What Lies In These Dark Waters? Tune In To Find Out

Dark Waters Poster


What does it take to take on the mega corporations of the world?  The answer can vary in many ways, but often it takes a will power for some unknown to try and change the system.  Tonight’s movie is a shining example of that character, one that to this continues to fight against the travesties of the big corporations that seem to run our country.  Such a movie may be cliché by now, but as always I’m here to go over the usual factors and give my opinion on yet another movie.  So with that, let’s get cracking as we review:


Dark Waters (2019)



Todd Haynes


Matthew Michael CarnahanMario Correa  |1 more credit »


Anne HathawayMark RuffaloWilliam Jackson Harper




  • Pacing
  • Travel Through Timeline
  • Good Details Of the Case
  • The portrayal of the Mind
  • Focus On Other members Of The case
  • The Drama On One Level
  • The Acting



  • Animal Killing
  • The Dramatization On Other Point
  • More Behind the scenes of Dupont for completion sakes
  • Elements introduced that were Not Utilized
  • More Anne Hathaway




A biographical drama always faces the challenge with me of being complete and staying entertaining and Dark Waters delivers this for me.  The pacing for the movie works at just the right speed to hit the details without making me feel bored.  Much of this has to do with the presentation of the movie, a nice travel through the 15 years of case busting that Robert Bilott partook in the late 90s to early 2010s.  One will be subjected to multiple facets of the case, getting to see his discovery of each level of corruption in his pursuit of justice against the companies they once represented.  While this may not be the Law and Order intensity television has established, the case has enough believable details with a balance to the drama to help make this important case as thrilling as possible.  That movie magic spices up the fact-finding mission, making sure to integrate other parts of the case such as the farmer who started the investigation, neighbors who started gaining confidence to stand up, and even the law firms that Robert worked for.  Such layered approaches help immerse you into the whole event, rather than selected facets that sometime these movies take in their telling.  An even deeper level though, is seeing the effects of the mind such a stressful case brings with it.  Roberts descent into bringing justice was certainly admirable, but the impact on his personal life, career, and mental health were well-integrated into the mix, helping amplify the internal mind of the worker, and adding to the obstacles of the case.  Yet, most of these aspects are brought to the forefront thanks to the acting of the cast.  Much of this weighs on the producer and lead actor Mark Ruffalo who gets most of the screen time, has to handle the multitude of emotions and physical acting required of this franchise, and finding a way to really keep it believable.  Hathaway as well gets her role down pat as the supporting character who has to make sacrifices of her own, keeping the family running while Robert becomes engrossed in all the literature.  Her skills as the stressed character being pulled to the brim between justice and survival is again super balanced, and again adds extra impact to fulfill the story.  Others get their roles down, but I need to move on to the next part of the review so we’ll do just that.


Despite as much of the movie I liked, there were still some things that were not quite my cup of tea.  For one thing, animal killing is one of my weakness when it comes to movie.  While not the worst or saddest thing I’ve seen, there was a scene trying to emphasize the problems with the water that hit me a little more than I wanted.  I would have liked this scene filtered a little more, but hey you got to have a dramatic flair to liven things up.  That brings me to the next limitation for me, the potential overdramatization to which Hollywood can sometimes inject.  To help add splendor you’ve got to put some extra emotion to the mix, but there are times where the dramatic moments are a little too obvious or forced for me.  These cheesy moments sort of took away from the splendor of the moment, but it could also just be my tolerance level is low for these things.  Anyway, the other thing for me is the movie’s incomplete focus of all aspects of the cases as my main limitation.  For one thing, the ruthless Dupont organization gets a good intro to the madness, but much of their interference is behind the scenes through dialogue instead of on camera where one could get the ugly side to come out in full force.  Perhaps it’s because their part can only be speculated, but this might have been the better place to introduce the drama feature of Hollywood.  Other areas that seemed a little lacking were other people being introduced, but then sort of dropped into the wings of obscurity.  A random colleague striving for partnership, another about being pregnant, the grandmother and this supposed tension of his mom with his wife, were some elements alliterated in the dialogue, only to die off like the cattle in the trailers.  It’s a shame, because this could have further enhanced the development, but I guess books will provide those details.  Finally, more of Hathaway’s character was needed for me, especially given the integral cog she played in him getting the case taken care of, while also keeping the home life in order.  I’d have liked to get more of her perspective and allow Hathaway’s talents to shine even more so even if it cost another ten minutes of viewing.




            Overall, Dark Waters delivered the story I had been wanting to see in the form of a biographical drama.  A thrilling case that took years to build is given great detail to help explain everything happening, while also moving to keep you engaged.  The acting and multiple aspects really do the film justice and give everyone the chance to act to their top game.  It’s true it still is subjected to overdramatization at times, but it’s kept in check to keep things spicy and appeal to the drama seeking nature that is humanity.  I’d have liked a few more elements added to give a better visualization of the corrupt companies, while also giving Anne Hathaway more time to shine, but overall I’m very happy with this.  I feel this film will go under the radar, and to be honest, only the engaging story and acting will attract a theater watch for most.  However, if you are able to catch this at home or Redbox take the 2 hours to uncover the revolutionizing story that is still going on today. 


My scores are:


Biography/Drama/History:  8.0 – 8.5

Movie Overall:  7.0

Do You Hide From This Film Or Seek It Out

Ready or Not Poster


Robbie K back in the trenches for another movie review, this time looking at yet another horror movie to hopefully bring with a number of warped imaginations to life.  Some of them bring us into the disturbing zone and leave us scarred, others manage to be quirky cult thrillers that lead to endless sequels, and others are so bad they somehow stay good.  Tonight, the horror movie looks to be a hybrid of a thriller meeting said horror, with promise of being a romping good time.  Yet, the trailers can certainly be a mask for something else.  Read on to check out my thoughts on:


Movie:  Ready or Not (2019)



Matt Bettinelli-OlpinTyler Gillett


Guy BusickRyan Murphy


Samara WeavingAdam BrodyMark O’Brien




  • Good Acting
  • Decent Suspense
  • Pace
  • Quirky
  • Funny
  • Lives Pretty Close To What The Trailer Promises



  • Predictable
  • Not Scary
  • A Little Too Silly
  • The Ending Sort Of
  • Focus On Blood at times



We get that these types of movies often do not have the best acting, but in this film the cast actually brings some effort into making believable characters that aren’t too annoying.  My lead is Samara Weaving who has the comical role down, but Adam Brody is a solid second actor to craft the believable brother struggling to handle the situation before them.  As the rest of the cast plays essentially sadistic players in the mad games of chance, these carbon copy roles are all about trying to bring the suspense factor to the movie.  Ready Or Not achieves the suspense decently, keeping a nice pace to keep the action going and the horrors at least coming.  Thus, the thriller aspect is very well achieved in this movie.  Yet, another element that I liked was the quirkiness of this film, primarily in the form of the presentation.  Ready or Not is one of those movies that manages to find a stride with the cheesy gimmicks, putting a comedic spin on things without being too forced in your face.  Perhaps it’s the subtle comedy of the overzealous aunt, the clumsiness of the sister, or maybe just the reactions of the main character Grace, but there is something in the writing and presentation that makes it just fun.  As an added bonus, the film also manages to achieve pretty close what the trailer provides, leaving some surprises to enjoy, and yet still not diverging down the pathways it could have taken.


In regards to dislikes, the predictability of the movie is okay, some parts due to the trailers and other parts laid out in writing with heavy foreshadowing.  This predictability not only ruins some of the surprise, but it also diminished the horror element of the movie as well.  Ready Or Not’s thriller is the selling point, for the jump scares are few, the creep factor is low, and there are seldom any moments that had me on the edge of my seat.  This could also be due to the comical side of things and the fact they focused so much on the ridiculousness of the plot to help tone down the creep and scare factor. Maybe taking things the silly route wasn’t the best route for this one, especially giving the ending, which to me is a mixed like and dislike.  On the one hand the ending falls in line with the silliness of the movie and sort of just naturally occurs leaving you satisfied.  On the other hand, the movie’s ending led to not quite getting the hunt fest I had thought I was going to see.  Like the most dangerous game or a final destination I had kind of thought members of this household would have altercations that were do or die.  Yet as you will see, this in not quite the case and there is little more I can say without ruining anything so onward we move. My final component is the gore factor of this movie.  Certainly not the worst thing, Ready Or Not does sometimes get a little too fixated on the blood factor for my tastes.  Those who aren’t fans of seeing suffering, skin crawling spectacles of crimson colored chaos need to turn away, as there are some gut-wrenching moments that aren’t for the faint hearted.


Overall, the adventure of Ready Or Not is a fun little project that is campy, quirky, and still thrilling in the world of horror films.  With an engaging cast and concept, it’s a movie that will keep the audience hooked and perhaps make them laugh at the odd sense of comedy and justice that they brought in this film.  And though it matches the tone of the trailers, at times the comedy may have diluted the thriller anticipation you might have though.  For the hunt sort of gets caught up in the blood and comedy rather than delivering the full-on horror chills.  Still, the film is a fun watch and probably good for a small group to hit the theaters with or watch at home. 


My scores are:


Horror/Mystery/Thriller: 7.5

Movie Overall: 6.0

Going The Distance On Action

Mile 22 Poster


Action movies to many seem like a dime a dozen, but adrenaline fans like me always look for the thrills to come in any form. Tonight, I finish my week of reviews with another slam-bang, explosion riddled feature that hopes to excite the audience that plans to go see it.  Yes, tonight the poorly advertised Mile 22 is in theaters and with it the hopes that Mark Wahlbergcan bring another gun heavy movie some positive energy and laughs.  What’s in store?  Robbie K is here to help you out with another movie review.  Let’s get started:


Movie: Mile 22 (2018)



Peter Berg


Lea Carpenter (screenplay by), Graham Roland (story by)


Mark WahlbergLauren CohanIko Uwais





The Pace:  It’s brisk, it’s fast, and it is perfect for an action film. Mile 22 has few breaks once the excitement goes, with the last 35-40 minutes being nothing but high intensity violence and mayhem.  True, there is a middle part meant to build the suspense and lay the story, but this slow part soon ends, and leaves you ready to take on the special effects fest.


The Use of Characters: This movie has a lot of characters, and therefore a lot of responsibility to utilize them.  Mile 22 succeeds in bringing all the team together to try and accomplish the goal.  Whether it is the support team, the villains, or the ground team, almost everyone introduced has a significant role to play and gets there moments to shine.  Certainly, some more than others, but Mile 22 accomplished the integration mission.


Make-Up:  Minor like, but I give props to the group involved with the transformation of the agents from pristine elite to looking as if they have gone through hell and back.  The artificial blood, the contusions and abrasions, even the various bullet wounds are all nicely crafted to looking realistic and bringing the edge to the movie.


Mark Wahlberg’s character… sometimes:  The lead of the team holds a lot on his shoulders, but one thing that his character brought was the comedy and action point of the film.  His character has some issues that he lives with, allowing him to talk at a thousand miles an hour and being funny at the same time.  It’s the same type of Wahlberg character, just a little more amped and over the top, sometimes to the point of annoyance, but then he redeems himself and somehow comes through.


Action:  The battles in this movie are semi-carbon copy sequences of what feels like a video game from Tom Clancy’s work.  Yet, despite the similarities, these fights are still dynamic enough to feel different and blend together to unleash an exciting sequence.  Gun battles are strategic and suspenseful, supported by plenty of pyrotechnics to help shake things up with a nice light show. When close combat evolves, it’s modern meeting traditional martial arts moves, including using grandiose kill moves using out of the ordinary tools.  Things mix together well, and really go out in the exciting climax you wanted.




The Violence:  A minor dislike and more of a warning, Mile 22 is not for the faint of heart or the sensitive.  It’s action is certainly fast paced, but the film has plenty of detailed shots involving graphic finishes and bloody blasts.  Like an episode of the Walking Dead, a few characters have close ups of some projectile or tool going through their body, and sometimes a little drawn out.  Therefore, seriously consider taking little ones or those who don’t stomach things well to this film.


Lazy Writing:  The dialogue isn’t that unique, the jargon is heavy, but the worst is the mindless cursing integrated in the film.  You know from my previous reviews that overuse of the F word just annoys me because it holds no real value for me.  Sadly Mile 22 doesn’t care and is more than happy to fill your ears with the lovely word.


The Lackluster Story/Character Development:  They tried, really they did, but Mile 22’s characters are superficial, puddle deep, in regards to details.  Some hasty character introductions, a few lines of dialogue to talk interests, and a hasty montage are the extent of most characters inner workings. As such, you’re not really connected to the characters outside of their other works and celebrity status.  Even the story itself has needed work, for its presented in a very ambiguous manner that seems like a mad chess game with deadly tools of destruction. Given some action films forgo a story, Mile 22 really needed some plot development to actually care about the characters.


The Twist:  It was a surprise, it integrated what seemed random moments, but I was not a fan of the ending.  One part is because this ending felt out of place with the majority of the film, the left-wing tangent just didn’t do it for me.  In addition, the ending was just very truncated, abruptly dropped out in five minutes and left on a very open terms.  If you like that kind of surprise, yay, but perhaps some closure was needed to end it in the right place for me.


The Camera Work:  Action movie can be tough to film, but why in the world do some people struggle with camera work in this genre.  Much of it works for me, but the close-up fights are a mad array of camera changes, trying to get all the angles of the fight. While it added some edge to the film, the chaotic camera actually robbed the detail and at times were useless images that only alliterated to the moves being executed.  Fortunately, these moments are few, but the close combat fight could have been even better if they had worked on camera dynamics.




Mile 22 delivers on the action, not shying around the destruction and violence to really bring the adrenaline thrilled themes it promised.  It’s ending is the highlight of the film, and it has all the bells and whistles to support the grand design of destruction.  Yet, the movie really wont’ strike well with many looking for more past the action craze that it brings and doesn’t dive far into the qualities some people relish in story and characters.  In addition, some of the camera choice may not work for you given the unstable camera work.  Overall though, worth the trip to the theater because of the special effects focus, otherwise holdout until it hits homes.


My scores:


Action/Thriller:  7.0-7.5


Movie Overall:  6.0-6.5


Transformers: Action In Disguise

Transformers 5


Decades ago, they were toys that dominated the shelves of the local dispenser.  Next came comic books and a hit animated movie that set off a chain of events resulting in a number of animated series.  And in 2007, Michael Bay tackled the challenge of bringing them to life in the big screen motion picture event of the summer.  Now, ten years later…he is still trying to keep the series alive with a fifth installment. Despite all the bad reviews of previous film, DreamWorks still believes in this big budget money raking machine.  Has Bay learned from his mistakes, or have we yet another special effect wreck on our hands.  Let’s get started.




Animation/Ending:  DreamWorks animation studios still has their finger on the pulse of animation.  Once more their studio proves they can make the fiction world come to life in stunning realism, filling the 2.5 hours with fluid motion, breathtaking special effects, and dynamic sequences.  Bay’s fixation on the special effects continues to shine through in the pyrotechnic, CGI laden visuals that fill the silver screen.  This is great for the last 45 minutes, where the high speed, action packed climax comes to life, infusing adrenaline into the theater and getting things ramped up.  Nice work again guys!


Funny:  From the get go, Bay’s writing team has set out to bring laughs amidst the acting (which is about the only thing he is good at bringing). Good news, the 2.5 hours brings plenty of laughs to the mix.  Bantering is certainly the mainstay of the film, but Transformers 5 has a few other bouts of whit, cleverness, and fun to add to the mix.  I found myself laughing at a number of insults to the ridiculousness of the film, and some well-timed quips from a few of the robots and special guest actor Anthony Hopkins.  Speaking of which…


Actor/Actress:  I agree with my fellow reviewers that Anthony Hopkins stole the show in this film.  His charming delivery mixes well with the vigor that an old historian of the transformers would certainly hold.  Hopkins delivers his lines in that elegant poise he’s famous for and creates a wonderful character to alleviate from the other humans that inhabit this film.  Certainly, guys like Wahlberg, Duhamel, and newcomer Isabella Moner do a fine job, but they don’t hold a candle to the majesty of this seasoned actor.  Nice pick casting director.  In addition, the new leading lady Laura Haddock is a fantastic addition as well.  Trading characters that are purely sex appeal, for beautiful, respectable, and powerful woman is an A+ in my book.  Haddock has poise much like her other English counterpart, and blew me away at how much I liked the character.  She was a beautiful addition in more ways than one.  Nice work guys.




Human focus:  For a movie titled after giant robots, you would think there would be more focus on them.  Bay once again chose to forego his expensive artificial crafted creations for his real-life actors.  I just ask why?  Transformers has always had human components, but not as the main focus.  In the Last Knight though, it’s all about the human backstories in this film, and trying to wedge them into the story to keep you engaged.  Not the smartest movie, and the amidst the story, the attempt at all these new characters with backstories just didn’t work.

Jam packed story:  Remember the last Transformers movie and the eight plots it had?  Yeah, it gives me shudders too. Unfortunately, the storyboard writers didn’t listen to the last set of reviews, because Last Knight once again is jam packed with multiple stories all trying to wedge their way to the front.  The result is another rushed, sloppy mess that fails to put an engaging story into the midst.  Part treasure hunt, part emerging threat, part character testing for Optimus on top of all the character issues floating around, was just too much to grasp.  And the unifying factor tying all of them together was pretty weak again.  Certainly, the Transformers have never been strong stories, but they have been better and less of a stretch than this mess.  Such a deconstructed plot was not entertaining and left little to ground the action too outside of the finale.


Action deficits:  It’s an action movie and as a result you would like to see a chunk of the 2.5 hours filled with the special effects they were so focused on.  Once more this movie fails.  After a decent opening sequence (amidst a hasty opening), the film starts to hit the brakes on the action department.  In an attempt to story build, they extend to drawn out explanations and more comedic banter that wasn’t necessary.  Had the story been worth it, I would have given them props, but nope, just added fluff that wasn’t that engaging to me.  Certainly, there were some fast driving scenes and a quick history of fighting, but these were short lived.  Not cool guys.


Unbalanced Robots:  Ever since the second film, Transformers movie have been awful about utilizing all of their creations.  Optimus and Bumblebee take the lead again, and the rest of the Autobus have their moments to “shine.”  Hound, Hotrod, and Squirt get a few gimmicks here, but others like the dingbats and Drift are barely needed having little lines or involvement in the movie.  And the Decepticons, after a major introduction were even more pathetic at being underutilized.  If you’re going to go to depths to recruit cars and voice actors, do something with them!




Transformers the Last Knight showed promised from the trailers as returning to the action roots we loved.  Too bad it didn’t deliver to the level the first production did years ago.  While animation and acting were bullseyes, the rest of the movie is a disproportioned mess with too much going on.  A weak story focusing on humans going on an extensive search and find didn’t do much for engaging plot, and the inability to focus on a plot made it even worse.  Throw in a lack of action and underutilizing of all the other robots and more points get derailed.  While this certainly isn’t the last installment, Transformers needs some repairs to bring it back to the light. Outside of the special effects, this movie isn’t necessarily one for the big screen. 


Action/Adventure/Sci-Fi:  6.5

Movie Overall: 6.0

Let Patriotic Pride Ring



Mark Wahlberg and disaster movies seem to go hand and hand these days and this weekend brings the latest installment in his library.  Today I got to see Patriots Day, a movie that dramatizes the Boston Marathon Bombing in 2013.  Like all disaster movies, it holds the promise for inspiring the audience or stirring up emotion.  But has Hollywood hit its saturation point?  Hi Robbie K here, with a new abbreviated review of Patriots Day.  Let’s get started



  • Very Detailed
  • Good visual/audio techniques
  • Emotionally strong movie


Summary:  When it comes to historical movies we like details and Patriots Day does not fall short in portraying this tragic event.  From the bombings to the manhunt, you get to see the thrilling, and sometimes chilling, journey to bring the case to a close. The movie shows the events from the perspectives of many involved including victims, cops, and the terrorists themselves.  An even more impressive twist is the smooth integration of real life security clips that helps keep the facts in check, while also showing the inspiration of the movie.  When you take these clips, and mix them with the movie magic of scene and music editing, you get incredibly powerful scenes that are certain to inspire you.  I agree with the trailers that Patriots Day is one of the most emotional stirring pieces to grace the silver screen this year.  So many sequences promote the concepts of uniting in the face of danger, perseverance of spirit, and American pride.  It had many in my viewing sniffling and certainly got some goosebumps going in this reviewer.  Therefore, Patriots Day editing is certainly the selling point of this movie.



  • Movie magic overdramatizes
  • Some editing issues
  • May poke some snakes


Summary: As seen many times in Hollywood, the magic of the cinema sometimes steps into overdramatic role.  Patriots Day, despite how emotionally stirring it is, does cross into preachy side at times. While it certainly is inspiring, much of the ending moments (primarily the dialogue) is geared towards American pride that may be seen as boastful.  In addition, some people may not appreciate the portrayal of the various characters, perhaps thinking they were too extreme in their renditions.  Yes, some of the audience said this during the movie.  But outside of overdramatic moments and extreme portrayals, the only other component for me was some of the editing lapses in the movie.  There are certain scenes that attempt to show some of the background info on the characters (e.g. dating, guys getting high on weed, etc) which were certainly entertaining or aggravating.  However, these moments were either not timed right, or more often not needed for me to get the emotional kick of the movie.  And to be honest, most of these clips do extend the cast’s screen time.


The Verdict:

Patriots Day is a movie that will bring some sort of emotion to most audience members.  The detail is fantastic and makes you feel a part of the team in this epic manhunt, establishing that rage to capture the bad guys.  The special effects and audio score will only deepen your immersion into the story.  However, be ready for some political discussions and potential airing of grievances when you see the very extreme portrayals in this movie. Overall though, this movie is a solid opening to the year and a welcome break up from the mundane.


My scores:


Drama/History/Thriller:  8.0

Movie Overall: 7.0

Dive Deep Into The Flaming Inferno


What is it about disasters that we enjoy watching?  I could come up with a number of reasons, but the bottom line is that Hollywood has shifted to dramatizing former events as a means for more movies. Hi, Robbie K here bringing you another review of the latest films to grace the screen.  Tonight we hit Deepwater Horizon starring Mark Wahlberg, Kurt Russell, and a handful of other actors.  Let’s get started.


  • Great acting
  • Over the top graphics
  • Emotionally stimulating

You might be thinking that I have gone crazy, after all Wahlberg hasn’t had the greatest roles.  Deepwater Horizon breaks the mediocre streak and drops him into a position that may net him an Oscar nomination. Wahlberg’s portrayal of Mike Williams is certainly a heroic one filled with wisdom, strength, and a calm edge that sets the stage for a natural leader. But there is also a realistic side brought out near the second half the screen that balances out the heroic theatrics of Hollywood. Kurt Russell no surprise plays his usual rugged role, making sure to add the hard edge testosterone rush all older actors need to bring. Hudson and Malkovich get A’s as well, each bringing the needed involvement to round out the cast.  All the extras and lesser billed roles complete the picture as a close oil crew, but much of their time is spent standing around or ducking from fire.

  Speaking of fire, the visual effects are top notch in terms of computer graphic imaging. Deepwater Horizon’s reconstruction of an oil rig succumbing to its doom is very realistic. For you technical folks, the directors have crafted scenes to mimic the daily operations involved with pumping oil, from watching gritty mud flow through the pipe to the cracking foundation floor.  That sound boring?  Well those looking for a little more suspense will be impressed when the whole operation blows to pieces…literally.  You might be amazed seeing the rig, and its crew, get covered in oil before erupting into a fiery inferno you’ve seen in the trailers. My friend described the visuals being so good, he felt immersed into the disaster, wanting to duck or dive as explosions rattled the screen.

Of course the real magic to the visual effects are the emotions it brings with it.  The various sequences and montages of the exploding metal certainly paints a terrifying picture as you wonder how much time is left until something falls.  Now add our characters trying to traverse the obstacle course from heck, feeling horrifying chills run through your body as you watch human bodies hurled through the air and disturbing injuries protruding in gory details. However, it is not all dismay and dread, no Deepwater Horizon has plenty of sequences and montages of heroism that will make you a little proud to be a human…no matter how overly theatrical it could be.


  • Overdramatic at times
  • Already know the ending
  • Editing needs work

I’m probably sounding overcritical or nonsensical, but here it goes anyway. Deepwater Horizon is at times a bit on the overdramatic side.  As I said, much of the movie will light a fire in your soul that will have your patriotism in full force.  Unfortunately, some of these moments are a bit too fake and in your face to get my full backing, primarily making an effort to pan on the American flag flapping in the flames. Even the more heroic moments sometimes get a bit too corny, the overdramatic focus on the camera amid a symphony soundtrack blaring pride.  Again, they get the message across and deliver the emotion, it just sometimes gets a little too Hollywood for me.

The special effects and the noble protagonist will certainly spread suspense and awe, but it doesn’t help that you know the ending. If you paid attention to the news, you know all about what happens to the rig, and if you choose to ignore history take a look at the trailer.  The opening sequence doesn’t help things either by telling you the fate of a certain character that further adds predictability to the mix.  What does leave in terms of suspense and surprise? Pretty much it is the fate of the crew that held any mystery to me, and that was scarce at times.  Perhaps another minor dislike, but still one nonetheless.

    In regards to the editing, this one is a tough call to make.  On the one hand I appreciate the details they provide about the incident, from the development of the disaster to how they faced the inferno the rig became.  And yet, I felt some of it was elaborated too much for my liking. The build up was a little too long and drawn out, making it slightly boring as we waited for the dirt to hit the pipe.  As the oil begins to bloom into a fountain the pace picks up, but then hits a very slow, somewhat pointless, standstill at the aftermath of the situation.  Yes, it provides realism and rounding out of the characters, but again is a little too extended after all the excitement.   They probably could have spared about fifteen minutes, but hey that’s just me.



            Despite this being the third historical event to get a movie this month, Deepwater Horizon will provide the emotional thrills you want.  A fantastic CGI design that’s brimming with emotion and suspense. However, the predictability and overdramatic moments fall in line with Hollywood’s magic and takes away from the message of the movie.  I have to recommend this one for the theater though, primarily for the technological achievements it brings. 


Overall my scores are:

Action/Drama/Thriller: 8.0

Movie Overall: 7.0