of scare tactics or the overly political moments, Get Out’s horror aspect is highly diluted in this film, feeling more like a mystery than anything else. Worth a trip to the theater? I’m on the fence about this one, but I have to say wait on this one until it hits home in a few months.

My Scores: Horror/Mystery: 7.0 (mystery element) Movie Overall: 6.0


A Ring Story, Without the Scares


            Seven days!  A simple phrase that struck terror in our hearts oh so many years ago.  Certainly, you know I’m talking of The Ring, the horror movie about a death delivering video tape certain to scare you to death.  Samara’s tale has fallen on to the backburner for some time, but like the cursed video, the series has resurfaced to the modern world to once more have you cowering at your screens.  Will Rings live up to the potential?  Robbie K here, once more sharing his opinions on yet another film.  Let’s get started.



  • Decent acting
  • Nice blend into the modern era
  • Strong story for a horror


Summary: Okay, this movie is certainly not going to win awards for best performance, but Rings’ cast has some skill in their performances of college kids plagued by an evil spirit. Matilda Anna Ingrid Lutz and Alex Roe are the leads of this tale, doing a great job of balancing romance and detective work, finally a power couple who wasn’t annoying.  And Johnny Galecki trades one nerd role for another, though this time his scientific qualities had a little darker twist to the mix.  Overall, the cast gets a pat on the back for establishing some good characters to hook on to.

Yet the major things this reviewer liked involved the story components of the movie.  Rings has jumped into the modern area, dropping the outdated VHS tapes for modern day MP4 files.  It will help bridge the generation gaps, and add a new element that the other installments were missing.  And the story was much stronger than I anticipated.  Rings has more mystery to it, trying to find the answers to the elusive mystery of Samara’s origins.  Where it fits in the grand scheme of things is a little up in the air, but at least there is some character development and drama to spice things up.  And as for the ending, it too is a little ambiguous, providing some delightfully dark closure, but still leaving it open for future installments.  Not the strongest finish, but also not bad.



  • Scare Factor at A Low
  • Some plot elements lackluster
  • Not the same Ring


Summary: Rings story may be on target, but the scare factor still didn’t reach the same levels that the first movie was able to achieve.  This installment resorted to jump out scare moments, mainly trying to make you jump with sudden loud noises and hallucinations appearing from out of nowhere.  Many of these moments weren’t well timed, and to be honest many of the objects just weren’t scary.  Think of the first film and how creepy everything was, the unknown always teasing you until something sprung out of nowhere. All that was very diluted in this installment.  Even though they finally show you how she kills her victims, the team didn’t quite make it as horrifying as I thought it would be (think ghost rider’s soul stare without the flashy fire).  Rings was lacking this element, and had more of a mystery theme to it than an actual horror.  In addition, there were also some plot elements that didn’t shine as much as they wanted. For this reviewer, there is still some questions they still haven’t fully answered that you have to draw yourself.  The bottom line of the dislikes is that Rings didn’t quite hit the same level the first movie had all those years ago.




In conclusion, Ring is not so much a horror movie in this round, but a mystery film about uncovering the origins of Samara.  While the cast is decent, the story is mostly thought out, and we have some answer, it still didn’t feel like the Ring series we’ve come to know. If you are looking for a movie to scare the pants off of you, sorry this isn’t the film to do it. And you can probably guess, but yours truly doesn’t recommend this one for the theater and implores you to wait until it hits home rental stands.  Only people who might enjoy this one in theater are those who care about the story element of the movie, but I still think you can wait for home (I mean we have been waiting twelve years for this one right?). 


My scores are:


Drama/Horror:  6.5

Movie Overall: 5.0

Shyamalan’s latest Movie Is Not A Splitting Headache



No please not that, anything but that!  This might be the screams you hear when another M. Night Shyamalan film rolls into theaters.  The man who started out so strong, only to fall so far has tried his luck at horror once more in the featured film Split starring James McAvoy.  Will a movie about split personalities kidnapping girls be the step he needs to climb back to top notch director, or will his movie be laughable at best?  Robbie K here with yet another review, and as always I appreciate your reads.  Let’s get started!



  • Creepy kind of horror
  • Decent plot to keep it interesting
  • Complex morals
  • James McAvoy



Fans of my reviews know creepy horror is better for me than jump scares, and Split is a prime example of spine-tingling chills.  Shyamalan and his crew get incredible effects from such simple tactics, using isolation, subtle piano background music, and gradual information revelation to keep you in suspense.  By using a believable human as the monster instead of some cheesy creature, the creeps are only further amplified by how horrible such a thing can be.


But scares alone don’t make a movie and Split does a decent job of crafting a tale to keep you hooked into the movie.  While certainly not original, Split’s plot is a culmination of smaller stories that detail the background info of a majority of our characters, helping to develop them in the short run time.  All of these tales have a moral twist to it, but one story in particular raises an intriguing concept that may provide some food for thought, or at least an ethical dilemma for future talks.


However, the piece de resistance is the leading actor James McAvoy who carries much of the movie.  The man can play multiple personalities well, tweaking his mannerisms and dialogues in subtle ways to craft an entirely different identity. His talents, as well as the direction, kept all his characters in the realistic zone, which while creepy, also made engaging characters to grab on to. There are few actors to which I could see doing the spectacular job he did.



  • Predictable Story
  • Trailer has shown much
  • Don’t see all the personalities
  • Mixed on the ending



Despite the story being very well-developed for a horror story, it also isn’t the most unique either. Outside of the twenty-three-personality quirk, you can guess much of the backstory of each character and where the film is going by about the 30-minute mark. Part of the predictability can be attributed to the trailer revealing a lot of key details in the short collection of scenes, including the big revelation at the end.


The trailer also harbors on the twenty-three personalities, but in reality, it’s more like four with a few cameos from the others.  While this isn’t necessarily a bad thing (as too many personalities could be very sloppily done), it also was a wasted gimmick. What do I mean by this confusing statement?  I mean, why make twenty-three, instead of say ten, or even five? What was the significance of twenty-three outside of a nickname if you weren’t going to integrate all of them?  This dislike comes from the trailer’s focus on high number only to once again let it fizzle out.  And as for the ending, it’s a very open-ended finale that leaves a lot of questions up in the air.  Perhaps the potential sequel will answer these components, but only time will tell.




Split, to my surprise, was much better than I thought and was a horror movie worthy of the franchise.  If you are looking for realistic chills, a satisfying plot, and fantastic acting of someone with a mental health disorder then certainly check this movie out.  In fact, in regards to the horror genre I would warrant this movie earns a trip to the theater.  However, as a movie overall, it still has its shortcomings, especially in regards to the twenty-three-personality gimmick.  Yet one thing is for certain, if Shyamalan can continue this trend he may fall back into the favorable director field once more.


My scores are:


Horror/Thriller: 8.0

Movie Overall: 7.0

Insidious Meets Inception: Original But Not Spectacular


            Ahh Christmas, a time of giving, good will, peace, and evil spirits. Wait… what?  Yes, it seems that the first weekend of December is a time to release films involving demons, ghouls, and whatever apparition you can think to open the holiday season.  This weekend, the name of the film is Incarnate, starring Aaron Eckhart, Catalina Sandino Moreno, and David Mazouz (among others).  Haven’t heard of it?  Don’t worry most haven’t, but nevertheless I’m here to inform you on the latest films to hit the silver screen. Here we go!



  • Plot based horror
  • Eckhart’s acting
  • Decent Thriller


The horror movie genre is not known for having the greatest plots, and often has a frail story to give purpose to the scares.  Fortunately, Incarnate has a more original tale to help it stand and one that isn’t too shabby.  I can best describe it as Inception meets a horror movie, where Dr. Ember (Eckhart) is able to dive into people’s subconscious to exercise demons.  While certainly cheesy, this twist adds a bit of mystery and thrills to add some excitement to what has been a tried and true formula.  This tale has some decent character development and establishes some rivalries that help keep you engaged into the movie as Ember tries to put his demons to rest.

Of course, much of the movie relies on Eckhart’s acting skills. Most know that Eckhart has a limited emotional range he can reach, and he still hits the same gruff, solitary moping that he always portrays. It works in this film, as Ember’s back story promotes his depression and single minded goal of eradicating the darkness at hand.  He sells the suffering and rage built up in him all while making you empathize the trials he has to face.  In addition, his confidence and ability to break the rules makes his character the antihero you love to follow.  Not bad for a main character to which the movie relies on.  The other characters work very well in their roles, there just wasn’t much to go on.

Finally, the movie treads more down the thriller (and somewhat action path) then the horror path.  Incarnate’s tale focuses on the character drama and story than the actual scares, though it does have a few good jumps at times.  The horror element comes in the theme of the evil spirits and possession, but outside of that really focuses on trying to entertain you with thrills and engaging characters.  So, if you’re looking to be scared out of your pants… sorry to disappoint.



  • Not scary
  • Very rushed pace at times
  • Shallow Character development
  • Other characters shafted
  • Demon design


Again, the movie is lacking in scares and the jump scare moments are very predictable/unoriginal in this tale.  Most of the time it’s the sudden blaring of music that will have you jump, eventually being dropped to the background.  In regards to the creepiness, this film can’t help you there either with only the deep seeded voice and a few soulless eyes being the tools to unnerve you. Like I said, the movie focuses on thrills and plot than scares.

And despite that focus, Incarnate’s directors and writers had a good start, but they didn’t take it to its full potentialFor one thing, the pace becomes very rushed at times, a few sequences being so dramatically built up only to quickly end in a bang, crunch, or loud scream. The rushed pace robs the film of the suspense it desires, but also limits the amount of character development. Yes, we get insight into Ember’s backstory, but other parts of his past are left unexplained.  As for the other characters, there tales are either nonexistent, or so simplistic/formulaic that the characters didn’t need to exist in the film. His fellow workers, the mother, and even the demons would have benefitted from some more thinking time, before putting this film out to press. Perhaps the potential sequel will enlighten us more on their lives should it come to pass.  In addition, some of the plot explanations behind the science were laughable.

Speaking of the demons, don’t expect any top notch, award winning monsters that will make you pee your pants or stay up late.  Much of the creatures are reduced to blood shot eyes, or human avatars with dark black eyes that are a little freaky.  I had hoped that there would be a little more sustenance behind these creatures, especially with their importance to the story.  The big, bad leader of the bunch gets a lot of hype, and good news is you get to see it at the end… or parts of it.  Rather than reveal the entire demonic spectacle, they decided to show very little of the demon’s true form.  Why such small portions with such hype?  I don’t know, but it was annoying and kind of stupid in my opinion.


The Verdict:


Overall, Incarnate was a nice surprise in how much story there was in the holiday horror.  Perhaps it was my low expectations going in, but the film had some good thrills to get this last month going.  However, it needed more time, development, editing, and creepiness to truly obtain the masterpiece they were shooting for.  Perhaps the impending sequel will make up for the limitations, especially if the cliffhanger at the end is any indication.  Regardless, Incarnate is a film left for the RedBox, and your money is better reserved for the films coming out later this month. 


My scores:


Horror/Thriller:  7.0

Movie Overall: 6.0

The Board Would Say Yes to this Movie Being Creepy and Better Than the First


            You remember the movie Ouija? It was a stupid, boring film, with the only redeeming qualities being a short run time and a pretty cast (sorry if I have offended anyone).  However, there must have been enough interest in it to warrant Michael Bay to produce another movie about Mattel’s popular spirit connection game.  Based on the trailers though, it seems they might have learned their lesson when making this prequel and taken things back to the scary side.  Robbie K here, and tonight I’m reviewing Ouija: Origin of Evil. Let’s get to work.



  • Creepy
  • Well-developed story
  • A Halloween thriller


The last movie tried its best to scare us with corny jump scares, one spirit we barely got a glimpse of, and a too beautiful cast of spoiled teens to kill off.  Good news, they threw all of that out, only salvaging the forgotten names of spirit’s family and the creepy house it took place in.  Set in the 70s, the scare factor of this film comes in many forms, which will surely send tingles down your spine, or at least give you a disturbing feeling that something is lurking in the walls of your theater.  The creepy little girl will bear the brunt of load with raspy whispers, an innocent (but oh so sinister) smile, and that high pitched voice that always is disturbing in possessed kids. Origins also has plenty of things lurking in the dark, bodies distorting to the paranormal, and a few jump scares to balance the load. The directors build up the scares in this flick, while keeping your skin crawling.

Even more surprising is how the scares are integrated into a surprisingly decent story for a horror movie.  Origin’s plot starts out like most other films as a family struggling to make it after a life altering event.  Somehow they stumble into the Ouija board and, what do you know, bad things start to happen as they mess with the spirit world. It’s not original, but it is miles better than the original plot. The mystery behind Doris’ transformation is pretty messed up and can be described as a mashup of poltergeist meets malicious science.  While cheesy at times, the tale fits in well with the Halloween spirit, including an ending that will thrill you darker ending fans.



  • Hardly get to see the ghost
  • Not much suspense
  • Rather rushed at times


In a horror movie, less is often a good thing as the imagination can paint a much scarier picture than make up can.  Still with all the alliteration, I would have liked to have seen more of the malicious spirits that dwelled in the walls. Oh sure you get a decent, if not awkward scene of the black specter, but I had hoped the digital shroud of darkness would morph into something more gruesome.  Either that or at least more screen time that extend past milky white eyes.

The limited screen time of the ghost pales in comparison to the lack of suspense in the movie.  Much of this is due to the fact that the ghost just paraded around in the skin of a young girl, which while creepy wasn’t as threatening.  The spirit’s goal was also never really explained, and what little light was shed did little to impress or hype up the story.  A few bouts got the heart pumping, but they fizzled out like a Fourth of July firework in the rain.  And since we already know how the events will turn out, the only thing I looked forward to was seeing how everything came together.

As for the story, it has a good, malicious backbone, but needs some finessing to help bring it to the full potentialThey burn through much their plot at rapid speed, spending little time to draw out mystery or provide opportunities for the characters to develop. All so they can cram in more of the little girl defying physics and looking malformed .  While creepiness is what you are going for, the lackluster climax packs little punch and leaves you wondering just how many times can a character get thrown across the room without breaking a bone.  But despite the rushed plot and dull edge…Origins plot is still miles ahead of the game if not a little inconsistent should you remember the original’s plots.




Despite all its faults, Ouija origins is the creepy Halloween horror of this season.  The eerie atmosphere, insidious ghoul, and disturbing manipulations will get your skin crawling and the story isn’t half bad either.  Improvements aside, Origins still has some work to do in order to reach the greater heights it strive to achieve.  More plot development, a little more threat tagged on with the spirit, and some deeper suspense are required if they choose to make a sequel.  And if any developing directors read this review, make sure to cast the little girl again…she is a valuable asset.  Is this worthy of a theater visit?  I suggest you wait on this one, and revisit a classic this Halloween.


My scores are:


Horror/Thriller: 7.0

Movie Overall: 6.5