Oh Mother, Where Art Thou?

mother!

 

Horror movies continue to be a popular trend in Hollywood.  IT’s successful launch last weekend, surely inspires the trend to continue, so what the heck put out another one this weekend.   Jennifer Lawrence takes center stage in what looks to be a psychosocial thriller to usher in a new age. Will the artistic styles of Darren Aronofsky be a welcome change to the milieu, or does its odd premise promised in the trailers might dive too far down crazy town to enjoy?  Robbie K happy to fill in some gaps with another review.  Let’s get started.

 

LIKES:

 

Unique vision:  Call me crazy, as many people do, but originality is something difficult to come by these days.  Mother, certainly gets points for standing out, not only in the bizarre presentation and mind messing visuals, but also in the symbolism represented in the story.  Amidst the mystery, drama, and other oddities in the film, one will get their fill of morals in that artistic manor Hollywood loves. One certainly won’t forget this movie, or its…originality.

 

Acting: The chemistry between Javier Bardem and Lawrence is perhaps the biggest selling point of this movie.  Much of the mystery comes in the tension between the two protagonists, Bardem’s deceptive nature and double speak is on point to keep you wondering what is going on.  Lawrence’s curiosity and desperation kept me intrigued as to how far she could go, before breaking and challenging his words.  It’s a relationship dynamic brought out in spades, further leading you down the rabbit hole into the mind meddling to be had. In addition, Lawrence also knows how to sell psychotic with screams, tears, and just enough raspy voice to sell suffering.

 

Prosthetics/makeupGrasping for straws here, but the team did a nice job with the prosthetics at hand.  Injuries that arise look festering as if plagued by infection illustrated in text books. The degrading house seen in the trailers is only further detailed in the shots, black marks and degrading wood in all its glory. And Lawrence’s pregnant belly is flawlessly blended into her normal skin, creating the roll that she could pop at any point.

 

DISLIKES:

 

Slow: Forgive me, but horror movies often move quickly to get to the scares at hand, even though they sacrifice story.  While mother has a story…it moves dirt slow to the point of inducing sleep in the movieThe drama aspect takes more precedence than anything, and unfortunately it is dragged out relentlessly to the point of being annoying.  This snail’s pace doesn’t do much for the quality of the movie, despite building up suspense for something never to come.

 

Not Scary: Aren’t horror films  supposed to be scary, or at least try to get me to jump?  Mother failed on this aspect much of the time, resorting to a few loud noises and people sudden turning a corner as their fright factor.  The tactic grew old and soon became nothing more than a ploy to try to salvage scares.  For me, the creepiest factor was seeing humans devolve into selfish, unthinking cretins makes me fear for the future.  Outside of that though, not much got me on edge for this movie.

 

Editing:  I stated above the pace was slow, but that’s because there was too much unneeded details for most of the movie.  The drama was dragged out, the weird concepts were even longer, and there were a few scenes that I could have lived without and been just fine.  Editing needed to jump in and get rid of some of this fluff, because it didn’t work for me at all given the lack of scares. Yet, their hands were tied by the fact the writer was also the director.

 

The Story:  All the symbolism and artistic presentation doesn’t save the audience from an incoherent story. Mother has a lot of weird subplots in it, many of which held little relevance to the overall plotAdditionally, there are lots of gaps in the plot, unless you like theorizing and reflection on the plot, because that’s the only way to fill in the vague data points.  The writer got so centered on its uniqueness, it didn’t close the story the best I think they could do.  Questions are great for discussion, but I like my films with a little more explanation than what I got in this film.  And when you draw most of the conclusions…you can’t help but say, “Really?  That is what this is?” Which reminds me….

 

The Weirdness:  Mother started out artistically weird, but as the movie hit the halfway point it dove deep into the tortured artist route.  What didn’t make sense, quickly turned into a trippy, random display of negligence and rudeness, mocking the modern human while deterring from the mystery.  Soon rapid time progression and sequence changes led to even more head scratching moments, that continued to shock me further to the point of asking what I was watching. The obscene violence and darker phenomenon only grossed me out, and again seemed pointless in the grand scheme of things.

 

 

THE VERDICT:

 

Mother is artistic and unique, I’ll give it that, and certainly makes bold statements about a lot of cultural quarrels plaguing our world.  But outside of that, it’s not so much a horror movie as a though provoking, psychological thriller.  A slow pace, trippy visulas, and just overall weird atmosphere, does not make for the best horror movie.  So, if you had your hopes up for this one, do yourself a favor and skip this mind bender until it hits home theaters.  Go see IT again instead. 

 

Scores:

 

Drama/Mystery/Horror:  6.5

Movie Overall: 4.0

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Set Sails For Calmer Waters: Pirates 5 Drops The Sword For The Comedy Pen

Dead men

 

Avast ye scurvy scoundrels, it be Captain Robbie of the S.S. Review, sailing the seas of the cinema in search of the treasure known as a good movie.  Alas, this weekend Admiral Bruckheimer’s armada set out on a fifth voyage with Captain Jack Sparrow (Johnny Depp)

taking the wheel once more. Will this adventure be smooth sailing and reward us with a crown jewel, or will we be drowned in the sea of sorrow at another hand me down adventure? Yo Ho, Yo Ho, A pirate’s life for me, drink up me hardies, sit on your captain’s chair and read my thoughts on Pirates of The Caribbean 5: Dead Men Tell No Tales.

 

LIKES:

  • Character Centered Story
  • Acting
  • Special effects
  • Soundtrack
  • Comedy

 

Summary: When it comes to the plot of these movies, one never knows if they’ll find gold or mere rocks. The fifth installment is fortunately back on the path to good storytelling, focusing on the characters instead of well… immortality. Among the number of scallywags, we get some background on about five of the cast, each with a unique angle to help them stand out.  While certainly not the best story, it is miles above the mess number four was.

The story is a nice component, but the acting is really the aspect that brings the pirate’s life to well…life.  Newcomers like Brenton Thwaites and Kaya Scodelario are a welcome addition that have spunk, class, and a number of other qualities that many will latch onto, (especially the cute factor) and they aren’t bad to look at either. Scaring is way into another antagonistic role, Javier Bardem brings his bag of tricks back to the screen, including the suave accent and cantor that oozes evil.  Of course the main two you are probably coming to see are Geoffrey Rush and Johnny Depp, the legendary captains we fell in love with in the first movie.  Rush is incredible, bringing the sea saltiness and arrogance that is the famous Captain of the Black Pearl.  Depp on the other hand is as enigmatic as ever, capturing the goofiness, lackadaisical attitude of Sparrow with a dash of heroic charm.  Together, the two actors lead not only the character development, but the comedy.  Yes Pirates 5 certainly has the laughs in spades, using every in their arsenal to get a chuckle.  I loved the clever word play, idiotic banter, and comedic timing in this movie, which helped relieve the darker aspects of the film.

Of course, it wouldn’t be a pirate’s movie without incredible special effects.  Yes Disney and Bruckheimer combined their studios to bring the magic back to the screen. Chaotic maelstroms expand across the vast screen, as ships sail across dead infested waters, firing explosive cannons at the specters that haunt the blue.  The journey is certainly beautifully illustrated in a mix of art and excitement, all under the unifying banner of the epic orchestra work we all have come to love.

 

DISLIKES

  • Still shallow story
  • Action scenes somewhat bland
  • Lack of suspense/Simplistic end
  • Worthless cameos

 

Summary:  Alas, despite the jewels that sparkle in the distance, the story still needs some work.  With five main stories, each a different motif to quest for the elusive item, the plot gets spread thin and deprived of real sustenance into the character’s history. Sure, one of the stories has more bite than the others, but this Pirates took a hit in the rich depth we have come to expect. Therefore, the bland characters were lacking at times and not as strong as I had hoped.

Even more bland are the action scenes that they tried to bring to the movie.  Don’t get me wrong, there are some beautifully animated battlegrounds in the movie, it’s just that they lack the same sting I feel in love with.  Where were the epic sword fights between two swashbuckling men amidst dangerous landscapes? Where were the notorious ship to ship battles where a well-placed cannonball and evasive maneuver meant the difference between life and death? And where was the suspense and thrills that kept me on edge all those previous installments?  I’m not sure, but Pirates 5’s action scenes were malnourished forms of battle I loved, with many scenes reduced to pan over shots of extras fighting CGI enhanced ghosts. A few scenes were gaining the potential to be awesome, but comedic relief set in and reduced it to some quick ended scuffle that quickly turned to running.  Glad to know our pirates could have run track.

And finally, the cameos.  While certainly a great tool for nostalgia, most of the cameos were shallow shout outs to the characters we have wondered about.  It allows for some neat little tie ups at times, but these less than 5 minutes screen appearances were missed potential.  Only Paul McCartney, the legendary beetle, was able to pull off an appearance that was worthy of being included… well done Paul.

 

VERDICT:

 

Pirates 5 took a step in the right direction with its returned to character driven story, comedic style, and special effects that scream pirates. However, it still has room to improve to get back to the glory of the first film.  It’s unbalanced at placed, and lacks the excitement of the battles, or an exciting conclusion at all to wrap up the supposed final entry.  Seems they wanted more of a comedy than anything else, and one will certainly enjoy the laughs, and most likely the movie, if you go in for the comedy over everything else.  Worth a trip to theaters?  I’m sure you would still go regardless what I said, but the special effects are certainly worthy of the theater’s sound and video. Yet you could still hold off on this film and check it out at RedBox, because this finale sets up the series for yet another installment.  Finale chapter my butt!

 

Scores:

 

Action/Adventure/Fantasy:  8.0

Movie Overall: 7.0