The start of summer is the start of big movies and this weekend opens up with the “king” of blockbusters in the form of big monsters. Over many years, the giant monster movies have intrigued many and disgusted others, but they exist nonetheless to unleash their own brand of big budget chaos to the world. Yet with mixed results, can this genre find the right audiences or are we still plagued by the modern era of too much bang and not enough buck? Robbie K here to share some words on the latest movie to hit the silver screen.
Movie: Godzilla: King Of The Monsters (2019)
- Character Design
- Pacing After The first 30 minutes or So
- The Animation
- The Action
- The Climactic Ending sort of
- The Sound Track/Special Effects
- The Pace Of the Movie’s Opening
- The Story
- The Focus On Humans…again
- Action Scenes Were sometimes short lived
- The Shaky Camera Work
- The Imbalance Of Monsters… kind of
Fans Who Like These May Like This Movie:
Kong Skull island
Godzilla like movies
Pacific Rim Series
Big budget films about monsters require a lot of things to appeal to the mass audiences and much of it has to with special effects and action. The King Of The Monsters manages to focus much on this, becoming a special effects extravaganza that did not yield to the limitations of speakers and screens. The animation is on point, and many of the creatures look stellar in their design, throwing away the prosthetics and papier Mache for stellar high definition CGI graphics. Smooth monster animation that looks to stick to anatomical movements are beautifully unleashed and it helps bring these monsters one step closer to being real. Eventually the monsters start battling and the action scenes have a number of special effects in both sound effects and visual styles to unleash Armageddon on the big screen. Those who love seeing chaos unleashed with little else binding them, and getting a little more human involvement as well, should be pleased with the destruction at hand in that fastest way possible. This is especially true in the final battle, where the behemoths battlegrounds hold much to be destroyed, assisted by theater shaking sound editing, an epic symphony score to add edge, flashy blasts from the atomic driven beasts, and plenty artificially generated beasts to fill your eyes. It’s climactic and satisfying, and something I was hoping to see since the trailers showed.
With special effects focus though, the movie sort of stumbles on other categories that still need some work for this reviewer. The opening of the film is rather boring, a jumbled mess of convoluted introductions, explanations about what is going on and the human focus that will lead to all the mess. For a movie about monsters, much of the screen time still focuses on the terrors of humanity, focusing on how much we suck in our attempts to control everything. Unlike Kong, Godzilla’s second arc still has trouble grounding its size to a deeper plot, that involves interacting with these creatures more than from the safeties of the bunkers. Even if you don’t care about the story, the action scenes are also in need of some work, even the climactic ending. For one thing, many of the fights are very short lived, over in mere minutes after buildups of more talking from humans. The Fight with Rodan might have been my favorite, having the most integration of human and beast combination that brought me into the zone, but other times it was a jumbled mess of quick shots of stuff blowing up before panning back to humans. Other times, there were shaky bouts of camera work of close up monsters and falling buildings. This improved at the end, but it took a long time to discover something other films have already mastered. Finally, the number of monsters represented was not awful, but again trying to put too many in for them doing very little is a component that annoys me. Mothra and Rodon were kind of there, hitting there moments at the right times, but not maximized. Other creatures we get to see passing shots of, but they were unnecessary when we could have had more epic monster battles.
As you can see, the King Of Monsters is certainly going to hold the special effect event of the summer, or at least pretty close to it. It’s problem is, that it’s imbalance issues continue to mix the movie up in a messy sorts that some will love and others won’t. The monster aspect gets points for chaos, destruction, and special effects that these movies thrive on so monster fans should be stoked by these aspects. The action again is mixed for me, part awesome with the special effects and yet part disappointing because of the fast pace, focus on humans more than monsters, and shaky camera work that could have been expanded upon. Perhaps the next installment can figure out the chemistry to the monster movie balance and bring back the magic of the dying genre. Still with all the special effects and monsters in this film, despite how imbalanced they are, the movie is worth the visit to the theater. So check it out when you can.
My scores are:
Movie Overall: 6.5