Atomic Action

Atomic Blonde

 

Spies, they come in every shape and size from goofy men in naked gun to the suave iterations of James Bond.  Yet one thing is certain, they often are involved in incredibly threatening situations that require luck, training, and sets of skills to get the job done.  This weekend, a new agent appears in the world of the silver screen and her name is Charlize Theron.  This gorgeous actress has been teasing the trailers with some exciting, seductive, and sexy scenes of her movie Atomic Blonde, promising an adventure to be had.  Robbie K back with another review, so let’s get this mission started.

 

LIKES:

 

Theron’s acting:  Lead actresses carry a lot of the movie when they are the featured character. Fortunately, Theron nails the role of the spy on all the avenues promised by the trailer.  Her physical looks, capable of making people go gaga, are only the superficial wrapping paper for the talent within, as she unleashes her cold ruthlessness with a little twist. She plays the wise and sly role well, bringing a dynamic character who has great chemistry with her fellow cast, crafting a deadly board to run their games on. Theron may be monotone in much of her roles, and often may play the same types of roles, but it works in this setting quite well.

 

Funny:  While certainly not the sole theme of this movie, Atomic Blonde is a figurative blast in the laughter department.  One of my friends compared some scenes to Monty Python in their comedic ploys of minions constantly getting up.  Seeing these stooges fall, dive, and become injured in a number of manners, but have ridiculous stamina is entertaining on many levels.  In addition, Atomic Blonde has some well-timed, and well-aimed, lines to relieve some of the tension. Mix all this with the over-the-top shock factor of this movie and you won’t help but laugh at the presentation at hand.

 

Action: The trailers painted an exciting thrill ride of death defying battles and spy warfare destruction.  And the trailers didn’t lie at all.  Atomic Blonde knocked hard on the action door as Theron faced the insurmountable odds of the secret army of spies out to hinder her mission and end her beautiful life.  The film has a number of styles for you including hand to hand combat, gunplay (and lots of it), and a few car chase scenes to keep things interesting.  Each of the drawn-out battles fits into the mission well, and the dynamic setting adds to the heat of the moment that is satisfying on so many levels.

 

The Soundtrack:  As Frozen proved years ago, a good soundtrack is something to take notice of.  Atomic Blonde’s featured tracks are all in the 80s, and the sweet beats are utilized to an excellent level that brings out the spirit of the scene.  And if you don’t care about a track matching to the movie, but like the synthesizer heavy music of the decade, then good news, you’ll be dancing in your seat to the sweet beats of the movie.  Whatever the reason, note that Atomic Bomb’s soundtrack is certainly a blast to the past of energizing music.

 

DISLIKES:

 

Convoluted story:  You may not have expected much of a story, after all most action heavy films seldom have one.  Yet, the thin story was certainly a complicated mess given everything packed into the movie and the directions they took to present it.  There is a mystery there, but it is overshadowed by the stunts and combat that ring throughout the movie. While the action is exciting, it distracts from the main plot and left little to follow given the shock factor of the series.  The dry dialogue doesn’t help much either, nor the fact that the movie jumps through so many perspectives in a short amount of time. The bottom line is…the presentation makes for a rather dry story, with only a few emotional oases to breathe life into the film.

 

Violence:  Action often does breed violence, but Atomic Blonde’s battles are true spectacles of mutilation and torture.  All the extras in particular are brutally battered in the fights, bashed in extraordinary detail to turn a few heads or make one of my friends cover her eyes. Theron’s character gets hit pretty hard too, painting her a few shades of gore as well. The gunplay makes for a ballad of painting the walls red, and the emphasis of close up, head explosions can be a little overdone at times. However, the most disturbing components are seeing the up and close drawn out deaths of a few character and their agonizing last breath.  Keep that in mind before jumping into the theater.

 

The unneeded romance scene:  I’m not one for the hot and sexy sequences in bed, but I can appreciate it when either done with class or pertinent to the story.  A scene in the trailers, and of course the movie, showed a rather hot moment that just didn’t feel necessary to me in the story.  Certainly, editing could have left this out, or at least the director’s cut, but without the added emphasis of relationships to the movie, I could have done without it.

 

The Verdict:

 

Atomic Blonde held much of what the trailers promised. It is an off the wall, very shocking film that leaves little to the imagination.  It is a thrilling, adrenaline pumping ride that felt fresh given the unique presentation and a soundtrack to further add fun.  Unfortunately, the stunts, violence, and convoluted presentation derailed the story for me and left me wondering what it is I just watched. There is plenty of theater worthy material to justify a visit, but if violence isn’t your cup of tea, pass this mission on to someone else. 

 

My scores are:

 

Action/Mystery/Thriller:  7.5

Movie Overall:  6.0

Ambiguity Comes At Night

It Comes At Night

 

Horror movies, they seem to be popping up at random times during the year.  Why June 9th called for one, I don’t know, but nevertheless… here I am writing another review on one.  Tonight, we hit It Comes At Dark, a movie starring Joel Edgerton.  Based on the trailer, I was expecting a thriller set out in the woods, as our main cast remained isolated in their proverbial fortress of solitude.  And with good reviews on other sites, my expectations further swelled.  What lies hidden in the house?  Robbie K will try to answer with another spoil free review.

 

LIKES:

 

Unique Twist: I use the word unique lightly as most stories have been told in the daunting flood of movies.  This film though treks away from the typical presentation of the horror genre, focusing a lot more on character development instead of just on the scares.  It comes at night takes a more artistic explanation, using the metaphorical devices to build up the suspense, story, and spook factor present in the film.  Such an “original” presentation is fun to watch, as the realistic atmosphere adds a little more edge to the movie.

 

Creepy:  If you’ve read my other horror reviews, you know I like a movie that balances jumps with creep factor. It comes at night doesn’t rely too much on the abrupt symphony blares that shatter the silence, but instead focuses on the creep factor to get under your skin.  The director brought three components that helped deliver the motive.  The first is the use of shadows, letting the unknown hijack your imagination and pain the picture of what lies n the dark.  Have a fear of the night, or at least night in the woods, then get ready for your worst nightmare, because that is what you are going to get. Second is the utilization of subtle sounds to further tease your imagination to create an image of what lurks in the dark. And finally, the realism factor.  It comes at night’s twist could certainly happen and realizing the fact spices up the terror.  That’s right, no over the top monsters, gratuitous maiming, or cheesy over dramatic stories about possession. It’s just straight up creep fest, using simple scare tactics.  Nice job guys.

 

DISLIKES:

 

Slow Pace: It Comes At Night does indeed have a unique twist, but it also opened the movie for a much slower presentation. After a rather tense opening, the pace drops to a snails run as you watched the family work to make a living in this post-apocalyptic world. Like one of the weaker episodes of the Walking Dead, much of the movie involves sequences of chores, upon chores, upon…yep you guessed it…more chores. And given the short run time, I wanted more bang for the buck.  Certainly it develops character (a plus), but without that exciting finish and tension to bring it full circle, the movie dragged and left me bored at times.  Artistic? Yes!  Realistic Yes! Needed all the time?  No!

 

Frustrating flashbacks:  This movie has plenty of weird dreams and semi-flashbacks trying to tell the story and do indeed build up the tension of the situation.  What is frustrating though is how incomplete these flashbacks are in the grand scheme.  The director had a brilliant idea to tease you with the unknown threats looming in this movie.  Unfortunately, the flashbacks, again, never get to the final answer, and all the extra flashbacks (while a great portrayal of thought and fear) frustrated me to know end at the constant interruption of the momentum and not providing the answer. I get it…that’s the point of this movie, but come on…give us something.

 

Ending:  The ending is certainly not the typical, run of the mill finish you expect in most spooky flicks.  So, this reviewer gives them props for that originality and significantly hard punch in the face.  Yet again, the director’s obsession with being artistic resulted in an ambiguous ending that drops to black just like that.  After bringing things to a full boil, the big finish fizzles out with a hasty wrapped up conclusion and a silent final scene where nothing happens.  No answers to what has happened to the world. No answers to the unknown factor that led to chaos (no clear one anyway). And no satisfying ending to complete the run.  So unless you just like dark, vague, finales where you are responsible for piecing things together, get ready for a disappointing ending.

 

The VERDICT:

 

It Comes At Night certainly defies the typical horror genre, and finally injects some uniqueness back into the mix.  A fantastic use of shadows and using the imagination to fill in the gaps amps up the scares and truly colors the unique “monster” looming in the woods.  Yet, they went a little too far with this gimmick and the incomplete ending just didn’t do it for me.  Abstract thoughts and artistic quality aside, I can’t recommend this one for the theaters except for those who like psychological analysis of a plot. 

 

My scores are:

 

Horror/Mystery:  6.0

Movie Overall:  5.0

Before The Editing Falls!

before-i-fall

Today’s review is on Before I Fall, a cryptic title that can symbolize so many things in the world of Hollywood.  If you have seen the trailers, they portray this movie as another endless time arc installment where days continue to repeat until a solution is found.  But outside of that, it was uncertain if the aim was horror, drama, thriller, or just straight up Sci-Fi.  So, to solve this question, I’m back in the trenches to give you my thoughts on the film, in hopes of answering your questions.  Let’s get started, shall we?

 

LIKES:

  • Great looking cast
  • Fun Soundtrack
  • Decent acting
  • Nice Story
  • Good Lessons

 

Summary: Okay let’s start with the shallower likes of the film with how great the cast looks. Before I fall’s primary actors are beautiful, cute, and many are adjectives that people can use to describe themThose looking to enjoy 90 minutes of eye candy will get their fill as Zoey Deutch and her teenage friends fill the camera with their flare. If looks aren’t your style, and you go to the movies for music (ironic no?), then you’re in luck because the movie has some fun tracks laced in that again are very fitting and for me toe-tapping as well.

Okay enough of the small likes, let’s get to the good stuff.  Movies with an all teen cast are often susceptible to becoming overacted messes that are more annoying than anything else. Not the case for this film. Before I Fall’s leading ladies have created believable relationships that describes the high school experience.  The “deep” bonds of a click that are strong, yet so fragile, is a common element in this movie, as well as the hardships teens feel in the pseudo-adult world of being a senior.  I felt the love, the hates, the struggles, and the anger all nicely balanced in this film, and kind of connected with some of the issues they had.

While the acting is decent, the story is the stronger quality for me that drove emotion home.  The answer to the question, for those who haven’t read the book, is Before I fall is more drama mixed with the Sci-Fi quality of looped time (e.g. Mean Girls meets If I stay with Ground Hog’s Day repetition).  I don’t know how the combination works for you, but for this reviewer it wasn’t that bad given my initial expectations of horror.  One of the things I appreciated, was how the diverse the days were.  With movies that involve repeating the same day, often the scenes grow stale by the third iteration.  While this happens at some points (the classroom scene), Before I Fall did a nice job changing up each day as Deutch’s character discovers the problems in her life and grows as a person.  And being a guy who appreciates character development, this movie’s strongest aspect is indeed strengthening a fairly shallow character and teaching us some life lessons in the process, before the big “twist” (again assuming you haven’t read the book).

 

 

 

 

 

 

DISLIKES:

  • Lacking in some areas
  • Scenes hastily thrown together at times
  • Preachy
  • Drawn Out

 

Summary: Film adaptations of books are always lacking given the time constraints and budget a film has.  Before I Fall has a lot of things tied well together, but there are still some weaker components that need some amping up. The protagonist’s life is surprisingly complicated for a teenage role, with many demons waiting to face Sami.  I applaud their attempts to cover all these issues, and while they did a decent job, I felt some of the qualities were lacking.  Many scenes felt rushed, or haphazardly thrown into the mix, lacking the needed development the book most likely had.  This lackluster development resulted in fairly simplistic scenes that takes away its theater quality.  What also took away from the theater quality was how preachy components of the movie.  Hearing Sami randomly go into bouts of loving/appreciating her friends, went down the eye-rolling path for me, as they layered on the cheese heavily. But if you are about the deeper bonds of passion, and straight to the point dialogue, this dislike won’t really affect you.  But overall, this reviewer felt many of these dislikes led to an incomplete picture, with lots of drawn out moments to one of the two predictable endings that, while emotional, wasn’t the big excitement I had hoped for.

 

The Verdict:

 

While I haven’t read the book, Before I fall is indeed a nice refreshing taste on the teenage drama genre.  The film seems to be a culmination of many movies brought into one story, with a creative use of the time-looping theme to explore lots of avenues that are missed in movies these days.  Throw in some decent relationship building with some good lessons and you have what feels to be a semi-decent portrayal of the book.  Yet, the film still needed some fine tuning in the editing compartment to bring full life to this rather simplistic (and clichéd) tale. Overall, this reviewer feels this movie is best left to a home viewing, but encourages you to send your teenagers and pre-teens to this film if you are looking for something.

 

Scores:

 

Drama/Mystery:  7.0

Movie Overall:  6.0

Is There A Cure for Disturbing, Complex, Boredom?

wellness

            Horror movies continue to storm the theaters this month, and each is certainly its own unique twist on the genre.  This weekend, a fairly odd titled movie called A Cure for Wellness has snuck into the theaters. The trailers have painted this one an interesting tale to say the least, promising a mystery to be contained within the walls of former Lucius Malfoy (Jason Isaacs) the sanatorium? Robbie K back to present more thoughts on yet another movie to hit the theaters.  Let’s get started.

 

LIKES:

  • Creepy Atmosphere
  • Unique Twist
  • Detailed

 

Summary:  If you wished for a creepy movie, then consider it granted because A Cure for Wellness is the personification of creepy.  The setting itself is more than enough to give you chills, as you delve into an isolated manor on top of the hill where dark, empty hallways and broad smiling staff await to “treat” our characters.  As Lockhart (Dane DeHaan) delves further into the mystery, he finds more pieces to the ever-shifting puzzle that only further gives you goosebumps.  And within these halls is indeed a unique twist to the normal horror story.  A Cure for Wellness will certainly have some “twists” that you haven’t seen before (or haven’t seen in a while) that of course has to do with the water they magnify in the trailers.  While I can’t tell you all the connections that lie within the walls of this film, you should certainly expect it to be detailed.  Where many horror movies trade detailed plots for cheap scares, Cure for Wellness does the opposite by making a very complex story with fewer jump moments.  You’ll have to pay attention to connect the clues, but rest assured the writers did a decent job developing the story to avoid any gaps or loose ends.  Nice to see that art hasn’t been lost.

 

DISLIKES:

  • Boring
  • Long Run Time
  • A little too convoluted
  • Stretch of the imagination
  • Disturbing

 

Summary:  While I am impressed with their attention to detail, A Cure for Wellness has many limitations that took the magic away for me.  First thing for me was how boring it was. The mystery is intriguing, but all the setup, detective work, and excessive focus on dried out dialogue took away from my curiosity.  In addition, Lockhart’s treks through the facility have little suspense to them, partially due to the security being surprisingly lax, and the sense of urgency being rather diluted.  The overall pace of the film is slow and without anything to spice up the climax, the 150-minute runtime feels much longer.

Maybe if the ending had been more satisfying the wait would have been well worth it, but sadly Cure for Wellness failed in this regard for me.  While certainly unique, Cure for Wellness got a little too creative at times and stretched into the realm of extremely bizarre.  It was an attempt to blend science with magic, as two very different paths blended together into an awkward twist I didn’t quite comprehend at first.  And even the execution at the end wasn’t that impressive, as the cheesy theatrics came to a rushed ending.

But the biggest limitation is the number of disturbing scenes contained in this film.  Imagine, if you will, the traps of the Saw films.  Remember the gore and suffering portrayed in those moments, where our poor cast was forced to scream until they met their fates?  Well, this movie mimics those details again, only without Jigsaw’s cleverness or convoluted designs.  You’ll get to see some truly psychotic moments in this film, as Lockhart falls victim to the treatments and “pampering” that must have been born in Hell.  You can guess that this kind of stuff isn’t my particular cup of tea, and while certainly suspenseful at times, our team got excessive in drawing these moments out. Perhaps this is the reason they say you won’t sleep at night.

 

The VERDICT:

 

A Cure for Wellness looked to be the unique twist the genre has been lacking for some time.  While the mystery is very detailed and developed in this creepy asylum world, it still has some pitfalls that take away from the movie. I’ll agree this movie will join the ranks of the cult status films primarily due to the graphic bouts of psychosis and disturbing twists. Past this though, it’s not a movie I can recommend for the theater, unless you get certain thrills from this kind of torture. 

 

My scores are:

 

Mystery/Thriller: 6.0

Movie Overall: 4.0

All Aboard! Dramatic Complicated Movie Ahead

girl-on-train

 

Drama, it’s a category that sells like hotcakes in the entertainment field.  Soap operas have been abusing this genre for years, and this weekend another big budget blockbuster will attempt to capitalize on affairs and deceit.  I’m talking about Girl on a Train, another book turned movie that looks to be a mirror of Gone Girl from a few years past. Does this movie hold true potential for suspense, or is it just old hat tricks?  Robbie K here, hoping to provide some insight into those questions.

 

LIKES:

  • Wonderful Cast
  • Delivers promised drama
  • A decent mystery

 

This film’s ensemble certainly deserves credit for bringing the tale to life. Emily Blunt leads the team off playing a part that was both emotional and complex. Blunt can portray pain well, bringing suffering out of the screen in a believable performance that seldom crosses into overacting territory.  Her emotions are in good balance, fluidly transitioning between each mood to capture the crazy edge required by her character. Haley Bennett has less emotion to cover, but portrays depression quite realistically in terms of emotional bluntness seen in the disorder.  As for Rebecca Ferguson, the third leading lady must have a jealous house wife inside of her, for she nails the distrustful nature down to the letter.  While these ladies take center stage, the rest of the cast do justice to their roles and create a world fitting of the mystery thriller story. Speaking of story…

Girl on a train is a tale that is filled with promised drama and mystery, perfect components for a suspense/thrillerOur three…”heroines” for lack of a better world, weave complicated relationships within the city. Some are good and some are bad, but all are dramatic and over the top to hook you into the characters’ lives. While I normally am annoyed by characters inability to let things go, this approach works for this film as it led to important character development while shedding light on the mystery at hand. As for the suspenseful mystery, it’s not the most unique puzzle to grace the silver screen. However, it is one with many layers and depth that require you to pay attention in order to uncover the truth behind the alibis. it. Such depth added to the suspense and kept into the movie as I waited to find the light at the end of the dark tunnel.

 

DISLIKES

  • Predictable ending
  • Convoluted presentation
  • Pointless scenes
  • Characters dropped at points

 

Having a mystery with many levels makes for a grasping tale, but sometimes getting too creative can be an issue. Girl on a train’s presentation is a bit convoluted, as the tale integrates past with present via a series of intertwining. I’ll admit it was an original presentation, but the flashbacks offset the momentum of the ship and sometimes transitioned back into the film so well you might have not realized you were back in the present. The result can be quite confusing and should you turn your attention away for a second, or go to the bathroom, you might become a bit lost. Fortunately, the ending is nicely wrapped up for you, but the rather predictable conclusion doesn’t make this complicated presentation worth the trouble.

Another dislike comes in the form of unnecessary scenes, primarily the ones involving sex. Call me whatever you want, but seeing forceful sex imposed on women, or seeing women seemingly bored with the art of making lust, does not make a good movie friends. I get it, sex sells as made evident by many films, and I will admit some major clues are dropped in these heated moments. Doesn’t mean I need to be drowned in all the naked, groaning details in such a short time span. Needless to say, the film earns its R rating for something other than cussing and violence.

Finally, some of the characters I feel got stiffed in this film. The trailers built up so many characters, but unfortunately they failed to deliver on some of them outside of dropping some key information before fading into the shadows. This hurt the movie in two ways.  The first is these supposedly spooky characters fizzled out, weakening the suspense of the film and making for boring characters. Second by doing this, the mystery becomes much easier to solve and further sacrifices the thrilling “surprise” at the end. Don’t worry though, you’ll still get that drama you so crave, even if you can get the answer in thirty minutes.

 

The VERDICT:

      Girl on a train certainly feels like a Gone Girl wannabe in terms of its dramatic atmosphere and complicated storytelling.  Yet it still lacks some of the things that made its predecessor so good, including better editing, more suspenseful characters, and not having flashbacks run interference.  Still it provides a good mystery to open the month up with the relationships many will sink their teeth into. Is it worth a trip to the theater?  I can’t say it is, but check this one out at home when you get the chance. 

 

My scores are:

Mystery/Thriller: 7

Movie Overall: 6

 

Morgan or Boregan? Scientific Moral Lesson In A Horrorless package

Morgan

            Picture it, flashing lights, eerie music and images of an artificial life being created on a giant screen.  Paints the idea of a science fiction horror movie right?  Yeah that’s what I thought when I saw the trailer for Morgan.  However, Hollywood is known for fooling us with their editing and therefore I return to my viewing spot once more.  Let’s get started

 

LIKES

  • A true science fiction plot
  • Decent acting
  • Twist in the end

 

To quote a friend, “We seldom get a true science fiction movie that isn’t drowned out by CGI action scenes and grotesque monsters.”  Fortunately, Morgan defies that trend and dives deep into the core of the genre, focusing on the scientific process in all its details.  In a script laden with scientific jargon, one will return to a college biology course sprinkled with a genetics topping.  But the natural science pales to Morgan’s primary focus of the ethics involved with creating life and trying to control it. Much of the film revolves around the small band of scientists arguing about Morgan’s role in life and what the future holds for their creation. It’s another black and white debate between parties, with some slight character development thrown in to add some depth.

As mentioned the film centers on scientists trying to rationalize the ethics of their creations.  So it’s probably important to have a good cast to bring the roles to life right?  In my opinion, the team did okay, but it wasn’t the most earth shattering performances to grace the screen. Kate Mara led the team playing a monotone role that while flat, held some mystery to it. While she certainly was able to look mean and perform stage combat, I wanted to see more of her character to round things out. Anya-Taylor Joy as Morgan certainly has the sociopathic role down and could easily play the next serial villain in a crime drama show. The other assembled casts did a smashing job on their part, both looking and playing the part of obsessive scientists to quite impressive levels.

But perhaps the biggest like of the movie was the twist in the end. In terms of the plot, there is more than meets the eye to some of the characters and the mystery begins to unravel as things heat up. You’ll have to get to the end of the film before the pieces fall together, but those with open eyes may pick up hints if they watch carefully. In addition, the movie actually gets a twist in genre at the end, turning into a part action movie with surprisingly violent stunts. While certainly cheesy this change of pace makes for a semi-exciting climax that relieves the movie of its drab pace.

DISLIKES:

  • Boring, slow pace
  • Not a horror movie or suspenseful
  • Graphic Torture

 

Morgan’s message about the mistakes made when playing God are beaten over the head, but the package it’s delivered in was so dull at times. Sure scientific minds may get caught up in the jargon and scientific ideas, but the team focused too much on the scholastic and not enough on the entertainment.  Surely the mystery element could make up for it, but I found little mystery in this movie other than when Morgan would go nuts, what would happen to her, and of course the twist I don’t want to ruin. If you’re into the moral dilemmas and high grade vocabulary this won’t bother you, but you might want to bring a pillow in case science wasn’t your cup of tea.

When the monotonous discussion eventually stops and the system begins to fail, I thought the suspense would pour in. Wrong again. Despite the dark hallways painted in red, there wasn’t much outside of Morgan’s creepy close ups that one would find unsettling.  I apologize for sounding like a broken record, but this movie lacks in thrills or suspense until the final fifteen to twenty minutes.  When it finally rears its head, the suspense comes in the form graphic torture, that involves brutal mauling, mindless shooting, and a little kung fu to sweeten the wet meat deal. I’ll admit some of these moments are fitting, however it also felt hastily wrapped up into an anticlimactic ending (like the ending to American Horror Story Season 4).

 

The VERDICT

Morgan held a lot of potential, but this reviewer felt much of it was lost in the direction it took. While I appreciate the attempts at being a true science fiction movie and preaching the importance of morals in discovery, it certainly failed to deliver the promised thrills. Such a shame considering they had a decent cast and setting to bring those horrors to life, but you can’t hit a home run all the time right? I can’t recommend this film for the theater, but you might give this one a shot at home when it hits Redbox in a few months. Instead find your local showing of Don’t Breathe and get your thrills from that.

 

My scores:

Drama/Horror/Mystery:  6.0

Movie Overall: 5.0

 

 

You Will Go To the Paper Towns, and Most Likely Enjoy it

paper towns

                  It’s the weekend and you know what that means, yes more movies and reviews that follow them. Today we focus on yet another movie based on a book by John Green, author of the teenage love novels of the modern age. Since I haven’t read the book, a buddy of mine accompanied me to give you the most complete review possible, in hopes of giving you the 411 about this film. Hi I’m Robbie K and it is time to get our review on.

Think back to Fault in Our Stars and what do you remember? Most likely you remember the romance story between the two terminal ill kids, and the motif of living life to the fullest. Well that motif is back, the living life part not the terminal illness part, and Paper Towns dopes it up on steroids. As the trailers quote, you are supposed to feel alive every moment, and this film will beat this message into your head with repetitive dialog constantly reminding you about the purpose of the quest. Yet despite repetition, they keep the story interesting, for once providing a romance story that was actually quite entertaining. Hold the phone, did I just say an entertaining love story? Yes I did, for you see Paper Towns is a tale that has love as a major factor, but doesn’t focus on it and drown it cheesiness. It is a driving point, but our characters’ have other issues that occur alongside the love story that provides outlets from the romance focus. The whole tale is realistic, and has relevant points that don’t make it ridiculous, despite some of the stretches and rushes.

Does it match the book? According to my friend the answer is NO. The movie deviates a lot from the book, keeping a slim skeletal frame work that adjusted for the slower parts of the book, which apparently were a lot. Our film adaptation cuts through a lot of the slow parts, skipping sit around moments for the more comedic parts. I felt connected to the characters issues, and even got to know them on some level, but I think they skimped on some details that could have provided more depth. My friend also said they left out a lot of the clues, even going so far as to alter the timeline to something he found stupid and ridiculous, to which I agree.

But despite how much they adapted the story, the acting is perhaps one of the strongest components of the movie. I felt that all of our main cast did a fantastic job of playing the graduating high school student role, each capturing a quark that made our traveling band colorful. Natt Wolfe as Quentin covered a diverse set of emotions, playing the meek, studious nerd role and gradually adapting into his live for the moment, Margo obsessed persona. Quinn seems to be a natural part of Wolfe, and with the exception of a few moments, he captures the role to its fullest and keeps the stereotypical role interesting. Cara Delevigne as the mysterious Margo also brings a hipster tone to the movie, an edgy role with a little bit of innocence thrown into the mix. Not my favorite character, but she does her job of bringing the mysterious component to this film. My favorite character has to be Ben, who is the comedic relief in the movie and capable of cracking a few smiles with his awkward, clumsy, and geeky mannerisms. The rest of the cast do justice to their parts, and despite some hasty and simplistic lines, create a well–rounded cast to make the book come to life. Their performances helped me relate to the issues, and the lack of overdramatic garbage made famous in dramas kept me grounded to the issues at hand. Plus, the writing was very clever, spread throughout the movie and timed well to maximize the laughs. Lines weren’t pushed on me, and were not as expletive or crude that kept it funny and not too inappropriate.

Outside of acting and plot line what else is there to report. Well John Green’s novels continue to bring a well balanced soundtrack, with songs that are not only catchy, but matched with the right scenes at the right time. In addition, I found it a plus at a shorter than 2 hour run time, managing to capture the essence of the book without dropping into the extensive details. I do agree with my friend that I wanted more clues, for the mystery is solved in the first 45 minutes of the movie nearly dropping the “suspenseful” part of this tale. In addition, I could have done with a few more hindrances to our character’s problems that weren’t wrapped up so quickly as it was in this movie. Again, I’m sure you get this in the book, but it would have been nice to see some more of it incorporated into the film.

Paper Towns is an entertaining movie, and what I feel is a great summer teen flick for many. With relevant issues, characters that aren’t annoying, and a brisk pace in plot you have a victory you have a movie that actually is pretty interesting. Purists of the book need to brace themselves for the changes, or avoid the movie altogether. And if you are looking for the intimate love story that was Fault in our Stars, then check yourself again. Fans looking for a good drama/comedy this summer I encourage to check this out, but there wasn’t enough to recommend a trip to theater for this one.

My scores are:

Drama/Mystery/Romance: 7.5

Movie Overall: 7.0