New Age, New Strengths, New Weaknesses: Welcome To International Men In Black

Men in Black: International Poster

 

They don’t exist outside of Déjà vu!  They are protecting us I supposedly only one suit that they never take off.  And they have faced more interesting specimens of the galaxy than we can ever imagine. I’m talking about the Men IN Black and they won’t let you remember about all the stuff you may or may not have seen. Welcome to Robbie’s movie reviews and today we are going to be looking at yet another movie hitting the silver screen. Today is the latest iteration of a beloved 90s franchise that has seen it’s ups and downs.  Can the latest installment/reboot find the stride, or are we once again stuck with another rushed production that should have had more time or never existed?  Let’s take a look at:

 

Movie: Men In Black International (2019)

 

Director:

Gary Gray

Writers:

Matt HollowayArt Marcum  | 1 more credit »

Stars:

Chris HemsworthTessa ThompsonKumail Nanjiani

 

LIKES:

  • Decently Paced
  • New Aliens and Designs
  • Nostalgia
  • Simplistic Story
  • Funny
  • Kumail Nanjiani’s character

 

 

DISLIKES:

  • More Aliens
  • Predictable
  • Plot Missing Some Wrap ups
  • Other Acting Is A Little Forced
  • Missing That Natural Humor
  • Underutilized characters
  • Not Campy Enough
  • The Political Messages… again

 

SUMMARY:

A Men In Black Movie is all about being an entertaining spectacle of comedy, story, and latching on to our heroes and finding some moving pieces.  This new installment may not have our favorite agents we started with (in physical form at least), but it holds a few treasured components that kept it entertaining for me.  For one it’s a movie with few slow parts, moving from one component to the next with little time for impasses to really drive character development, but maximize laughs and entertainment. The New aliens and designs are refreshing in the component that they are bringing back the creativeness that brings renewed energy into the series, especially in regards to some of the new criminal aliens who have edge and artistic designs mixed in.  With all the newness you might be fretting that the old feeling has been lost, and to be honest I found some qualities that still remain to be fun and remind you of the older days.  For one there is plenty of nostalgia lining this movie, maybe not in the full integration of other movies have done, but certainly a few nods to the adventures our first band had.  Simplistic story still stays strong as well, with little twists and turns to spin your head or make you think, but not so simplistic to be absolutely stupid or boring, for the most part any way.  The key thing that stays here though is the humor, finding the same formula of modern times by cramming jokes in as many styles as possible.  That variety is good, bringing some dynamic choices to the mix to try and cater to a number of audience members and hopefully leaving you in tears.  Yet the winner for me is Kumail’s character Pawny.  The Middle Eastern actor’s character left me in stitches bringing his usual brand of comedic delivery with well time interruptions that were perfect for me.  In addition the character remains pertinent to the story as well, only having a few times where his manners were forced on me.  An excellent character for this reviewer.

 

Yet for all the good they did for me, the modern reboot of the series has not achieved the goals that the first series did for me. For one thing, more aliens could have been introduced, or even better integrated into the mix.  All the introductions and new designs should have had a little more time to brew to perfection and perhaps be relevant to the inclusion outside of a joke or two. Villains, supporting characters, even the main heroes felt underutilized to me, simplistic shells of main characters that hold secrets, but like the organization remain hidden.  As such, I did not get quite attached to these two new agents like I did K and J, and that leads to a less engaging story for me overall. In regards to the story itself, well that too is sort of lacking.  Don’t get me wrong, it’s got the components famous in this series, but they were not as well put together because of the new approach.  It’s predictable for one thing and leaves little surprise in how things are going to pan out from obvious foreshadowing.  Story elements started being hinted at, but then the plot lines fell flat or remained sort of untied, perhaps in suggesting a future installment. The fact that the characters are not quite as engaging leaves flat pieces to play out, who become more focused on comedy than being a hero.  Most of all, the story is just missing that campiness overall that the 90s made famous and that took away some of the things that made the first trilogy special.  Without that factor, that natural humor was sort of lacking, forced upon me much like the ghostbusters from a couple of years ago.  They almost try too hard for me and at times that obvious digression from the story to make a joke id not impress me as much.  This is especially true with the political humor, once again trying to force emotional surges into the movie to deliver the real-life issues. Sometimes the writing was perfect and well-integrated, but often it fell to deaf ears because it was not needed, potentially left to the interviews and subconscious meetings than anything else.

 

   Overall, the film turned out to be fun and entertaining. The modern twist is far from perfect, but it shows the series can age well with the right guidance and motivation. It still needs balance and shying away from the forced jokes, alongside crafting characters that I actually care about instead of the comedic, political husks I was getting.  Men In Black International though has plenty of old and new blended in and the new little guy Pawny should certainly make up for a number of flaws given his character ironically has more layers than the leading cast.  Due to the special effects, this one lands in the see in theaters territory, so check it out, but in terms of the quality movie overall, you can probably check this one out at home to be honest.  So my scores for the movie are:

 

Action/Adventure/Comedy:  7.0

Movie Overall:  6.0

 

 

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Who Has The Humorous, Action Wise, Edge, But Has Unbalanced Writing And Crudeness? SHAFT

Shaft Poster

 

Television shows hold a history for many, teaching life lessons and telling stories that would stick with the public for ever.  Sometimes catchy theme songs are the main things that stay behind, but for others, legendary episodes remain in the minds. So with the drought of originality still plaguing Hollywood, the goal is to bring some of these television shows to the silver screen venue to try to make them fresh again.  Robbie K is back to look at the latest movie in hopes of helping guide your movie pleasures.  Let’s get started as we look at:

 

Movie: Shaft (2019)

Director:

Tim Story

Writers:

Kenya BarrisAlex Barnow  | 1 more credit »

Stars:

Samuel L. JacksonJessie T. UsherRichard Roundtree

 

 

LIKES:

Acting

Action

Nostalgia

Mystery

Humor

 

DISLIKES:

Lack of Suspense

Aggressive Sexual Humor

Lazy Writing At Times

Weak Character Development

The Grandpa Inclusion

 

SUMMARY:

 

Shaft’s character is legendary and requires a key actor to bring it to life.  Samuel L Jackson is the guy to do it, bringing his hard edge and direct, forceful acting to really bring the cop with no fear to life.  He balances so much into the role, like seeing Nick Fury in a rated R role, that is certainly entertaining to watch.  Jessie T. Usher as the new generation of Shaft helps sort of balance the aggressiveness of Jackson, acting as a grounding force to tie all the group together.  He’s charming, funny, but then evolves a bit into something more that works well in the atmosphere of the movie.  As for Roundtree, his reprisal is a nice throwback, but it has been tweaked to have a bit of modern aggressive edge on it as well to remain in the new rules of the movie.  The rest of the cast play their parts well, but not integrated enough too much to take time at this time.  Instead let’s jump into the action, the modern day has choreography and technology capable of making those epic shoot outs a little more exciting.  Shaft achieves this fairly well, sometimes using it for humor and other times having that flair that the show made famous.  If you’ve read through all this review so far, you can see that nostalgia seems to be a key factor to enjoying this film, to which I was able to find a few references to the series, with other audience members finding even more.  That component will be a key entertainment value to many and a selling point for the movie.  Now in regards to the other two components, they have to do with the story and atmosphere of the movie.  Shaft’s main story component is about the mystery of the case at hand and how it will connect our characters together.  Shaft’s multilayered mystery feels like a blend of the loose cannon cop’s greatest adventure all connected to one, you’ll find yourself trying to sort out the threads of scandal seeing the true source that connects them all. During the course there is some attempts at developing the characters, but those moments are reserved for the comedy aspect.  The laughs of this movie are brought by the edgy delivery of Jackson’s lines, the continued adulteration of JJ’s life, and the fiery passion of a mother trying to handle the stress of life.  It’s very well integrated through the movie and is utilized decently to actually progress things rather than a simple laugh.  It felt natural and true to the character, which I find important.

Yet the movie’s pluses may have led to some of my dislikes as well, primarily in the part of being too aggressive.  Shaft and company are not shy to using aggressive styles of humor and while it works at times to perfect levels, there are times where it gets too much for this reviewer.  Various descriptions of sex and genitalia only goes so far for me, and the rather boorish description of various genitalia is a little more offensive than fun at times. In addition, my description of lazy writing is at full front here, with Shaft getting too dependent on the use of these expletives to remain entertaining for me.  Working on the character development could have taken point instead, working harder to start expanding on back stories, histories, feelings and other qualities to help connect these characters.  It start happening at some points of the movie, but more potential existed in those characters than what we got, again lost to comedy and modern time violence. As for the grandfather inclusion, I’ll acknowledge the inclusion of the original for sake of honoring the man who brought the series, but I wanted more.  Given the showcase in the trailers, I had expected a little more inclusion, and while the ending brought the excitement I was looking for, the original Shaft probably could have had a little more inclusion overall.

 

The truth is Shaft is going to be geared towards those seeking to go back in time and relive the criminal hunting cop’s adventures.  A modern edge certainly helps make it relevant in the 21stcentury, adding new style, comedy, and mystery to raise the stakes and try to entertain, while securing fine acting in its cast of characters.  Yet, the movie suffers from imbalance, more so in terms of aggressive humor and lackadaisical writing where cursing and sex phrases are the key.  I’m not saying that ruins the movie, I was just looking for more of a balance for what I got.  Nevertheless, the movie has enough fine points to warrant a trip to the movie, though only at about a 50% as much can be enjoyed from home.  Nevertheless, here are my scores:

 

Action/Comedy/Crime: 7.0

Movie Overall:  6.0

Live From New York, It’s A Late Night Surprise

Late Night Poster\

 

Celebrity status, it’s something we idolize yet at the same time dread given the lack of privacy that comes with it.  Like anything it is about balance and looking for ways to stand up for what you believe in and yet not become the political enemy.  In this modern world, that is hard to do, so why not make a comedy about it and try to bring it all to life in a new drama.  Welcome to Robbie’s Movie Reviews, and tonight we cover a movie with a diverse cast and some hopes for some type of buddy comedy with some potential to be different.  Tonight I cover:

 

Movie: Late Night (2019)

 

Director:

Nisha Ganatra

Writer:

Mindy Kaling (screenplay by)

Stars:

Emma ThompsonMindy KalingJohn Lithgow

 

 

LIKES:

  • Smartly Written
  • Decent Pacing
  • Witty and Funny At Many Times
  • Balanced At Many Points
  • Compassionate
  • Surprisingly Deep At Times
  • Acting

 

DISLIKES:

  • Cliché
  • Predictable
  • Some Upended Story Lines
  • Key Opportune Moments for Character Development Dropped
  • The Political Components

 

SUMMARY:

Comedies sometimes struggle to find a balance for me, trying too hard to be funny and sacrificing the plot for the sake of meme worthy laughs. Fortunately, Kaling’s writing has more intelligence embedded in, finding a way to poke fun at our modern world and yet make it relevant too.  It manages to find it’s pace well, and allows timing and delivery to outdo the quantity of normal jokes.  Late Night’s wit might be a little dryer, but then finds a way to liven it back up, pulling me back into so much needed labs.  It’s got a lot of balance into the mix as well, finding that fine line between cursing, sexual humor, and political pokes without making me want to bash my head in from over useAnd while it may be hard to believe, Late Night still manages to get through to the compassionate side of things finding some deep moments and face the issues that plague the world.  It helps make more endearing characters to play out this political comedy, which is kind of important for a movie like this.  The cornerstone though, is the acting.  So much of the extras in this film do their job well, secondary characters are important to the story and do well to support the main cast.  It’s the dynamic duo of Thompson and Kaling that really was the entertainment value for me.  Thompson plays her part so well, managing to inject her classiness into the role and yet hold so many more levels to dive into and discover.  Kaling’s normally over the top and aggressive political nature are better controlled, left to bring a semi-relatable character whose underdog tale of determination is inspiring to watch.  Their odd couple like relationships, when spread amidst the other cast members, makes for two very dynamic characters, who get to semi-evolve through the story and become an enjoyment to watch. 

And yet, the movie suffers at a few turns for me that take away from the writing that Kaling’s work brought out.  First come the cliché’ moments, a story with incredibly predictable plot dynamics that only fall short of a Hallmark special.  I would have liked a little more surprises in store, in particular with some of the outcomes of the plot development impasses that came to play.  Some of the side plots to the film tried to do this, but time constraints or maybe budget led to limitations that left some of these endings a little unrealistic and unfulfilling.  These moments could have increased the potential of the characters, allowing for some better character development than what we were getting at times.  Late Night still has those heartened times that are awesome to see, but other times felt dropped on the cutting floor and left to be seen later as if the growth of the character happened off screen.  And much like Kaling’s writing, the political moments manage to sometimes cross the line and drop into becoming price moments of empowerment that have become a staple in so many forms of media.  If that’s your stick, you’ll love these moments, but if you are like me… well to see the balance and wit dropped for the sake of a political monologue filled with overdramatic cheese factor is disappointing.

     Overall, I turned out to like the movie better than I anticipated, pleased to see story, characters and comedy integrated together in a workable formula.  The chemistry between the actors worked very ell for me, happy to see Kaling having a fantastic relationship with the legendary English actress that could work well in future projects.  Still, the movie falls victim to the modern trend of having to be directly political for the sake of being political.  It’s those moments where these factors get in the way of story and wit that don’t quite wrap it up for me.  So overall, it’s worth watching, but perhaps better left to watching on Netflix streaming vs. a theater worthy venture. 

 

My scores:

 

Comedy/Drama:  7.5

Movie Overall:  6.5

Burning Through Plots To Finish Things Up

Dark Phoenix Poster

 

X-men, a series with so much storytelling and incredible characters that the comic book itself stands alone as one of the greatest franchises to exist in the comic book world.  Yet, the movies have had a rough patch in terms of execution, hitting some highs and some lows in their design and sequences.  So tonight, the last of the franchises before Disney takes over, tries to send it off in the a blaze of glory, focusing on the last saga that is a beacon in the mutant world: The Phoenix.  Can Fox put the shining beacon of power in the right light, or will it be yet another grandiose display of loud sounds?  Robbie K here to bring his observations and help you out with your movie pleasure.  Let’s go!

 

Movie: Dark Phoenix (2019)

 

Director:

Simon Kinberg

Writers:

John Byrne (story “The Dark Phoenix Saga”), Chris Claremont (story “The Dark Phoenix Saga”)  |4 more credits »

Stars:

James McAvoyMichael FassbenderJennifer Lawrence

 

 

LIKES:

Acting

Sophie Turner

Special Effects

The Action/Pace At The End

The Messages

 

DISLIKES:

Quicksilver Not Used

Pace For Much Of The Movie

Rushed Story

Cheesy Story

Lackluster Dramatic Moments

Action Scenes Fairly Short

Under developed Villains

Not Quite The Epic Finish

 

SUMMARY:

Say what you want about the X-Men, but they have picked a heck of a cast to bring into he mutant world.  McAvoy continues to do his part justice, making sure to bring the full fiery emotion that the part requires.  Fassbender and Lawrence do their parts well, but seem to have become the back-burner group for this movie, lost to some simpler writing and a quick dynamic shift to the main character.  Jessica Chastain does her job well, but I can’t say they utilized her to the full potential (more on that later).  No, the real star is Sophie Turner, the mutant with so much power that she’s not quite sure how to handle it.  Turner does the job well in regards to getting the suffering, the uncertainty, and even the hard-edged femme fatale that they wanted.  Her character is decently developed in these aspects and I think Ms. Turner accomplished her tasks well.  To sort of go with the grand power of the mystical icon, X-men had to pull out the special effects and again they accomplished this goal quite well.  Theater shaking sound effects, plenty of colorful and vibrant special forces that scream dark edge comic books.  That utilization accomplishes bringing the fiery force of Phoenix into a spectacle that works well to bring these exotic characters to life.  My highlight comes at the end of the movie when the big action scene happens, fully unleashing the powers of the other X-men and starting to get into the excitement I’ve been waiting for this series to discover again.  Much like the books though, Dark phoenix is ready to deliver the typical messages found in this saga and the ones contained in this movie sort of accomplish this goal.

Yet, much like many movies, this installment still suffers from balance issues and finding its identity in the transcription from comic to screenplay.  For one thing, a fan favorite of Quicksilver is grossly underutilized, the famous scenes that had fans raving, almost being missed completely.  And much like the quickness of the speedster, the movie’s pace suffers as well.  Dark Phoenix is very jargon and argument heavy, with more talk than walk seen so to speak.  So much of the excitement is done in a few snaps of the finer, mostly tuned to dramatic arguments and repetitive plot points than anything else.  The story not only seems rushed, but often very cheesy in its presentation as the classic saga is boiled down to the primal elements that try to speed the “evolution” so quickly it left me filling slightly unfulfilled and unimpressed.  Attempts to interject emotion were lost to predictable foreshadowing and sequences where only a few showed any interest.  Perhaps the action scenes make up for it?  Not really, unlike some of the earlier counterparts, Dark Phoenix’s fights are short lived, more grandiose displays of talking and delivered forced dialogue with only a few impressive moves to tickle the proud political statements, while leaving action junkies like me wanting more.  Perhaps if we had better fleshed out character and villains there would be some antagonist ready to drive the plot and really gives us the gauntlet that the Dark Phoenix saga was aiming for instead of the lacking end game to this genre.

Overall, Dark Phoenix shines as the modern-day movie of girl power and hastily wrapping a floundering series up in a nice bow. It’s not awful thanks to the acting, end scenes and messages, however the story just does not feel like the final installment, but instead like the opening issues of a series that try to whet your appetite.  Had Fox not been bought perhaps the movie would have held a trilogy on its own or at least more time to the story and action.  Yet this epic finish is really one that is best left for him, minus the theater experience of the flashy effects.  My scores for this adaptation of cheesy, grandiose goodness is:

 

Action/Adventure/Sci-fi: 6.5

Movie Overall: 5.0

Rocketing To New Emotional Heights And Artistic Portrayals

Rocketman Poster

 

Musical biographies, an ability to take a peek in the lives of the stars many idolize from the music and screens.  In hopes of getting their music and the drama, these films require trying to find a balance that will please many who flock out to see the great wonder.  While usually they take one side over the other, you’ll find that rare treasure that finds the balance.  Today I finish my weekly reviews with the epic film that has been built up for the last several months.  Legendary Elton John and company have put out a film to try to capture the legendary rock icon on his journey to greatness.  What’s the verdict?  Robbie K here to review:

 

Movie: Rocketman (2019)

 

Director:

Dexter Fletcher

Writer:

Lee Hall (screenplay)

Stars:

Taron EgertonJamie BellRichard Madden

 

LIKES:

  • Acting
  • Make Up
  • Costumes
  • Setting/Special Effects
  • Musical Numbers
  • The Emotional Lessons/Moments

 

DISLIKES:

  • Slow At Times
  • Not Quite As Censored
  • Movie Dramatic Moments Over Concert Approach
  • Real Vs. Exaggerated
  • Not The Same Music Impact for me

 

SUMMARY:

To recreate a living legend you have to hire the right person and Taron Egerton killed it with the recreation of Sir Elton John. The mannerisms, the look, and the showmanship are all captured brilliantly in his performance, playing the tormented soul that is the Rocketman.  While the rest of the cast supports and plays their parts well, it is the focus on Egerton that draws everything into the movie. His vocal performance shows off his wide range of skills and he rounds out the full role with his talent.   Hollywood brings the full arsenal of creation into the film, doing wonderful work on the make up as Elton ages, with not only facial changes but hair line. The recreation of his costumes mirror the performers quite well in terms of detail in all the spectacle that they were. Going along so well is an impressive set design and shooting locations that drop us back in time and places that he made famous.  It’s these special effects that help bring you into the full moment of the movie as well as increasing the spectacle of the numbers.  Rocketman’s musical numbers go on the trend of utilizing the song and dance routine typical of a musical and cueing them to potentially hint at the points/events of their creation.  If you love those moments from High School Musical and show tunes of the theaters, then the numbers should get you real good, with similar techniques inspiring and highlighting some of his eccentric works.  It’s a different style compared to Bohemian, but the traditional route should get lovers of the genre smiling and potentially singing in glee.  And to top it all off, this movie really hits one in the heart, as you learn about Elton’s demons and the lessons he had to learn along the way.  The ending in particular gave me goosebumps, and really puts a perspective on someone I never even remotely knew compared to all his numbers.

            Yet, the thing about Rocketman is the approach they chose did not quite have the spunk and energy of Bohemian Rhapsody’s melody. The pace is slow at times, drawing on the drama to fill the gaps rather than the comedy/energy of the numbers.  For those who love the deep dive into the darker aspects of life, you’ve got it in this film, though I could have done more for the censorship myself, especially if it could have led to more concert and musical numbers.  In addition, the analysis of overdramatic vs. real is always a question, especially given how the drama moments take a firm grasp on this movie.  I myself like more of the musical spectacle and seeing that creative process, rather than getting downtrodden at the demons that plague us all.  And while I appreciate these moments quite well, and attempt to learn from this, I missed the full-blown musical edge that I’ve gotten in some other films, especially because those numbers were not interrupted like in this film.  As such, the numbers did not affect me as much as those in Bohemian Rhapsody, despite the mental moments they addressed.

Overall, Rocketman is a beautiful movie, focusing on the artistic side of things vs the full-blown concert relieving.  Utilizing the pain and struggles of the artist, the movie is grounded in the plot of discovery, recovery, and all out creation from the motivations life throws at us.  The special effects and showmanship will have musical numbers and John fans amazed, watching the recreation of the wonders unfold in modern day dynamics.  As much as these moments moved me though, the movie is by far for those with a passion for the drama vs the music itself.  Therefore, this movie is definitely a theater visit, but don’t go in expecting a repeat of Bohemian in terms of straight up musical grandiosity, they may not quite enjoy this as much, especially when the numbers are interrupted. Still a fine musical biography to say the least and worth it for those who like Jersey Boys, Get Up Off That Thing, and musical numbers from theater. 

 

My scores are:

Biography/Drama/Music: 8.0

Movie Overall:  7.0

Octavia Spencer is the world

Ma Poster

 

Another weekend, another set of movies to review. Hi, Robbie K here and back with another round of observations to help guide you through your movie viewing pleasure.  Today’s first review starts with focusing on the latest “scary” flick to cross into the theaters.  Welcome to another Robbie Movie Reviews and today we take a look at:

 

Movie: Ma (2019)

 

Director:

Tate Taylor

Writer:

Scotty Landes

Stars:

Octavia SpencerDiana SilversJuliette Lewis

 

LIKES:

  • Star power
  • Good Acting
  • Surprisingly Deep Story
  • Realistic
  • Good Villain

 

DISLIKES

  • Not Scary
  • Predictable
  • Suspense of The Reality
  • Not Suspenseful
  • Rushed Ending

 

Those Who Like These May Like This Movie:

Life Time Movies

Greta

ABC family originals like Pretty Little Liars

 

SUMMARY:

Ma is surprising in many ways in terms of its story telling, focusing more on the characters than the actual scares.  Look closely and you will find this packed with a treasure trove of actors and actresses that will participate to varying degrees. For some it’s merely a small cameo or background scene, while others will have a more direct involvement with the story.  For those more integrated into the story, the acting is very good for a horror movie, crafting representative teenagers, concerned parents trying to recapture youth, and concerned parents well to make a believable ensemble.  Yet, it’s Octavia Spencer who brings everything together shaping Ma into a villain that is not so extreme to be laughable, and really capturing all the characteristics of the disturbed woman to the T. Bringing so much to the table in terms of energy, entertainment, and that pillar of strength the movie relies on, I loved the casting of this talented actress.  Still, Ma’s tale is also impressive based on how focused on the plot they were.  This tale has layers to it, managing to spread the story through three sections in the form of the kids, their parents, and Ma, interweaving them to give a complete story that feels much like a book or television series.  My friends and I agreed that the tale was realistic, which brought part of the fun experience, and in grounding it to the reality  it made for a good villain that was engaging to watch.

Yet with a great story the movie sort of falters in the scare factors that come with this genre.  We agreed that Ma is creepy, the realism and stalker obsession perfectly portrayed to make one feel uncomfortable.  Sadly the scares could not live up to the promise of the trailers, focusing a little more on the dramatic dynamics than the scare factors. Much of this comes from the predictability of the movie, thanks in part to the trailers, but Ma just needed that last-minute finesse to smooth out the scares.  In regards to the story elements, Ma plays well to its own rules, but at times begins to suspend the reality in regards to filling in the missing pieces.  Ma’s actions should have left some obvious clues for people to look, but those moments were ignored.  That small nitpick aside, the movie’s main drop off for me was the lack of suspenseful finish and the rushed ending that came with it.  After all the planning, build up, and moving pieces, the ending did not quite have the epic finish I expected of Ma’s insanity. Sure, much of it stuck to the character of Ma, but it just didn’t have that epic conclusion I expect in this genre.

  In regards to Ma, it’s a pretty decent drama and thriller, but not so much in terms of a horror.  Great character development and acting are the pinnacles of this movie with enough relevant issues to get many invested in the villain.  However, if looking for the scary film, you are not going to get quite the suspenseful thriller you have been looking for.  The movie is definitely more for the dramatic audience members who like the Freeform and Lifetime movies, but enjoy a little more grounded components to them.  Nevertheless, the movie still has quality, but probably could be visited on a latter note at home.  Thus my scores are:

 

Horror/Thriller:  7.5

Movie Overall: 7.0

The King Is Moving To Improved Aspect, But Still Not Finding Balance

Godzilla: King of the Monsters Poster

 

The start of summer is the start of big movies and this weekend opens up with the “king” of blockbusters in the form of big monsters. Over many years, the giant monster movies have intrigued many and disgusted others, but they exist nonetheless to unleash their own brand of big budget chaos to the world.  Yet with mixed results, can this genre find the right audiences or are we still plagued by the modern era of too much bang and not enough buck?  Robbie K here to share some words on the latest movie to hit the silver screen.

 

Movie: Godzilla: King Of The Monsters (2019)

 

Director:

Michael Dougherty

Writers:

Michael Dougherty (screenplay by), Zach Shields (screenplay by)  | 3 more credits »

Stars:

Kyle ChandlerVera FarmigaMillie Bobby Brown

 

 

LIKES:

  • Character Design
  • Pacing After The first 30 minutes or So
  • The Animation
  • The Action
  • The Climactic Ending sort of
  • The Sound Track/Special Effects

 

DISLIKES:

  • The Pace Of the Movie’s Opening
  • The Story
  • The Focus On Humans…again
  • Action Scenes Were sometimes short lived
  • The Shaky Camera Work
  • The Imbalance Of Monsters… kind of

 

Fans Who Like These May Like This Movie:

Kong Skull island

Godzilla like movies

Pacific Rim Series

 

 

 

 

SUMMARY:

 

Big budget films about monsters require a lot of things to appeal to the mass audiences and much of it has to with special effects and action.  The King Of The Monsters manages to focus much on this, becoming a special effects extravaganza that did not yield to the limitations of speakers and screens.  The animation is on point, and many of the creatures look stellar in their design, throwing away the prosthetics and papier Mache for stellar high definition CGI graphics.  Smooth monster animation that looks to stick to anatomical movements are beautifully unleashed and it helps bring these monsters one step closer to being real.  Eventually the monsters start battling and the action scenes have a number of special effects in both sound effects and visual styles to unleash Armageddon on the big screen.  Those who love seeing chaos unleashed with little else binding them, and getting a little more human involvement as well, should be pleased with the destruction at hand in that fastest way possible.  This is especially true in the final battle, where the behemoths battlegrounds hold much to be destroyed, assisted by theater shaking sound editing, an epic symphony score to add edge, flashy blasts from the atomic driven beasts, and plenty artificially generated beasts to fill your eyes.  It’s climactic and satisfying, and something I was hoping to see since the trailers showed.

With special effects focus though, the movie sort of stumbles on other categories that still need some work for this reviewer. The opening of the film is rather boring, a jumbled mess of convoluted introductions, explanations about what is going on and the human focus that will lead to all the mess.  For a movie about monsters, much of the screen time still focuses on the terrors of humanity, focusing on how much we suck in our attempts to control everything.  Unlike Kong, Godzilla’s second arc still has trouble grounding its size to a deeper plot, that involves interacting with these creatures more than from the safeties of the bunkers.  Even if you don’t care about the story, the action scenes are also in need of some work, even the climactic ending.  For one thing, many of the fights are very short lived, over in mere minutes after buildups of more talking from humans.  The Fight with Rodan might have been my favorite, having the most integration of human and beast combination that brought me into the zone, but other times it was a jumbled mess of quick shots of stuff blowing up before panning back to humans.  Other times, there were shaky bouts of camera work of close up monsters and falling buildings.  This improved at the end, but it took a long time to discover something other films have already mastered.  Finally, the number of monsters represented was not awful, but again trying to put too many in for them doing very little is a component that annoys me.  Mothra and Rodon were kind of there, hitting there moments at the right times, but not maximized.  Other creatures we get to see passing shots of, but they were unnecessary when we could have had more epic monster battles.

As you can see, the King Of Monsters is certainly going to hold the special effect event of the summer, or at least pretty close to it. It’s problem is, that it’s imbalance issues continue to mix the movie up in a messy sorts that some will love and others won’t.  The monster aspect gets points for chaos, destruction, and special effects that these movies thrive on so monster fans should be stoked by these aspects.  The action again is mixed for me, part awesome with the special effects and yet part disappointing because of the fast pace, focus on humans more than monsters, and shaky camera work that could have been expanded upon.  Perhaps the next installment can figure out the chemistry to the monster movie balance and bring back the magic of the dying genre. Still with all the special effects and monsters in this film, despite how imbalanced they are, the movie is worth the visit to the theater. So check it out when you can.

 

My scores are:

 

Action/Adventure/Fantasy: 7.5

Movie Overall: 6.5